Michel Lang

What are Michel Lang's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Michel Lang's films?

As of October 28, 2026, none of Michel Lang's 4 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Michel Lang's titles on MovieCove; rent and buy are not counted.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Bankers Also Have Souls(1982)

  Director · Writer

  Midcredits score: 41st percentile of all films41^st
• 

  We're Not Angels... Neither Are They(1981)

  Director · Writer

  Midcredits score: 8th percentile of all films (provisional, few ratings)~8^th
• 

  Holiday Hotel(1978)

  Director · Writer

  Midcredits score: 40th percentile of all films40^th
• 

  À nous les petites Anglaises!(1976)

  Director · Writer

  Midcredits score: 21st percentile of all films21^st

Career shape

Across a limited sample of 4 MovieCove titles from 1976 to 1982.

Highest rated

À nous les petites Anglaises! (1976)

Midcredits 21^st

Most popular right now

Holiday Hotel (1978)

How do Michel Lang's films land?

Their typical MovieCove film has a Midcredits score in the 31^st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 36^th percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 3 are Mixed.

13

• Universally Panned1
• Mixed3

Most loved · director, writer

Bankers Also Have Souls (1982)

Midcredits 41^st · 45% liked

Reviewers score the atmosphere 68/100 in their films, across 3 reviewed titles; fans 70, detractors 60. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Michel Lang work with?

People who share at least 2 of Michel Lang's MovieCove titles, grouped by what they did on them; Daniel Gaudry shares the most, 4.