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Robert L. Levy

Robert L. Levy

Producer and writer, also director

Works as
Producer and writer, also director
Titles
46 on MovieCove · 51 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 21% in 30 days

What are Robert L. Levy's films like?

Across their 46 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy19 titlesTypical Midcredits score: 25th percentile
: browse their Comedy movies
Action12 titlesTypical Midcredits score: 21st percentile
: browse their Action movies
Crime5 titlesTypical Midcredits score: 27th percentile
: browse their Crime movies
Adventure4 titlesTypical Midcredits score: 32nd percentile
: browse their Adventure movies
Drama3 titlesTypical Midcredits score: 71st percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
34%
Self
29%
Morality
19%
Survival
7%
Power
5%
Ideas
3%
Society
3%
Romantic love17 titles, browse their movies with this themeFamily bonds6 titles, browse their movies with this themeFriendship8 titles, browse their movies with this themeDeception7 titles, browse their movies with this themeComing of age8 titles, browse their movies with this themeSelf-worth6 titles, browse their movies with this themePurpose5 titles, browse their movies with this themeAmbition6 titles, browse their movies with this theme

What they feel like to watch

their average across 46 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 29 · Serious 10 · Dark 7

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 29 · Stylized 14 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 17 · Charged 18 · Intense 11

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 21 · Shifting 21 · Whiplash 4

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 15 · Some laughs 11 · Funny 20

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 11 · Even-paced 29 · Relentless 6

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 30 · Engaged 12 · Full focus 4

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 40 · Open-ended 6 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
22
Tense
17
Thrilling
14
Absurd
12
Romantic
12
Other
44

How their films linger

Feel-good27 titles, browse their movies with this aftertasteFun27 titles, browse their movies with this aftertasteBittersweet10 titles, browse their movies with this aftertasteUnsettling7 titles, browse their movies with this aftertasteHopeful7 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertaste

How their films end · 7 with a twist

  • Happy28
  • Bittersweet11
  • Ambiguous6
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Robert L. Levy's films?

As of October 24, 2026, 28 of their 46 MovieCove titles stream on a subscription or free service, most on Tubi (15).

Also on these channels

Subscription and free streaming for Robert L. Levy's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

51 credits, 46 with a MovieCove page.

  • Point Break(2015)

    Executive Producer

    Midcredits score: 20th percentile of all films

  • Breaking the Girls(2012)

    Producer

    Midcredits score: 18th percentile of all films

  • Old Dogs(2009)

    Producer

    Midcredits score: 19th percentile of all films

  • Wrong Turn at Tahoe(2009)

    Executive Producer

    Midcredits score: 38th percentile of all films

  • Van Wilder: Freshman Year(2009)

    Producer

    Midcredits score: 21st percentile of all films

  • The Comebacks(2007)

    Producer

    Midcredits score: 9th percentile of all films

  • The Flock(2007)

    Executive Producer

    Midcredits score: 28th percentile of all films

  • Van Wilder: The Rise of Taj(2006)

    Producer

    Midcredits score: 11th percentile of all films

  • Employee of the Month(2006)

    Producer

    Midcredits score: 24th percentile of all films

  • Underclassman(2005)

    Producer

    Midcredits score: 10th percentile of all films

  • Wedding Crashers(2005)

    Producer

    Midcredits score: 77th percentile of all films

  • Getting There (not in the MovieCove catalog yet)(2003)

    Executive Producer

  • The Challenge(2003)

    Executive Producer

    Midcredits score: 38th percentile of all films

  • When in Rome (not in the MovieCove catalog yet)(2002)

    Executive Producer

  • Van Wilder(2002)

    Producer

    Midcredits score: 50th percentile of all films

  • Holiday in the Sun(2001)

    Executive Producer

    Midcredits score: 33rd percentile of all films

  • Tangled(2001)

    Producer

    Midcredits score: 28th percentile of all films

  • On the Line(2001)

    Producer

    Midcredits score: 12th percentile of all films

  • Serendipity(2001)

    Executive Producer

    Midcredits score: 75th percentile of all films

  • Winning London(2001)

    Executive Producer

    Midcredits score: 38th percentile of all films

  • The Wedding Planner(2001)

    Producer

    Midcredits score: 25th percentile of all films

  • Blood Surf(2000)

    Producer · Writer

    Midcredits score: 3rd percentile of all films

  • Pay It Forward(2000)

    Producer

    Midcredits score: 80th percentile of all films

  • Our Lips Are Sealed(2000)

    Producer

    Midcredits score: 32nd percentile of all films

  • She's All That(1999)

    Producer

    Midcredits score: 45th percentile of all films

  • Diplomatic Siege(1999)

    Producer

    Midcredits score: 4th percentile of all films

  • Swing(1999)

    Producer

    Midcredits score: 43rd percentile of all films

  • Mafia!(1998)

    Executive Producer

    Midcredits score: 31st percentile of all films

  • Billboard Dad(1998)

    Executive Producer

    Midcredits score: 32nd percentile of all films

  • Denial(1998)

    Producer

    Midcredits score: 18th percentile of all films

  • A Kid in Aladdin's Palace(1997)

    Director · Characters · Producer · Story

    Midcredits score: 25th percentile of all films

  • The Last Time I Committed Suicide(1997)

    Executive Producer

    Midcredits score: 26th percentile of all films

  • A Kid in King Arthur's Court(1995)

    Producer · Writer

    Midcredits score: 11th percentile of all films

  • Payback(1995)

    Executive Producer

    Midcredits score: 32nd percentile of all films

  • Bandit: Bandit's Silver Angel(1994)

    Characters

    Midcredits score: 23rd percentile of all films

  • Bandit: Beauty and the Bandit(1994)

    Characters

    Midcredits score: 19th percentile of all films

  • Bandit: Bandit, Bandit (not in the MovieCove catalog yet)(1994)

    Characters

  • Bandit: Bandit Goes Country (not in the MovieCove catalog yet)(1994)

    Characters

  • Dark Tide (not in the MovieCove catalog yet)(1994)

    Writer

  • Full Eclipse(1993)

    Producer

    Midcredits score: 27th percentile of all films

  • Warlock: The Armageddon(1993)

    Producer · Second Unit Director

    Midcredits score: 24th percentile of all films

  • Mikey(1992)

    Producer · Second Unit Director

    Midcredits score: 33rd percentile of all films

  • Point Break(1991)

    Producer

    Midcredits score: 89th percentile of all films

  • Kid(1990)

    Producer

    Midcredits score: 50th percentile of all films

  • The Killing Time(1987)

    Producer

    Midcredits score: 18th percentile of all films

  • Rad(1986)

    Producer

    Midcredits score: 71st percentile of all films

  • Smokey and the Bandit Part 3(1983)

    Characters

    Midcredits score: 2nd percentile of all films

  • Safari 3000(1982)

    Associate Producer

    Midcredits score: 8th percentile of all films

  • Smokey and the Bandit II(1980)

    Characters

    Midcredits score: 21st percentile of all films

  • Smokey and the Bandit(1977)

    Executive Producer · Story

    Midcredits score: 82nd percentile of all films

  • The Todd Killings(1971)

    Producer

    Midcredits score: 35th percentile of all films

Career shape

A full career of 45 titles from 1971 to 2015.

Biggest box office

Wedding Crashers (2005)

$288M worldwide

Highest rated

Point Break (1991)

Midcredits 89th

Most popular right now

Van Wilder (2002)

By role

only this rolewith another role
Directing1 of 45: 0 only directing, 1 with another roleWriting11 of 45: 7 only writing, 4 with another role · typical Midcredits score20thProducing38 of 45: 32 only producing, 6 with another role · typical Midcredits score28thOther crew2 of 45: 0 only other crew, 2 with another role

45 titles, 6 with more than one role — producing and writing overlap on 4 of them.

By decade

1970s2 · crew1980s5 · crew1990s16 · crew2000s21 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Robert L. Levy's films land?

Their typical MovieCove film has a Midcredits score in the 27th percentile, the median of all 46; across their 46 films with reception data, the typical film sits in the 30th percentile for acclaim.

Acclaim · how much people like their films

30thpercentile
Typical film, the median of 46

Approval · how many liked their films

27thpercentile
Typical film, the median of 46

Reach · how many have seen their films

81stpercentile
Typical film, the median of 46

Midcredits score across 46 titles, by percentile

  • 75th and up5
  • 50th to 74th3
  • 25th to 49th18
  • Below 25th20

Shape of the crowd

24 of their 46 titles are Mixed.

  • Universally Panned2
  • Cult Classic6
  • Crowd Pleaser9
  • Broadly Agreed5
  • Mixed24

Most divisive · producer

On the Line (2001)

84th percentile spread · 51% rated it 4 or lower

Most loved · producer

Point Break (1991)

Midcredits 89th · 78% liked

Reviewers score the dialogue 39/100 and the plot and story 33/100 in their films, across 44 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Robert L. Levy's work okay for kids?

Across up to 23 MovieCove titles with content scores, sex & nudity and profanity run heavier than most films and violence & gore and frightening / intense lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore15 titles5–79 · median 32 · mildlighter than most filmsMedian of all films: 44
Sex & Nudity23 titles24–71 · median 46 · moderateheavier than most filmsMedian of all films: 32
Profanity15 titles40–76 · median 54 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs12 titles25–59 · median 38 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense12 titles2–76 · median 26 · mildlighter than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Robert L. Levy work with?

People who share at least 2 of Robert L. Levy's MovieCove titles, grouped by what they did on them; Peter Abrams shares the most, 36.

Directors

Writers

Actors

Cinematographers and editors

Producers

Mixed roles