
Tatiana Lepore
Actor · Born March 27, 1974 (52) · Norimberga, Germania
- March 27, 1974 (52)
- Norimberga, Germania
- Actor
- 7 on Motif · 29 credits in all
What are Tatiana Lepore's films like?
Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 2
Light 1 · Serious 2 · Dark 0
A split, not a type: Grounded 2 · Stylized 0 · Heightened 1
Gentle 1 · Charged 2 · Intense 0
Steady 3 · Shifting 0 · Whiplash 0
Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 1 · Affecting 1 · Heavy 1
Resolved 1 · Open-ended 2 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Tatiana Lepore's films?
As of October 24, 2026, 2 of their 7 Motif titles stream on a subscription or free service.
Subscription and free streaming for Tatiana Lepore's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
29 credits, 7 with a Motif page.

The Holy Boy(2025)
Midcredits score: 67th percentile of all films
The Story of Frank and Nina (not in the Motif catalog yet)(2024)

La Chimera(2023)
Midcredits score: 92nd percentile of all films
Le pupille(2022)
Midcredits score: 77th percentile of all films
Mental (not in the Motif catalog yet)(2020)

The Love Europe Project (not in the Motif catalog yet)(2019)

Soledad (not in the Motif catalog yet)(2018)

Pawn Street (not in the Motif catalog yet)(2016)

Fiore (not in the Motif catalog yet)(2016)

Luisa Spagnoli (not in the Motif catalog yet)(2016)

De Djess (not in the Motif catalog yet)(2015)

Somewhere Amazing (not in the Motif catalog yet)(2015)

Diario di un maniaco perbene (not in the Motif catalog yet)(2014)

Pulce non c'è (not in the Motif catalog yet)(2012)

È nata una star? (not in the Motif catalog yet)(2012)

Il sogno del maratoneta (not in the Motif catalog yet)(2012)

Come Undone(2010)
Midcredits score: 42nd percentile of all films
The Front Line (not in the Motif catalog yet)(2009)

Quiet Chaos(2008)
Midcredits score: 72nd percentile of all films
Days and Clouds (not in the Motif catalog yet)(2007)

Le stagioni del cuore (not in the Motif catalog yet)(2004)

Agata and the Storm(2004)
Midcredits score: 65th percentile of all films
Renzo e Lucia (not in the Motif catalog yet)(2004)

Al cuore si comanda (not in the Motif catalog yet)(2003)

Gli insoliti ignoti (not in the Motif catalog yet)(2003)

Casomai (not in the Motif catalog yet)(2002)

An Impossible Crime (not in the Motif catalog yet)(2001)

Bread and Tulips(2000)
Midcredits score: 91st percentile of all films
La Melevisione (not in the Motif catalog yet)(1999)
Career shape
Star power in the 90th percentile of 239,109 people with a billed film role, over a full career of 29 titles from 1999 to 2025.

Biggest box office
Bread and Tulips (2000)

Highest rated
Bread and Tulips (2000)

Most popular right now
Come Undone (2010)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Tatiana Lepore's films land?
Their typical Motif film has a Midcredits score in the 72nd percentile, the median of all 7; across a limited sample of 3 films with reception data, the typical film sits in the 80th percentile for acclaim.
- 75th and up3
- 50th to 74th3
- 25th to 49th1
Shape of the crowd
None of their 7 titles divides audiences: 5 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser5
- Mixed1
Reviewers score the acting 78/100 in their films, across 3 reviewed titles; fans 81, detractors 47. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Tatiana Lepore work with?
People who share at least 2 of Tatiana Lepore's Motif titles, grouped by what they did on them; Carlotta Cristiani shares the most, 3.
Directors
- Silvio SoldiniShared titles: Come Undone (2010), Bread and Tulips (2000)See all 2 shared titles with Silvio Soldini

Writers
- Doriana LeondeffShared titles: Come Undone (2010), Bread and Tulips (2000)See all 2 shared titles with Doriana Leondeff
Actors
- Alba RohrwacherShared titles: Le pupille (2022), Come Undone (2010)See all 2 shared titles with Alba Rohrwacher

- Giuseppe BattistonShared titles: Come Undone (2010), Bread and Tulips (2000)See all 2 shared titles with Giuseppe Battiston

Composers and editors
- Carlotta CristianiShared titles: Le pupille (2022), Come Undone (2010), Bread and Tulips (2000)See all 3 shared titles with Carlotta Cristiani
- Giovanni VenostaShared titles: Come Undone (2010), Bread and Tulips (2000)See all 2 shared titles with Giovanni Venosta