Albert E. Levoy

What are Albert E. Levoy's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Albert E. Levoy's films?

As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service, most on MGM+ (3).

• MGM+3 titles, browse their movies on this service
  • Lady Behave! (1937) · producer
  • Sitting on the Moon (1936) · producer
  • Rhythm in the Clouds (1937) · producer
• Prime Video2 titles, browse their movies on this service
  • The Bold Caballero (1936) · producer
  • Happy-Go-Lucky (1936) · producer
• Tubi2 titles, browse their movies on this service
  • Sitting on the Moon (1936) · producer · free
  • The Bold Caballero (1936) · producer · free

Subscription and free streaming for Albert E. Levoy's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

• 

  The Ghost Comes Home(1940)

  Producer

  Midcredits score: 35th percentile of all films35^th
• 

  Lady Behave!(1937)

  Producer

  Midcredits score: 33rd percentile of all films33^rd
• 

  Rhythm in the Clouds(1937)

  Producer

  Midcredits score: 26th percentile of all films26^th
• 

  Happy-Go-Lucky(1936)

  Producer

  Midcredits score: 17th percentile of all films (provisional, few ratings)~17^th
• 

  Sitting on the Moon(1936)

  Producer

  Midcredits score: 30th percentile of all films30^th
• 

  The Bold Caballero(1936)

  Producer

  Midcredits score: 26th percentile of all films26^th

Career shape

Across their 6 MovieCove titles from 1936 to 1940.

Most popular right now

The Ghost Comes Home (1940)

How do Albert E. Levoy's films land?

Their typical MovieCove film has a Midcredits score in the 28^th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 32^nd percentile for acclaim.

Shape of the crowd

None of their 6 titles divides audiences: 3 are Broadly Agreed.

33

• Broadly Agreed3
• Mixed3

Most loved · producer

The Ghost Comes Home (1940)

Midcredits 35^th · 35% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Albert E. Levoy work with?

People who share at least 2 of Albert E. Levoy's MovieCove titles, grouped by what they did on them; Murray Seldeen shares the most, 5.