
Hope Lange
Actor · Died December 19, 2003, aged 70 · Redding, Connecticut, USA
From Wikipedia, the free encyclopedia. Hope Lange (November 28, 1933 – December 19, 2003) was an American film, stage, and television actress. Lange was nominated for the Best Supporting Actress Golden Globe and the Academy Award for Best Supporting Actress for her portrayal of Selena Cross in the 1957 film Peyton Place. In 1969 and 1970, she won the Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series for her role as Carolyn Muir in the sitcom The Ghost & Mrs. Muir. Description above from the Wikipedia article Hope Lange, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- November 28, 1933
- December 19, 2003 (aged 70)
- Redding, Connecticut, USA
- Actor
- 24 on MovieCove · 54 credits in all
What are Hope Lange's films like?
Across their 19 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 18
Light 5 · Serious 8 · Dark 6
A split, not a type: Grounded 12 · Stylized 5 · Heightened 2
Gentle 5 · Charged 10 · Intense 4
Steady 7 · Shifting 10 · Whiplash 2
Straight-faced 13 · Some laughs 4 · Funny 2
A split, not a type: Slow burn 9 · Even-paced 10 · Relentless 0
Casual 6 · Engaged 12 · Full focus 1
Easy watch 5 · Affecting 8 · Heavy 6
Resolved 13 · Open-ended 5 · Ambiguous 1
Roles they play
Usually the Ally: 4 of 8 analyzed roles.
Show the 8 rolesHide the roles
- Heroas Caroline Bender in The Best of Everything (1959)
- Heraldas Elizabeth (Queenie) Martin in Pocketful of Miracles (1961)
- Mentoras Irene Sperry in Wild in the Country (1961)
- Heroas Maggie Carey Porter in Crowhaven Farm (1970)
- Allyas Karen Walsh in The 500 Pound Jerk (1973)
- Allyas Madelaine Calvert in Pleasure Palace (1980)
- Allyas Clara Ford in Ford: The Man and the Machine (1987)
- Allyas Cassie Willette in Cooperstown (1993)
Moods and endings
- Happy5
- Bittersweet11
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Hope Lange's films?
As of October 24, 2026, 9 of their 24 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Hope Lange's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
54 credits, 24 with a MovieCove page; 9 appearances as themselves are hidden until asked for.

Blue Velvet: The Lost Footage (not in the MovieCove catalog yet)(2011)

Before He Wakes (not in the MovieCove catalog yet)(1998)

Just Cause(1995)
Midcredits score: 52nd percentile of all films
Clear and Present Danger(1994)
Midcredits score: 80th percentile of all films
Message from Nam (not in the MovieCove catalog yet)(1993)

Cooperstown(1993)
Midcredits score: 42nd percentile of all films
Dead Before Dawn (not in the MovieCove catalog yet)(1993)

Tune in Tomorrow...(1990)
Midcredits score: 46th percentile of all filmsKnight & Daye (not in the MovieCove catalog yet)(1989)
Midcredits score: 57th percentile of all films
Blue Velvet(1986)
Midcredits score: 96th percentile of all films
Midcredits score: 25th percentile of all films
Private Sessions (not in the MovieCove catalog yet)(1985)

Murder, She Wrote(1984)
Midcredits score: 67th percentile of all shows
Finder of Lost Loves (not in the MovieCove catalog yet)(1984)

I Am the Cheese (not in the MovieCove catalog yet)(1983)

The Prodigal(1983)
Midcredits score: 30th percentile of all films
Matt Houston (not in the MovieCove catalog yet)(1982)

Hotel (not in the MovieCove catalog yet)(1982)

Pleasure Palace(1980)
Midcredits score: 19th percentile of all films
Beulah Land (not in the MovieCove catalog yet)(1980)

The Day Christ Died(1980)
Midcredits score: 36th percentile of all filmsLike Normal People (not in the MovieCove catalog yet)(1979)

The Love Boat(1977)
Midcredits score: 20th percentile of all shows
Love Boat II (not in the MovieCove catalog yet)(1977)

The Rivalry (not in the MovieCove catalog yet)(1975)

Medical Story (not in the MovieCove catalog yet)(1975)

The Secret Night Caller (not in the MovieCove catalog yet)(1975)

Fer-de-Lance (not in the MovieCove catalog yet)(1974)

Death Wish(1974)
Midcredits score: 78th percentile of all films
I Love You...Good-bye (not in the MovieCove catalog yet)(1974)

Police Story (not in the MovieCove catalog yet)(1973)

The 500 Pound Jerk(1973)
Midcredits score: 63rd percentile of all films (provisional, few ratings)
That Certain Summer (not in the MovieCove catalog yet)(1972)

The New Dick Van Dyke Show (not in the MovieCove catalog yet)(1971)

Crowhaven Farm(1970)
Midcredits score: 52nd percentile of all films
The Ghost & Mrs. Muir (not in the MovieCove catalog yet)(1968)

Jigsaw (not in the MovieCove catalog yet)(1968)
CBS Playhouse (not in the MovieCove catalog yet)(1966)
Bob Hope Presents the Chrysler Theatre (not in the MovieCove catalog yet)(1963)

The Fugitive (not in the MovieCove catalog yet)(1963)

Love Is a Ball(1963)
Midcredits score: 36th percentile of all films
Marilyn (not in the MovieCove catalog yet)(1963)
Cyrano De Bergerac (not in the MovieCove catalog yet)(1962)

Pocketful of Miracles(1961)
Midcredits score: 86th percentile of all films
Wild in the Country(1961)
Midcredits score: 59th percentile of all films
The Best of Everything(1959)
Midcredits score: 65th percentile of all films
In Love and War(1958)
Midcredits score: 42nd percentile of all films
The Young Lions(1958)
Midcredits score: 85th percentile of all films
Peyton Place(1957)
Midcredits score: 85th percentile of all films
Midcredits score: 52nd percentile of all films
Bus Stop(1956)
Midcredits score: 50th percentile of all films
Hallmark Hall of Fame (not in the MovieCove catalog yet)(1951)

Kraft Television Theatre (not in the MovieCove catalog yet)(1947)
Career shape
Star power in the 97th percentile of 239,109 people with a billed film role, over a full career of 54 titles from 1947 to 2011; peak year 1961.

Biggest box office
A Nightmare on Elm Street Part 2: Freddy's Revenge (1985)

Highest rated
Blue Velvet (1986)

Most popular right now
A Nightmare on Elm Street Part 2: Freddy's Revenge (1985)
Film career
Peak 1961 · back in prominent film roles after a quiet stretch. Top draw in 4 MovieCove titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1956Screen debut· Bus Stop
- 1959First top-billed film· The Best of Everything
- 1974Career best· Death Wish
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Hope Lange's films land?
Their typical MovieCove film has a Midcredits score in the 52nd percentile, the median of all 22; across their 19 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 75th and up6
- 50th to 74th9
- 25th to 49th7
- Below 25th2
Shape of the crowd
14 of their 24 titles are Crowd Pleasers.
- Universally Loved1
- Cult Classic2
- Crowd Pleaser14
- Broadly Agreed3
- Mixed4
Reviewers score the acting 68/100 in their films, across 17 reviewed titles; fans 76, detractors 43. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Hope Lange's work okay for kids?
Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Hope Lange work with?
People who share at least 2 of Hope Lange's MovieCove titles, grouped by what they did on them; Jerry Wald shares the most, 4.
Directors
- Walter GraumanShared titles: Pleasure Palace (1980), Crowhaven Farm (1970)See all 2 shared titles with Walter Grauman

- Philip DunneShared titles: Wild in the Country (1961), In Love and War (1958)See all 2 shared titles with Philip Dunne

Writers
- Edward AnhaltShared titles: The Day Christ Died (1980), In Love and War (1958), The Young Lions (1958)See all 3 shared titles with Edward Anhalt

Actors
- John CarradineShared titles: Crowhaven Farm (1970), The True Story of Jesse James (1957)See all 2 shared titles with John Carradine

- Glenn FordShared titles: Love Is a Ball (1963), Pocketful of Miracles (1961)See all 2 shared titles with Glenn Ford

- Arthur O'ConnellShared titles: Pocketful of Miracles (1961), Bus Stop (1956)See all 2 shared titles with Arthur O'Connell

- Jeffrey HunterShared titles: In Love and War (1958), The True Story of Jesse James (1957)See all 2 shared titles with Jeffrey Hunter

Composers, cinematographers and editors
- William C. MellorShared titles: Wild in the Country (1961), The Best of Everything (1959), Peyton Place (1957)See all 3 shared titles with William C. Mellor

- Dorothy SpencerShared titles: Wild in the Country (1961), The Young Lions (1958)See all 2 shared titles with Dorothy Spencer

- Alfred NewmanShared titles: The Best of Everything (1959), Bus Stop (1956)See all 2 shared titles with Alfred Newman

- Robert L. SimpsonShared titles: The Best of Everything (1959), The True Story of Jesse James (1957)See all 2 shared titles with Robert L. Simpson
Producers
- Jerry WaldShared titles: Wild in the Country (1961), The Best of Everything (1959), In Love and War (1958), Peyton Place (1957)See all 4 shared titles with Jerry Wald

- Dino De LaurentiisShared titles: Blue Velvet (1986), Death Wish (1974)See all 2 shared titles with Dino De Laurentiis





