
Clay Liford
Director, writer, cinematographer, editor and producer · Born February 24, 1974 (52) · New York City, New York, USA
Sundance award nominee
Clay Liford was born on 24 February 1974 in New York City, New York, USA. He is a cinematographer and editor, known for Wuss (2011), Earthling (2010) and Slash (2016).
Biography from TMDB.
- February 24, 1974 (52)
- New York City, New York, USA
- Director, writer, cinematographer, editor and producer
- 8 on MovieCove · 20 credits in all
Known for
What are Clay Liford's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 5
Light 5 · Serious 2 · Dark 0
Grounded 6 · Stylized 1 · Heightened 0
A split, not a type: Gentle 5 · Charged 1 · Intense 1
Steady 5 · Shifting 1 · Whiplash 1
A split, not a type: Straight-faced 2 · Some laughs 2 · Funny 3
A split, not a type: Slow burn 3 · Even-paced 4 · Relentless 0
Casual 5 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 3 · Affecting 4 · Heavy 0
Resolved 7 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet5
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Clay Liford's films?
As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (7).
Subscription and free streaming for Clay Liford's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
20 credits, 8 with a MovieCove page.

Tiny, Texas(2026)

All That We Love(2024)
Midcredits score: 59th percentile of all films
Sweet Steel (not in the MovieCove catalog yet)(2019)

Support the Girls(2018)
Midcredits score: 62nd percentile of all films
Sweet & Lo (not in the MovieCove catalog yet)(2018)

Slash(2016)
Midcredits score: 46th percentile of all films
ABCs of Death 2(2014)
Midcredits score: 23rd percentile of all films
Slash (not in the MovieCove catalog yet)(2013)

Gayby(2012)
Midcredits score: 42nd percentile of all films
Cinema Six(2012)
Midcredits score: 29th percentile of all films
Universal Squadrons (not in the MovieCove catalog yet)(2011)

Earthling (not in the MovieCove catalog yet)(2011)

Wuss(2011)
Midcredits score: 50th percentile of all films
Topeka (not in the MovieCove catalog yet)(2010)

St. Nick (not in the MovieCove catalog yet)(2009)

My Mom Smokes Weed (not in the MovieCove catalog yet)(2008)

The Stranger (not in the MovieCove catalog yet)(2007)
A Four Course Meal (not in the MovieCove catalog yet)(2006)

The Tunnel (not in the MovieCove catalog yet)(2001)

One with the Lightning (not in the MovieCove catalog yet)
Career shape
A full career of 18 titles, 17 of them dated from 2001 to 2025.
Awards
Nominated for a Sundance award in 2010, National.
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Clay Liford's films land?
Their typical MovieCove film has a Midcredits score in the 46th percentile, the median of the 7 of 8 with a score; across their 6 films with reception data, the typical film sits in the 42nd percentile for acclaim.
- 50th to 74th3
- 25th to 49th3
- Below 25th1
Shape of the crowd
5 of their 7 titles are Mixed.
- Cult Classic2
- Mixed5
Reviewers score the atmosphere 61/100 and the pacing 47/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Clay Liford work with?
People who share at least 2 of Clay Liford's MovieCove titles; Missi Pyle shares the most, 2.
- Missi PyleShared titles: All That We Love (2024), Slash (2016)See all 2 shared titles with Missi Pyle

- Kelly WilliamsShared titles: All That We Love (2024), Cinema Six (2012)See all 2 shared titles with Kelly Williams


