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Bruce Lange

Editor

Works as
Editor
Titles
13 on MovieCove · 18 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 12% in 30 days

What are Bruce Lange's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Drama4 titlesTypical Midcredits score: 26th percentile, at or above their average across these genres
: browse their Drama movies
Comedy2 titlesTypical Midcredits score: 12th percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
26%
Bonds
22%
Self
17%
Society
12%
Ideas
12%
Power
7%
Survival
4%
Justice2 titles, browse their movies with this themePurpose2 titles, browse their movies with this themeCommunity3 titles, browse their movies with this themeTruth2 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this theme

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 4 · Serious 3 · Dark 1

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 8 · Stylized 0 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 4 · Charged 3 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 5 · Shifting 3 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 4 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 6 · Even-paced 2 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 5 · Engaged 2 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 7 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Hopeful
4
Warm
4
Melancholic
3
Joyful
2
Other
1

How their films linger

Feel-good4 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy5
  • Bittersweet2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Bruce Lange's films?

As of October 24, 2026, 9 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Also on these channels

Subscription and free streaming for Bruce Lange's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 13 with a MovieCove page.

  • Lethal Soccer Mom(2018)

    Editor

    Midcredits score: 24th percentile of all films

  • Christmas Festival of Ice(2017)

    Editor

    Midcredits score: 39th percentile of all films

  • The Real Inglorious Bastards(2012)

    Editor

    Midcredits score: 91st percentile of all films

  • Nemesis Game(2003)

    Editor

    Midcredits score: 24th percentile of all films

  • Air Bud: Golden Receiver(1998)

    Editor

    Midcredits score: 15th percentile of all films

  • At the Midnight Hour(1995)

    Editor

    Midcredits score: 27th percentile of all films

  • Only You(1994)

    Sound Editor

    Midcredits score: 68th percentile of all films

  • North of Pittsburgh (not in the MovieCove catalog yet)(1992)

    Editor

  • South of Wawa (not in the MovieCove catalog yet)(1992)

    Editor

  • Clarence(1990)

    Editor

    Midcredits score: 9th percentile of all films

  • Matinee(1989)

    Editor

    Midcredits score: 8th percentile of all films

  • Ravel (not in the MovieCove catalog yet)(1987)

    Editor

  • Abducted (not in the MovieCove catalog yet)(1986)

    Editor

  • Agnes of God(1985)

    Associate Editor

    Midcredits score: 63rd percentile of all films

  • Mrs. Soffel(1984)

    First Assistant Editor

    Midcredits score: 46th percentile of all films

  • Spring Fever (not in the MovieCove catalog yet)(1982)

    Assistant Editor

  • The Amateur(1981)

    Assistant Editor

    Midcredits score: 37th percentile of all films

  • The Shape of Things to Come(1979)

    Assistant Editor

    Midcredits score: 1st percentile of all films

Career shape

A full career of 16 titles from 1979 to 2017.

Biggest box office

Air Bud: Golden Receiver (1998)

$10M worldwide

Highest rated

Christmas Festival of Ice (2017)

Midcredits 39th

Most popular right now

Matinee (1989)

By role

only this rolewith another role
Editing10 of 16: 10 only editing, 0 with another role · typical Midcredits score20thOther crew6 of 16: 6 only other crew, 0 with another role · typical Midcredits score46th

By decade

1970s1 · crew1980s7 · crew1990s6 · crew2000s1 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Bruce Lange's films land?

Their typical MovieCove film has a Midcredits score in the 27th percentile, the median of all 13; across their 8 films with reception data, the typical film sits in the 23rd percentile for acclaim.

Acclaim · how much people like their films

23rdpercentile
Typical film, the median of 8

Approval · how many liked their films

26thpercentile
Typical film, the median of 8

Reach · how many have seen their films

44thpercentile
Typical film, the median of 8

Midcredits score across 13 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th4
  • Below 25th6

Shape of the crowd

7 of their 13 titles are Mixed.

  • Universally Loved1
  • Universally Panned2
  • Cult Classic1
  • Crowd Pleaser2
  • Mixed7

Most divisive · editor

Lethal Soccer Mom (2018)

75th percentile spread · 36% rated it 4 or lower

Most loved · editor

The Real Inglorious Bastards (2012)

Midcredits 91st · 79% liked

Reviewers score the pacing 45/100 in their films, across 6 reviewed titles; fans 57, detractors 32. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Bruce Lange work with?

People who share at least 2 of Bruce Lange's MovieCove titles, grouped by what they did on them; Richard Martin shares the most, 2.

Directors

Actors

Composers

Producers