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Arthur Lappin

Arthur Lappin

Producer

Works as
Producer
Titles
12 on MovieCove · 14 credits in all
TMDB popularity, last 37 days to Oct 26Down 4% in 30 days

What are Arthur Lappin's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 3 · Dark 6

Grounded 10 · Stylized 0 · Heightened 0

Gentle 2 · Charged 4 · Intense 4

Steady 3 · Shifting 7 · Whiplash 0

Straight-faced 7 · Some laughs 2 · Funny 1

Slow burn 6 · Even-paced 4 · Relentless 0

Casual 2 · Engaged 7 · Full focus 1

Easy watch 2 · Affecting 1 · Heavy 7

Resolved 9 · Open-ended 1 · Ambiguous 0

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Arthur Lappin's films?

As of October 24, 2026, 2 of their 12 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Arthur Lappin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 12 with a MovieCove page.

  • Get Rich or Die Tryin'(2005)

    Executive Producer

    Midcredits score: 46th percentile of all films
  • Omagh (not in the MovieCove catalog yet)(2005)

    Executive Producer

  • Laws of Attraction(2004)

    Executive Producer

    Midcredits score: 33rd percentile of all films
  • In America(2002)

    Producer

    Midcredits score: 94th percentile of all films
  • Bloody Sunday(2002)

    Producer

    Midcredits score: 96th percentile of all films
  • On the Edge(2001)

    Producer

    Midcredits score: 83rd percentile of all films
  • Borstal Boy(2000)

    Producer

    Midcredits score: 70th percentile of all films
  • Agnes Browne(1999)

    Producer

    Midcredits score: 60th percentile of all films
  • The Boxer(1997)

    Producer

    Midcredits score: 83rd percentile of all films
  • Some Mother's Son(1996)

    Producer

    Midcredits score: 85th percentile of all films
  • In the Name of the Father(1993)

    Co-Producer

    Midcredits score: 99th percentile of all films
  • The Field(1990)

    Line Producer

    Midcredits score: 90th percentile of all films
  • My Left Foot(1989)

    Line Producer

    Midcredits score: 98th percentile of all films
  • The Dubliner's Dublin (not in the MovieCove catalog yet)(1988)

    Executive Producer

Career shape

A full career of 13 titles from 1988 to 2005.

By role

only this rolewith another role
Producing13 of 13: 13 only producing, 0 with another role · typical Midcredits score83rd

By decade

1980s2 · crew1990s5 · crew2000s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Arthur Lappin's films land?

Their typical MovieCove film has a Midcredits score in the 84th percentile, the median of all 12; across their 10 films with reception data, the typical film sits in the 81st percentile for acclaim.

Acclaim · how much people like their films

81stpercentile
Typical film, the median of 10

Approval · how many liked their films

86thpercentile
Typical film, the median of 10

Reach · how many have seen their films

83rdpercentile
Typical film, the median of 10

Midcredits score across 12 titles, by percentile

  • 75th and up8
  • 50th to 74th2
  • 25th to 49th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Arthur Lappin's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 83 · severeMedian of all films: 44
Sex & Nudity3 titlesmedian 25 · mildMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Arthur Lappin work with?

People who share at least 2 of Arthur Lappin's MovieCove titles, grouped by what they did on them; Jim Sheridan shares the most, 9.

Directors

Writers

Actors

Composers and editors

Producers

Mixed roles