Margaret Landon
- Writer
- 3 on MovieCove · 5 credits in all
What are Margaret Landon's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 3 · Dark 0
A split, not a type: Grounded 1 · Stylized 0 · Heightened 2
Gentle 2 · Charged 1 · Intense 0
A split, not a type: Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 0 · Some laughs 3 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Margaret Landon's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Margaret Landon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 3 with a MovieCove page.
The King and I(1999)
Midcredits score: 11th percentile of all films
The King and I: Recording a Hollywood Dream (not in the MovieCove catalog yet)(1993)
Anna and the King (not in the MovieCove catalog yet)(1972)
The King and I(1956)
Midcredits score: 89th percentile of all films
Midcredits score: 78th percentile of all films
Career shape
A full career of 5 titles from 1946 to 1999.
How do Margaret Landon's films land?
Their typical MovieCove film has a Midcredits score in the 78th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 74th percentile for acclaim.
- 75th and up2
- Below 25th1
Shape of the crowd
1 of their 3 titles is Universally Loved.
- Universally Loved1
- Crowd Pleaser1
- Mixed1
Reviewers score the dialogue 55/100 and the plot and story 48/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Margaret Landon work with?
People who share at least 2 of Margaret Landon's MovieCove titles; Oscar Hammerstein II shares the most, 2.
- Oscar Hammerstein IIShared titles: The King and I (1999), The King and I (1956)See all 2 shared titles with Oscar Hammerstein II
