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Agnieszka Liggett

Agnieszka Liggett

Editor and actor · Lewisham, London, England, UK

Agnieszka Liggett is an editor known for 'Mr Bates vs. The Post Office', 'Funny Woman', 'Doctor Who', 'The Killing Kind', films 'Obey', 'Scarborough', 'Last train to Christmas', 'Crowhurst' and 'Howl'. Agnieszka also edited documentaries 'Death Without Mercy', 'Ukraine: Life under attack' and 'Jill Dando: The 20 Year Mystery'. She graduated with MA in Editing from the National Film and Television School in UK and before that she studied drama in National Polish Film, Theatre and TV School in Lodz. Many of the films Agnieszka edited screened at various festivals and gone to win numerous awards. Feature film 'Obey' won BAFTA Cymru Breakthrough Award, 'After tomorrow' was nominated for PALM D'OR and short animation 'Badgered' was nominated for an OSCAR. Agnieszka won BAFTA for her work on short documentaries about Cambridge Analytica and she was nominated for BEST EDITING in Underwire Festival for her work on film 'Gone'. She edits fiction as well as documentaries. Most people call her Aggi.

Read more

Biography from TMDB.

From
Lewisham, London, England, UK
Works as
Editor and actor
Titles
22 on MovieCove · 34 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Official site (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 3% in 30 days

What are Agnieszka Liggett's films like?

Across their 20 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Drama5 titlesTypical Midcredits score: 40th percentile
: browse their Drama movies
Biography2 titlesTypical Midcredits score: 54th percentile, at or above their average across these genres
: browse their Biography movies
Comedy2 titlesTypical Midcredits score: 33rd percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
23%
Bonds
20%
Self
19%
Survival
15%
Power
10%
Society
6%
Ideas
6%
Justice6 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeGrief4 titles, browse their movies with this themeBetrayal4 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themeFriendship2 titles, browse their movies with this themeClass2 titles, browse their movies with this theme

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 1 · Serious 1 · Dark 11

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 8 · Stylized 3 · Heightened 2

Intense: How hard the emotional peaks hit while you watch. Browse their intense movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 4 · Intense 8

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 7 · Whiplash 4

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 11 · Some laughs 1 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 7 · Even-paced 6 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 2 · Engaged 5 · Full focus 6

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

Easy watch 1 · Affecting 5 · Heavy 7

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 5 · Open-ended 3 · Ambiguous 5

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
18
Melancholic
11
Dread
8
Contemplative
7
Warm
2
Other
13

How their films linger

Unsettling9 titles, browse their movies with this aftertasteHaunting8 titles, browse their movies with this aftertasteThought-provoking9 titles, browse their movies with this aftertasteBittersweet6 titles, browse their movies with this aftertasteInfuriating3 titles, browse their movies with this aftertasteDevastating2 titles, browse their movies with this aftertaste

How their films end · 5 with a twist

  • Happy1
  • Bittersweet8
  • Tragic3
  • Ambiguous8

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Agnieszka Liggett's films?

As of October 24, 2026, 17 of their 22 MovieCove titles stream on a subscription or free service, most on Tubi (9).

Also on these channels

Subscription and free streaming for Agnieszka Liggett's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

34 credits, 22 with a MovieCove page.

  • The Lady(2026)

    Show 4 episodes · Editor

    Midcredits score: 27th percentile of all shows

  • Alice and Steve(2026)

    Show Editor

    Midcredits score: 42nd percentile of all shows

  • Code of Silence(2025)

    Show Editor

    Midcredits score: 57th percentile of all shows

  • Towards Zero(2025)

    Show Editor

    Midcredits score: 20th percentile of all shows

  • Death Without Mercy(2024)

    Editor

    Midcredits score: 85th percentile of all films

  • Mr Bates vs. The Post Office(2024)

    Show Editor

    Midcredits score: 98th percentile of all shows

  • Maternal(2023)

    Show Editor

    Midcredits score: 75th percentile of all shows

  • The Killing Kind(2023)

    Show Editor

    Midcredits score: 12th percentile of all shows

  • Ukraine: Life Under Russia's Attack (not in the MovieCove catalog yet)(2022)

    Editor

  • Last Train to Christmas(2021)

    Editor

    Midcredits score: 43rd percentile of all films

  • The Salamander(2021)

    Editor

    Midcredits score: 39th percentile of all films

  • Adventures of a Mathematician(2020)

    Editor

    Midcredits score: 61st percentile of all films

  • My Brother's Keeper (not in the MovieCove catalog yet)(2020)

    Editor

  • Tales from the Lodge(2019)

    Editor

    Midcredits score: 23rd percentile of all films

  • Peripheral(2018)

    Editor

    Midcredits score: 10th percentile of all films

  • Scarborough(2018)

    Editor

    Midcredits score: 35th percentile of all films

  • Wonderful Copenhagen (not in the MovieCove catalog yet)(2018)

    as Olga

  • Crowhurst(2017)

    Editor

    Midcredits score: 46th percentile of all films

  • Obey(2018)

    Editor

    Midcredits score: 40th percentile of all films

  • Refugee (not in the MovieCove catalog yet)(2016)

    Editor

  • Howl(2015)

    Editor

    Midcredits score: 25th percentile of all films

  • Still(2014)

    Editor

    Midcredits score: 33rd percentile of all films

  • After Tomorrow (not in the MovieCove catalog yet)(2012)

    Editor

  • The Seasoning House(2012)

    Editor

    Midcredits score: 47th percentile of all films

  • God on Trial(2008)

    as Tour Guide

    Midcredits score: 93rd percentile of all films

  • Angelo's (not in the MovieCove catalog yet)(2007)

    Show 1 episode · as Nikki

  • The Dinner Party (not in the MovieCove catalog yet)(2007)

    as Rose

  • Outlanders (not in the MovieCove catalog yet)(2007)

    Editor

  • X-Mass (not in the MovieCove catalog yet)(2005)

    Editor

  • Peep Show(2003)

    Show 1 episode · as Eva

    Midcredits score: 98th percentile of all shows

  • The Low Down (not in the MovieCove catalog yet)(2001)

    as Anna

  • The Vice(1999)

    Show 1 episode · as Alexa

    Midcredits score: 64th percentile of all shows

  • Skin (not in the MovieCove catalog yet)(1995)

    as Kath

  • You Can't Eat Fishing (not in the MovieCove catalog yet)

    as Renata

Career shape

A full career of 25 titles, 24 of them dated from 1995 to 2026.

Biggest box office

Howl (2015)

$478K worldwide

Highest rated

Mr Bates vs. The Post Office (2024)

Midcredits 98th

Most popular right now

The Lady (2026)

Film career

  • 2008Screen debut· God on Trial

By role

only this rolewith another role
Acting9 of 25: 9 only acting, 0 with another roleEditing16 of 25: 16 only editing, 0 with another role · typical Midcredits score37th

By decade

1990s2 · acting2000s7 · 5 acting · 2 crew2010s8 · 1 acting · 7 crew2020s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Agnieszka Liggett's films land?

Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 41st percentile for acclaim.

Acclaim · how much people like their films

41stpercentile
Typical film, the median of 13

Approval · how many liked their films

41stpercentile
Typical film, the median of 13

Reach · how many have seen their films

48thpercentile
Typical film, the median of 13

Midcredits score across 22 titles, by percentile

  • 75th and up5
  • 50th to 74th3
  • 25th to 49th10
  • Below 25th4

Shape of the crowd

12 of their 22 titles are Mixed.

  • Universally Loved4
  • Divisive1
  • Cult Classic1
  • Crowd Pleaser3
  • Broadly Agreed1
  • Mixed12

Most divisive · editor

The Salamander (2021)

91st percentile spread · 31% rated it 4 or lower

Most loved · editor

Mr Bates vs. The Post Office (2024)

Midcredits 98th · 95% liked

Reviewers score the pacing 40/100 in their films, across 10 reviewed titles; fans 53, detractors 24. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Agnieszka Liggett's work okay for kids?

Across up to 6 MovieCove titles with content scores, 1 of the 5 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 79 · intenseMedian of all films: 44
Sex & Nudity6 titles13–64 · median 36 · moderatenear the median of all filmsMedian of all films: 32
Profanity4 titlesmedian 65 · intenseMedian of all films: 36
Alcohol & Drugs4 titlesmedian 50 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 74 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Agnieszka Liggett work with?

People who share at least 2 of Agnieszka Liggett's MovieCove titles, grouped by what they did on them; Paul Hyett shares the most, 3.

Directors

Actors

Composers and cinematographers

Producers