E.D. Leshin
- Producer
- 3 on MovieCove
What are E.D. Leshin's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 3 · Serious 0 · Dark 0
Grounded 2 · Stylized 1 · Heightened 0
Gentle 1 · Charged 2 · Intense 0
A split, not a type: Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 0 · Some laughs 2 · Funny 1
Slow burn 0 · Even-paced 3 · Relentless 0
A split, not a type: Casual 1 · Engaged 2 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch E.D. Leshin's films?
As of October 24, 2026, none of E.D. Leshin's 3 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for E.D. Leshin's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
Murder, He Says(1945)
Midcredits score: 78th percentile of all films
And the Angels Sing(1944)
Midcredits score: 52nd percentile of all films
Dr. Broadway(1942)
Midcredits score: 54th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1942 to 1945.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do E.D. Leshin's films land?
Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 61st percentile for acclaim.
- 75th and up1
- 50th to 74th2
Shape of the crowd
None of their 3 titles divides audiences: 1 is Crowd Pleaser.
- Crowd Pleaser1
- Broadly Agreed1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does E.D. Leshin work with?
People who share at least 2 of E.D. Leshin's MovieCove titles, grouped by what they did on them; George Marshall shares the most, 2.
Directors
- George MarshallShared titles: Murder, He Says (1945), And the Angels Sing (1944)See all 2 shared titles with George Marshall
Actors
- Fred MacMurrayShared titles: Murder, He Says (1945), And the Angels Sing (1944)See all 2 shared titles with Fred MacMurray
Composers and cinematographers
- Robert Emmett DolanShared titles: Murder, He Says (1945), Dr. Broadway (1942)See all 2 shared titles with Robert Emmett Dolan
- Theodor SparkuhlShared titles: Murder, He Says (1945), Dr. Broadway (1942)See all 2 shared titles with Theodor Sparkuhl
