Robert Libott
- Writer
- 7 on MovieCove · 21 credits in all
What are Robert Libott's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 4 · Serious 0 · Dark 0
Grounded 3 · Stylized 1 · Heightened 0
Gentle 2 · Charged 2 · Intense 0
A split, not a type: Steady 2 · Shifting 1 · Whiplash 1
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1
Slow burn 3 · Even-paced 1 · Relentless 0
Casual 4 · Engaged 0 · Full focus 0
Easy watch 4 · Affecting 0 · Heavy 0
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Robert Libott's films?
As of October 24, 2026, 3 of their 7 MovieCove titles stream on a subscription or free service, most on Prime Video (2).
Subscription and free streaming for Robert Libott's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
21 credits, 7 with a MovieCove page.

The Man from U.N.C.L.E.(1964)
Midcredits score: 79th percentile of all shows
Black Saddle (not in the MovieCove catalog yet)(1959)

Perry Mason(1957)
Midcredits score: 95th percentile of all shows
Wagon Train(1957)
Midcredits score: 62nd percentile of all showsI Led 3 Lives (not in the MovieCove catalog yet)(1953)

The All American (not in the MovieCove catalog yet)(1953)

Captain Pirate (not in the MovieCove catalog yet)(1952)

Last Train from Bombay (not in the MovieCove catalog yet)(1952)

The Lady and the Bandit(1951)
Midcredits score: 30th percentile of all films
The Groom Wore Spurs(1951)
Midcredits score: 13th percentile of all films
Arctic Fury(1951)
Midcredits score: 21st percentile of all films
Stage to Tucson (not in the MovieCove catalog yet)(1950)

State Penitentiary (not in the MovieCove catalog yet)(1950)
Midcredits score: 33rd percentile of all films
Tyrant of the Sea (not in the MovieCove catalog yet)(1950)

Chinatown at Midnight (not in the MovieCove catalog yet)(1949)

Barbary Pirate (not in the MovieCove catalog yet)(1949)

Flame of Youth (not in the MovieCove catalog yet)(1949)

Air Hostess (not in the MovieCove catalog yet)(1949)

Law of the Barbary Coast (not in the MovieCove catalog yet)(1949)

The Strange Mrs. Crane (not in the MovieCove catalog yet)(1948)
Career shape
A full career of 20 titles from 1948 to 1964.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Robert Libott's films land?
Their typical MovieCove film has a Midcredits score in the 26th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 29th percentile for acclaim.
- 75th and up2
- 50th to 74th1
- 25th to 49th2
- Below 25th2
Shape of the crowd
None of their 7 titles divides audiences: 2 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser2
- Broadly Agreed2
- Mixed2
Reviewers score the dialogue 38/100 and the plot and story 35/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Robert Libott work with?
People who share at least 2 of Robert Libott's MovieCove titles, grouped by what they did on them; Frank Burt shares the most, 4.
Writers
- Frank BurtShared titles: Arctic Fury (1951), The Groom Wore Spurs (1951), The Lady and the Bandit (1951), Fortunes of Captain Blood (1950)See all 4 shared titles with Frank Burt
Actors
- Louis HaywardShared titles: The Lady and the Bandit (1951), Fortunes of Captain Blood (1950)See all 2 shared titles with Louis Hayward

- Lumsden HareShared titles: The Lady and the Bandit (1951), Fortunes of Captain Blood (1950)See all 2 shared titles with Lumsden Hare

- Patricia MedinaShared titles: The Lady and the Bandit (1951), Fortunes of Captain Blood (1950)See all 2 shared titles with Patricia Medina

Editors
- Gene HavlickShared titles: The Lady and the Bandit (1951), Fortunes of Captain Blood (1950)See all 2 shared titles with Gene Havlick
Producers
- Harry Joe BrownShared titles: The Lady and the Bandit (1951), Fortunes of Captain Blood (1950)See all 2 shared titles with Harry Joe Brown