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Philippe Lifchitz

Producer

Works as
Producer
Titles
3 on MovieCove · 11 credits in all
TMDB popularity, last 39 days to Oct 28Down 40% in 30 days

What are Philippe Lifchitz's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Survival.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 2

Grounded 1 · Stylized 1 · Heightened 1

Gentle 0 · Charged 2 · Intense 1

A split, not a type: Steady 1 · Shifting 2 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 0 · Engaged 1 · Full focus 2

Resolved 0 · Open-ended 1 · Ambiguous 2

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
3
Contemplative
3
Dread
2
Tense
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Philippe Lifchitz's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (2).

Subscription and free streaming for Philippe Lifchitz's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 3 with a MovieCove page.

  • Une femme au bout de la nuit (not in the MovieCove catalog yet)(1980)

    as Abbot

  • Valparaiso (not in the MovieCove catalog yet)(1964)

    Producer

  • La prima donna (not in the MovieCove catalog yet)(1964)

    Director · Writer

  • La Jetée(1962)

    Producer

    Midcredits score: 99th percentile of all films
  • Midcredits score: 29th percentile of all films (provisional, few ratings)
  • Chronicle of a Summer (not in the MovieCove catalog yet)(1961)

    Producer

  • The Astronauts (not in the MovieCove catalog yet)(1959)

    as The Tyrant

  • Along the Coast (not in the MovieCove catalog yet)(1958)

    Presenter · Producer

  • Night and Fog(1956)

    Producer

    Midcredits score: 99th percentile of all films
  • Le voyageur (not in the MovieCove catalog yet)(1956)

    Executive Producer

  • Symphonie mécanique (not in the MovieCove catalog yet)(1956)

    Producer

Career shape

A full career of 9 titles from 1956 to 1980.

Film career

  • 1959Screen debut· The Astronauts

By role

only this rolewith another role
Acting2 of 9: 2 only acting, 0 with another roleDirecting1 of 9: 0 only directing, 1 with another roleWriting1 of 9: 0 only writing, 1 with another roleProducing6 of 9: 5 only producing, 1 with another roleOther crew1 of 9: 0 only other crew, 1 with another role

By decade

1950s5 · 1 acting · 4 crew1960s3 · crew1980s1 · acting

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Philippe Lifchitz's films land?

Their typical MovieCove film has a Midcredits score in the 99th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 98th percentile for acclaim.

Acclaim · how much people like their films

98thpercentile
Typical film, the median of 3

Approval · how many liked their films

97thpercentile
Typical film, the median of 3

Reach · how many have seen their films

91stpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up2
  • 25th to 49th1

Shape of the crowd

None of their 3 titles divides audiences: 2 are Universally Loved.

  • Universally Loved2
  • Broadly Agreed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Philippe Lifchitz work with?

People who share at least 2 of Philippe Lifchitz's MovieCove titles; Anatole Dauman shares the most, 3.