
William Leslie
Actor · Died December 19, 2005, aged 77 · Seagraves, Texas, USA
William Leslie was an actor who had a successful Hollywood career. Leslie began his acting career appearing in various films, such as Forever Female (1953), Johnny Dark (1954) and the Jane Wyman dramatic adaptation Magnificent Obsession (1954). He also appeared in the Frankie Laine musical Bring Your Smile Along (1955), the dramatic adaptation Queen Bee (1955) with Joan Crawford, and The Long Gray Line (1955).
Read moreShow less
Biography from TMDB.
- March 27, 1928
- December 19, 2005 (aged 77)
- Seagraves, Texas, USA
- Actor
- 19 on MovieCove · 29 credits in all
What are William Leslie's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 10
A split, not a type: Light 5 · Serious 4 · Dark 2
A split, not a type: Grounded 8 · Stylized 3 · Heightened 0
A split, not a type: Gentle 5 · Charged 3 · Intense 3
Steady 8 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 6 · Some laughs 3 · Funny 2
Slow burn 2 · Even-paced 9 · Relentless 0
Casual 7 · Engaged 4 · Full focus 0
Easy watch 8 · Affecting 3 · Heavy 0
Resolved 11 · Open-ended 0 · Ambiguous 0
Roles they play
- Heroas Dr. David Conway in The Night the World Exploded (1957)
- Allyas Bill Martin in Little Amy (1962)
Moods and endings
- Happy9
- Bittersweet2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch William Leslie's films?
As of October 24, 2026, 10 of their 19 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for William Leslie's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
29 credits, 19 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

Mutiny in Outer Space (not in the MovieCove catalog yet)(1965)

The Couch (not in the MovieCove catalog yet)(1962)

Little Amy(1962)
Midcredits score: 55th percentile of all films (provisional, few ratings)
The Horse Soldiers(1959)
Midcredits score: 84th percentile of all films
Up Periscope(1959)
Midcredits score: 61st percentile of all films
The Last Hurrah(1958)
Midcredits score: 88th percentile of all films
Andy Hardy Comes Home(1958)
Midcredits score: 29th percentile of all films
Buchanan Rides Alone(1958)
Midcredits score: 76th percentile of all films
The Lineup (not in the MovieCove catalog yet)(1958)

Cowboy(1958)
Midcredits score: 70th percentile of all films
Return to Warbow (not in the MovieCove catalog yet)(1958)
Tricky Chicks (not in the MovieCove catalog yet)(1957)

Casey Jones (not in the MovieCove catalog yet)(1957)

Operation Mad Ball(1957)
Midcredits score: 64th percentile of all films
Ain't No Time for Glory (not in the MovieCove catalog yet)(1957)
Midcredits score: 16th percentile of all films
Hellcats of the Navy(1957)
Midcredits score: 29th percentile of all films
The Shadow on the Window(1957)
Midcredits score: 42nd percentile of all films
7th Cavalry(1956)
Midcredits score: 39th percentile of all films
The White Squaw (not in the MovieCove catalog yet)(1956)

Battle Stations (not in the MovieCove catalog yet)(1956)

Queen Bee(1955)
Midcredits score: 65th percentile of all films
Bring Your Smile Along(1955)
Midcredits score: 9th percentile of all films
The Long Gray Line(1955)
Midcredits score: 87th percentile of all films
Father Knows Best(1954)
Midcredits score: 65th percentile of all shows
Magnificent Obsession(1954)
Midcredits score: 82nd percentile of all films
Johnny Dark(1954)
Midcredits score: 43rd percentile of all films
Forever Female(1953)
Midcredits score: 66th percentile of all films
Scorching Fury (not in the MovieCove catalog yet)(1952)
Career shape
Star power in the 88th percentile of 239,109 people with a billed film role, over a full career of 29 titles from 1952 to 1965.
Film career
- 1954Screen debut· Magnificent Obsession
- 1958Career best· The Lineup
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do William Leslie's films land?
Their typical MovieCove film has a Midcredits score in the 63rd percentile, the median of all 18; across their 11 films with reception data, the typical film sits in the 56th percentile for acclaim.
- 75th and up5
- 50th to 74th7
- 25th to 49th5
- Below 25th2
Shape of the crowd
12 of their 19 titles are Crowd Pleasers.
- Divisive1
- Crowd Pleaser12
- Broadly Agreed3
- Mixed3
Reviewers score the acting 60/100 in their films, across 11 reviewed titles; fans 72, detractors 42. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does William Leslie work with?
People who share at least 2 of William Leslie's MovieCove titles, grouped by what they did on them; George Duning shares the most, 5.
Writers
- Blake EdwardsShared titles: Operation Mad Ball (1957), Bring Your Smile Along (1955)See all 2 shared titles with Blake Edwards

Actors
- Jack AlbertsonShared titles: Little Amy (1962), Bring Your Smile Along (1955)See all 2 shared titles with Jack Albertson

- Mickey RooneyShared titles: Andy Hardy Comes Home (1958), Operation Mad Ball (1957)See all 2 shared titles with Mickey Rooney

- Kathryn GrantShared titles: Operation Mad Ball (1957), The Night the World Exploded (1957)See all 2 shared titles with Kathryn Grant

- Philip CareyShared titles: The Shadow on the Window (1957), The Long Gray Line (1955)See all 2 shared titles with Philip Carey

Composers, cinematographers and editors
- George DuningShared titles: Operation Mad Ball (1957), The Shadow on the Window (1957), Bring Your Smile Along (1955), Queen Bee (1955), The Long Gray Line (1955)See all 5 shared titles with George Duning

- Al ClarkShared titles: Buchanan Rides Alone (1958), The Night the World Exploded (1957), Bring Your Smile Along (1955)See all 3 shared titles with Al Clark
- Charles Lawton Jr.Shared titles: Operation Mad Ball (1957), Bring Your Smile Along (1955), The Long Gray Line (1955)See all 3 shared titles with Charles Lawton Jr.

- Irving LippmanShared titles: Hellcats of the Navy (1957), The Night the World Exploded (1957)See all 2 shared titles with Irving Lippman
Producers
- Jonie TapsShared titles: The Shadow on the Window (1957), Bring Your Smile Along (1955)See all 2 shared titles with Jonie Taps
Mixed roles
- Howard W. KochShared titles: Up Periscope (1959), Andy Hardy Comes Home (1958)See all 2 shared titles with Howard W. Koch

- Richard QuineShared titles: Operation Mad Ball (1957), Bring Your Smile Along (1955)See all 2 shared titles with Richard Quine
