Paolo Levi
- Writer
- 8 on MovieCove · 24 credits in all
What are Paolo Levi's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
A split, not a type: Ironic 2 · Wry 1 · Earnest 3
Light 2 · Serious 5 · Dark 0
Grounded 1 · Stylized 4 · Heightened 2
A split, not a type: Gentle 2 · Charged 2 · Intense 3
Steady 2 · Shifting 3 · Whiplash 2
Straight-faced 3 · Some laughs 3 · Funny 1
Slow burn 2 · Even-paced 5 · Relentless 0
Casual 2 · Engaged 4 · Full focus 1
Easy watch 4 · Affecting 2 · Heavy 1
Resolved 2 · Open-ended 3 · Ambiguous 2
Moods and endings
- Happy3
- Bittersweet2
- Tragic1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Paolo Levi's films?
As of October 24, 2026, 4 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Paolo Levi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
24 credits, 8 with a MovieCove page.
Nudo di donna(1981)
Midcredits score: 45th percentile of all films
Delitto in Piazza (not in the MovieCove catalog yet)(1980)
Pleased To See You Again (not in the MovieCove catalog yet)(1976)
Ritratto di Donna Velata (not in the MovieCove catalog yet)(1975)
Midcredits score: 29th percentile of all films
Giuda uccide il venerdì(1974)
Midcredits score: 10th percentile of all films (provisional, few ratings)
7 Hours of Violence (not in the MovieCove catalog yet)(1973)
In einem Monat, in einem Jahr (not in the MovieCove catalog yet)(1969)
The Laughing Woman(1969)
Midcredits score: 73rd percentile of all films
Jekyll(1969)
Midcredits score: 12th percentile of all shows (provisional, few ratings)
Operation Kid Brother(1967)
Midcredits score: 3rd percentile of all films
Up the MacGregors(1967)
Midcredits score: 19th percentile of all films
Midcredits score: 58th percentile of all films (provisional, few ratings)
Che notte, ragazzi! (not in the MovieCove catalog yet)(1966)
Labyrinth (not in the MovieCove catalog yet)(1966)
Drama 61-67 (not in the MovieCove catalog yet)(1961)
Red Lips (not in the MovieCove catalog yet)(1960)
Till Death Do Us Part (not in the MovieCove catalog yet)(1959)
L'isola del tesoro (not in the MovieCove catalog yet)(1959)
Armchair Theatre (not in the MovieCove catalog yet)(1956)
Operazione notte (not in the MovieCove catalog yet)(1955)
Nero and the Burning of Rome (not in the MovieCove catalog yet)(1953)
The Devil's Daughter (not in the MovieCove catalog yet)(1952)
Wife for a Night (not in the MovieCove catalog yet)(1952)
Career shape
A full career of 23 titles from 1952 to 1980.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Paolo Levi's films land?
Their typical MovieCove film has a Midcredits score in the 29th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 36th percentile for acclaim.
- 50th to 74th2
- 25th to 49th2
- Below 25th4
Shape of the crowd
6 of their 8 titles are Mixed.
- Crowd Pleaser1
- Broadly Agreed1
- Mixed6
Reviewers score the dialogue 38/100 and the plot and story 37/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Paolo Levi work with?
People who share at least 2 of Paolo Levi's MovieCove titles, grouped by what they did on them; Stelvio Massi shares the most, 3.
Actors
- Agata FloriShared titles: Operation Kid Brother (1967), Up the MacGregors (1967)See all 2 shared titles with Agata Flori
- Anthony DawsonShared titles: Operation Kid Brother (1967), Troppo per vivere... poco per morire (1967)See all 2 shared titles with Anthony Dawson
- Daniela BianchiShared titles: Operation Kid Brother (1967), Troppo per vivere... poco per morire (1967)See all 2 shared titles with Daniela Bianchi
- Nazzareno ZamperlaShared titles: Troppo per vivere... poco per morire (1967), Up the MacGregors (1967)See all 2 shared titles with Nazzareno Zamperla
Composers and cinematographers
- Stelvio MassiShared titles: Giuda uccide il venerdì (1974), Jekyll (1969), Troppo per vivere... poco per morire (1967)See all 3 shared titles with Stelvio Massi
- Ennio MorriconeShared titles: Operation Kid Brother (1967), Up the MacGregors (1967)See all 2 shared titles with Ennio Morricone
Producers
- Dario SabatelloShared titles: Operation Kid Brother (1967), Up the MacGregors (1967)See all 2 shared titles with Dario Sabatello
