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Deborah Liebling

Deborah Liebling

Producer

Primetime Emmy nominee

Deborah Liebling is an American entertainment executive and film producer. She was formally President of Production of Universal Pictures. Previously, she was a Senior Production Executive at 20th Century Fox. Before her tenure at 20th Century Fox, she was Senior Vice President of original programming and development at Comedy Central where she was responsible for the development of South Park. She was nominated for three Emmys for her work as Executive Producer on South Park. Liebling made the switch from television to film on the strength of studio deals she helped with filmmakers like Jay Roach, Peter and Bobby Farrelly, Harold Ramis, Mike Judge, Steve Oedekerk, John Davis and Gil Netter. At Fox, she was the studio executive that oversaw the production of films including Dodgeball: A True Underdog Story and Borat. Description above from the Wikipedia article Debbie Liebling, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Works as
Producer
Titles
19 on MovieCove · 28 credits in all
TMDB popularity, last 155 days to Oct 26Down 14% in 30 days

What are Deborah Liebling's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

Light 5 · Serious 1 · Dark 2

A split, not a type: Grounded 5 · Stylized 2 · Heightened 1

A split, not a type: Gentle 4 · Charged 0 · Intense 4

A split, not a type: Steady 3 · Shifting 2 · Whiplash 3

A split, not a type: Straight-faced 2 · Some laughs 2 · Funny 4

Slow burn 3 · Even-paced 3 · Relentless 2

Casual 5 · Engaged 2 · Full focus 1

Resolved 7 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Absurd
4
Warm
3
Joyful
3
Dread
2
Other
5

How their films end · 1 with a twist

  • Happy3
  • Bittersweet5
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Deborah Liebling's films?

As of October 24, 2026, 15 of their 19 MovieCove titles stream on a subscription or free service, most on Paramount+ (7).

Subscription and free streaming for Deborah Liebling's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

28 credits, 19 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Proclivitas (not in the MovieCove catalog yet)(2026)

    Executive Producer

  • Carved(2024)

    Producer

    Midcredits score: 4th percentile of all films
  • Jules(2023)

    Producer

    Midcredits score: 74th percentile of all films
  • 65(2023)

    Producer

    Midcredits score: 17th percentile of all films
  • Jane(2022)

    Producer

    Midcredits score: 15th percentile of all films
  • Midcredits score: 69th percentile of all films
  • Midcredits score: 72nd percentile of all films
  • Unplugging(2022)

    Producer

    Midcredits score: 12th percentile of all films
  • Midcredits score: 91st percentile of all films
  • 50 States of Fright (not in the MovieCove catalog yet)(2020)

    Show 24 episodes · Executive Producer

  • Plus One(2019)

    Producer

    Midcredits score: 70th percentile of all films
  • PEN15(2019)

    Show 25 episodes · Executive Producer

    Midcredits score: 92nd percentile of all shows
  • The Polka King(2017)

    Executive Producer

    Midcredits score: 37th percentile of all films
  • Another Period(2013)

    Show 32 episodes · Executive Producer

    Midcredits score: 63rd percentile of all shows
  • Big Time in Hollywood, FL(2015)

    Show Producer

    Midcredits score: 79th percentile of all shows
  • Midcredits score: 90th percentile of all films
  • Dodgeball: A True Underdog Story(2004)

    Executive In Charge Of Production

    Midcredits score: 69th percentile of all films
  • BattleBots (not in the MovieCove catalog yet)(2000)

    Show 50 episodes · Producer

  • Midcredits score: 95th percentile of all films
  • South Park(1997)

    Show 83 episodes · Executive Producer

    Midcredits score: 96th percentile of all shows
  • South Park: The Unaired Pilot (not in the MovieCove catalog yet)(1996)

    Executive In Charge Of Production

  • Hardcore TV (not in the MovieCove catalog yet)(1992)

    Show 11 episodes · Supervising Producer

  • Midcredits score: 97th percentile of all films
  • Good Morning, Mr. Orwell (not in the MovieCove catalog yet)(1984)

    Associate Producer

  • Playboy Video Magazine, Volume 1 (not in the MovieCove catalog yet)(1982)

    Production Assistant

  • A Special Sesame Street Christmas(1978)

    Producer's Assistant

    Midcredits score: 76th percentile of all films
  • Hot Mess (not in the MovieCove catalog yet)

    Producer

  • Old Pals (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 26 titles, 24 of them dated from 1978 to 2026.

By role

only this rolewith another role
Producing19 of 26: 19 only producing, 0 with another role · typical Midcredits score67thOther crew7 of 26: 7 only other crew, 0 with another role · typical Midcredits score72nd

By decade

1970s1 · crew1980s3 · crew1990s4 · crew2000s2 · crew2010s4 · crew2020s10 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

4 major nominations and no wins, 1998–2021.

  1. 2021
    • Primetime Emmy, nominated · Outstanding Comedy Series
  2. 2002
    • Primetime Emmy, nominated · Outstanding Animated Program (For Programming Less Than One Hour)
  3. 2000
    • Primetime Emmy, nominated · Outstanding Animated Program (For Programming One Hour or Less)
  4. 1998
    • Primetime Emmy, nominated · Outstanding Animated Program (For Programming One Hour or Less)

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Deborah Liebling's films land?

Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 15; across their 8 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 8

Approval · how many liked their films

42ndpercentile
Typical film, the median of 8

Reach · how many have seen their films

84thpercentile
Typical film, the median of 8

Midcredits score across 19 titles, by percentile

  • 75th and up8
  • 50th to 74th6
  • 25th to 49th1
  • Below 25th4

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Deborah Liebling's work okay for kids?

Across up to 5 MovieCove titles with content scores, violence & gore and profanity run heavier than most films and sex & nudity lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles18–86 · median 60 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity5 titles7–63 · median 13 · minimallighter than most filmsMedian of all films: 32
Profanity5 titles37–87 · median 67 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles4–54 · median 42 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense5 titles5–62 · median 47 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Deborah Liebling work with?

People who share at least 2 of Deborah Liebling's MovieCove titles, grouped by what they did on them; Leo Birenberg shares the most, 3.

Actors

Composers and editors

Producers