Pierluigi Leonardi
- Editor
- 13 on MovieCove · 30 credits in all
Known for
What are Pierluigi Leonardi's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.
What they feel like to watch
Ironic 1 · Wry 2 · Earnest 3
Light 2 · Serious 2 · Dark 2
Grounded 2 · Stylized 3 · Heightened 1
Gentle 1 · Charged 4 · Intense 1
A split, not a type: Steady 3 · Shifting 1 · Whiplash 2
A split, not a type: Straight-faced 3 · Some laughs 1 · Funny 2
Slow burn 3 · Even-paced 3 · Relentless 0
Casual 5 · Engaged 1 · Full focus 0
Easy watch 2 · Affecting 4 · Heavy 0
Resolved 3 · Open-ended 3 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet4
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Pierluigi Leonardi's films?
As of October 24, 2026, 6 of their 13 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Pierluigi Leonardi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
30 credits, 13 with a MovieCove page.
Behind the White Glasses(2015)
Midcredits score: 83rd percentile of all films
Too Much Romance... It's Time for Stuffed Peppers (not in the MovieCove catalog yet)(2006)
Francesca and Nunziata (not in the MovieCove catalog yet)(2003)
Ferdinando and Carolina(1999)
Midcredits score: 39th percentile of all films
Le faremo tanto male (not in the MovieCove catalog yet)(1998)
The Nymph (not in the MovieCove catalog yet)(1996)
Midcredits score: 49th percentile of all films
Ciao, Professore!(1992)
Midcredits score: 83rd percentile of all films
In camera mia (not in the MovieCove catalog yet)(1992)
Saturday, Sunday and Monday (not in the MovieCove catalog yet)(1990)
Midcredits score: 36th percentile of all films
12 Directors for 12 Cities (not in the MovieCove catalog yet)(1989)
To Save Nine (not in the MovieCove catalog yet)(1989)
Desiring Julia(1986)
Midcredits score: 16th percentile of all films
Go to Great (not in the MovieCove catalog yet)(1983)
The Dirty Seven(1982)
Midcredits score: 3rd percentile of all films
Pierino, the SAUB Doctor (not in the MovieCove catalog yet)(1981)
L'esercito più pazzo del mondo (not in the MovieCove catalog yet)(1981)
Venetian Lies (not in the MovieCove catalog yet)(1981)
Café Express (not in the MovieCove catalog yet)(1980)
Blood Feud(1978)
Midcredits score: 61st percentile of all films
Escape from Women's Prison (not in the MovieCove catalog yet)(1978)
Ecce Bombo (not in the MovieCove catalog yet)(1978)
Fear in the City (not in the MovieCove catalog yet)(1976)
Seven Beauties(1975)
Midcredits score: 95th percentile of all films
Swept Away(1974)
Midcredits score: 91st percentile of all films
Love & Anarchy(1973)
Midcredits score: 96th percentile of all films
The Seduction of Mimi(1972)
Midcredits score: 93rd percentile of all films
Why?(1971)
Midcredits score: 93rd percentile of all films
A Black Veil for Lisa (not in the MovieCove catalog yet)(1968)
Career shape
A full career of 28 titles from 1968 to 2015.
Biggest box office
Ciao, Professore! (1992)
Highest rated
Ciao, Professore! (1992)
Most popular right now
L'anno prossimo... vado a letto alle dieci (1995)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Pierluigi Leonardi's films land?
Their typical MovieCove film has a Midcredits score in the 83rd percentile, the median of all 13; across their 6 films with reception data, the typical film sits in the 43rd percentile for acclaim.
- 75th and up7
- 50th to 74th1
- 25th to 49th3
- Below 25th2
Shape of the crowd
6 of their 13 titles are Universally Loved.
- Universally Loved6
- Universally Panned1
- Crowd Pleaser2
- Broadly Agreed1
- Mixed3
Reviewers score the pacing 55/100 in their films, across 3 reviewed titles; fans 65, detractors 35. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Pierluigi Leonardi work with?
People who share at least 2 of Pierluigi Leonardi's MovieCove titles, grouped by what they did on them; Lina Wertmüller shares the most, 4.
Directors
- Lina WertmüllerShared titles: Behind the White Glasses (2015), Ferdinando and Carolina (1999), Ciao, Professore! (1992), Crystal or Ash, Fire or Wind, as Long as It's Love (1989)See all 4 shared titles with Lina Wertmüller
Actors
- Massimo WertmüllerShared titles: Behind the White Glasses (2015), Crystal or Ash, Fire or Wind, as Long as It's Love (1989)See all 2 shared titles with Massimo Wertmüller
- Nastassja KinskiShared titles: Behind the White Glasses (2015), Crystal or Ash, Fire or Wind, as Long as It's Love (1989)See all 2 shared titles with Nastassja Kinski
- Rutger HauerShared titles: Behind the White Glasses (2015), Crystal or Ash, Fire or Wind, as Long as It's Love (1989)See all 2 shared titles with Rutger Hauer
Composers and cinematographers
- Carlo TafaniShared titles: Ciao, Professore! (1992), Crystal or Ash, Fire or Wind, as Long as It's Love (1989)See all 2 shared titles with Carlo Tafani
- GrecoShared titles: Ciao, Professore! (1992), Crystal or Ash, Fire or Wind, as Long as It's Love (1989)See all 2 shared titles with Greco
- Pino D'AngiòShared titles: Ciao, Professore! (1992), Crystal or Ash, Fire or Wind, as Long as It's Love (1989)See all 2 shared titles with Pino D'Angiò
Producers
- Fulvio LucisanoShared titles: L'anno prossimo... vado a letto alle dieci (1995), Crystal or Ash, Fire or Wind, as Long as It's Love (1989)See all 2 shared titles with Fulvio Lucisano
