Maria Lang

What are Maria Lang's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Maria Lang's films?

As of September 26, 2026, none of Maria Lang's 3 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Maria Lang's titles on MovieCove; rent and buy are not counted.

Filmography

3 credits, 3 with a MovieCove page.

• 

  Crimes of Passion: Dangerous Dreams(2013)

  Writer

  Midcredits score: 61st percentile of all films61^st
• 

  Crimes of Passion: Death of a Loved One(2013)

  Writer

  Midcredits score: 45th percentile of all films45^th
• 

  Crimes of Passion: Roses, Kisses and Death(2013)

  Writer

  Midcredits score: 57th percentile of all films57^th

Career shape

Across a limited sample of 3 MovieCove titles in 2013.

Biggest box office

Crimes of Passion: Death of a Loved One (2013)

$569K worldwide

Highest rated

Crimes of Passion: Death of a Loved One (2013)

Midcredits 45^th

How do Maria Lang's films land?

Their typical MovieCove film has a Midcredits score in the 57^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 58^th percentile for acclaim.

Shape of the crowd

None of their 3 titles divides audiences: 2 are Crowd Pleasers.

21

• Crowd Pleaser2
• Mixed1

Most loved · writer

Crimes of Passion: Dangerous Dreams (2013)

Midcredits 61^st · 56% liked

Reviewers score the plot and story 63/100 in their films, across 3 reviewed titles; fans 72, detractors 30. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Maria Lang work with?

People who share at least 2 of Maria Lang's MovieCove titles, grouped by what they did on them; Linus Wahlgren shares the most, 3.