Richard P. Levine
- Producer
- 3 on MovieCove
Known for
What are Richard P. Levine's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Ideas.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 0 · Dark 3
Grounded 2 · Stylized 1 · Heightened 0
Gentle 0 · Charged 0 · Intense 3
Steady 0 · Shifting 2 · Whiplash 1
Straight-faced 3 · Some laughs 0 · Funny 0
A split, not a type: Slow burn 2 · Even-paced 0 · Relentless 1
Casual 0 · Engaged 2 · Full focus 1
Easy watch 0 · Affecting 0 · Heavy 3
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Richard P. Levine's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Richard P. Levine's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Tattoo(1981)
Midcredits score: 23rd percentile of all films
Magic(1978)
Midcredits score: 73rd percentile of all films
A Bridge Too Far(1977)
Midcredits score: 92nd percentile of all films
Career shape
A full career of 3 titles from 1977 to 1981.
How do Richard P. Levine's films land?
Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 72nd percentile for acclaim.
- 75th and up1
- 50th to 74th1
- Below 25th1
Shape of the crowd
None of their 3 titles divides audiences: 1 is Universally Loved.
- Universally Loved1
- Crowd Pleaser1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Richard P. Levine's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Richard P. Levine work with?
People who share at least 2 of Richard P. Levine's MovieCove titles, grouped by what they did on them; Joseph E. Levine shares the most, 3.
Directors
- Richard AttenboroughShared titles: Magic (1978), A Bridge Too Far (1977)See all 2 shared titles with Richard Attenborough
Writers
- William GoldmanShared titles: Magic (1978), A Bridge Too Far (1977)See all 2 shared titles with William Goldman
Actors
- Anthony HopkinsShared titles: Magic (1978), A Bridge Too Far (1977)See all 2 shared titles with Anthony Hopkins
Producers
- Joseph E. LevineShared titles: Tattoo (1981), Magic (1978), A Bridge Too Far (1977)See all 3 shared titles with Joseph E. Levine
