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Gregory J. Lanesey

Producer, director and writer

Works as
Producer, director and writer
Titles
20 on MovieCove · 23 credits in all
TMDB popularity, last 65 days to Oct 28Down 30% in 30 days

What are Gregory J. Lanesey's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 1 · Dark 1

Grounded 4 · Stylized 1 · Heightened 0

Gentle 2 · Charged 3 · Intense 0

Steady 2 · Shifting 3 · Whiplash 0

Straight-faced 2 · Some laughs 3 · Funny 0

Slow burn 3 · Even-paced 2 · Relentless 0

Casual 3 · Engaged 2 · Full focus 0

Resolved 4 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
3
Tense
2
Hopeful
2
Contemplative
1
Romantic
1
Other
2

How their films end

  • Happy2
  • Bittersweet2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gregory J. Lanesey's films?

As of October 24, 2026, 16 of their 20 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Gregory J. Lanesey's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

23 credits, 20 with a MovieCove page.

  • Martha(2024)

    Digital Intermediate Producer

    Midcredits score: 89th percentile of all films
  • Brandy Hellville & the Cult of Fast Fashion(2024)

    Digital Intermediate Producer

    Midcredits score: 43rd percentile of all films
  • The Mission(2023)

    Digital Intermediate Producer

    Midcredits score: 55th percentile of all films
  • King Coal(2023)

    Digital Intermediate Producer

    Midcredits score: 80th percentile of all films
  • Detroit Burning(2022)

    Producer

    Midcredits score: 72nd percentile of all films (provisional, few ratings)
  • Tina(2021)

    Digital Intermediate Producer

    Midcredits score: 98th percentile of all films
  • Zappa(2020)

    Digital Intermediate Producer

    Midcredits score: 94th percentile of all films
  • Seduced: Inside the NXIVM Cult(2020)

    Show 4 episodes · Digital Intermediate Producer

    Midcredits score: 67th percentile of all shows
  • Feels Good Man(2020)

    Digital Intermediate Producer

    Midcredits score: 94th percentile of all films
  • Stars and Strife(2020)

    Digital Intermediate Producer

    Midcredits score: 16th percentile of all films
  • Belly of the Beast(2020)

    Digital Intermediate Producer

    Midcredits score: 78th percentile of all films
  • Transhood (not in the MovieCove catalog yet)(2020)

    Digital Intermediate Producer

  • Belushi(2020)

    Digital Intermediate Producer

    Midcredits score: 87th percentile of all films
  • The Dark Divide(2020)

    Producer

    Midcredits score: 47th percentile of all films
  • Whirlybird(2020)

    Producer

    Midcredits score: 78th percentile of all films
  • Making Waves: The Art of Cinematic Sound(2019)

    Digital Intermediate Producer

    Midcredits score: 93rd percentile of all films
  • Walk Run Cha-Cha (not in the MovieCove catalog yet)(2019)

    Digital Intermediate Producer

  • On Her Shoulders(2018)

    Digital Intermediate Producer

    Midcredits score: 86th percentile of all films
  • The Fabulous Allan Carr(2017)

    Digital Intermediate Producer

    Midcredits score: 87th percentile of all films
  • Take Me(2017)

    Digital Intermediate Producer

    Midcredits score: 43rd percentile of all films
  • Chasing 3000(2010)

    Director · Screenplay

    Midcredits score: 57th percentile of all films
  • Zerophilia(2005)

    Producer

    Midcredits score: 53rd percentile of all films
  • Oh God. Please Don't Let Me Strike Out (not in the MovieCove catalog yet)

    Director · Writer

Career shape

A full career of 20 titles, 19 of them dated from 2005 to 2024.

By role

only this rolewith another role
Directing2 of 20: 0 only directing, 2 with another roleWriting2 of 20: 0 only writing, 2 with another roleProducing18 of 20: 18 only producing, 0 with another role · typical Midcredits score83rd

By decade

2000s1 · crew2010s6 · crew2020s12 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Gregory J. Lanesey's films land?

Their typical MovieCove film has a Midcredits score in the 78th percentile, the median of all 19; across their 5 films with reception data, the typical film sits in the 54th percentile for acclaim.

Acclaim · how much people like their films

54thpercentile
Typical film, the median of 5

Approval · how many liked their films

58thpercentile
Typical film, the median of 5

Reach · how many have seen their films

46thpercentile
Typical film, the median of 5

Midcredits score across 20 titles, by percentile

  • 75th and up11
  • 50th to 74th5
  • 25th to 49th3
  • Below 25th1

Shape of the crowd

8 of their 20 titles are Mixed.

  • Universally Loved4
  • Divisive1
  • Cult Classic1
  • Crowd Pleaser5
  • Broadly Agreed1
  • Mixed8

Reviewers score the atmosphere 68/100 in their films, across 4 reviewed titles; fans 75, detractors 47. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Gregory J. Lanesey work with?

People who share at least 2 of Gregory J. Lanesey's MovieCove titles, grouped by what they did on them; Matt Radecki shares the most, 5.

Directors

Editors

Producers