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John F. Link

Editor · Born July 16, 1935 (91) · Los Angeles, California, USA

Oscar nominee

John F. Link was born on 16 July 1935 in Los Angeles, California, USA. John F. was an editor and producer, known for Die Hard (1988), Predator (1987) and The Quest (1996). John F. was married to Wendy Holmes. John F. died on 9 August 2026 in Huntersville, North Carolina, USA.

Biography from IMDb.

Born
July 16, 1935 (91)
From
Los Angeles, California, USA
Works as
Editor
Titles
30 on MovieCove

What are John F. Link's films like?

Across their 30 MovieCove titles with a thematic analysis, their films lean Morality and Self.

What they feel like to watch

their average across 30 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 12 · Serious 8 · Dark 10

Grounded 21 · Stylized 6 · Heightened 3

Gentle 5 · Charged 13 · Intense 12

A split, not a type: Steady 15 · Shifting 13 · Whiplash 2

Straight-faced 18 · Some laughs 11 · Funny 1

Slow burn 10 · Even-paced 14 · Relentless 6

Casual 14 · Engaged 15 · Full focus 1

A split, not a type: Easy watch 13 · Affecting 11 · Heavy 6

Resolved 24 · Open-ended 4 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
23
Thrilling
9
Dread
6
Contemplative
7
Hopeful
5
Other
27

How their films end · 4 with a twist

  • Happy17
  • Bittersweet8
  • Tragic3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John F. Link's films?

As of October 24, 2026, 17 of their 30 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Subscription and free streaming for John F. Link's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

30 credits, 30 with a MovieCove page.

Career shape

Across their 30 MovieCove titles from 1972 to 1999.

By role

only this rolewith another role
Editing30 of 30: 30 only editing, 0 with another role · typical Midcredits score39th

By decade

1970s13 · crew1980s6 · crew1990s11 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

Awards

Nominated for an Oscar in 1989, Best Film Editing.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do John F. Link's films land?

Their typical MovieCove film has a Midcredits score in the 39th percentile, the median of all 30; across their 30 films with reception data, the typical film sits in the 42nd percentile for acclaim.

Acclaim · how much people like their films

42ndpercentile
Typical film, the median of 30

Approval · how many liked their films

33rdpercentile
Typical film, the median of 30

Reach · how many have seen their films

80thpercentile
Typical film, the median of 30

Midcredits score across 30 titles, by percentile

  • 75th and up3
  • 50th to 74th9
  • 25th to 49th11
  • Below 25th7

Shape of the crowd

16 of their 30 titles are Mixed.

  • Universally Loved3
  • Universally Panned1
  • Crowd Pleaser9
  • Broadly Agreed1
  • Mixed16

Reviewers score the pacing 46/100 in their films, across 27 reviewed titles; fans 60, detractors 30. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is John F. Link's work okay for kids?

Across up to 15 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore9 titles28–89 · median 80 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity15 titles17–56 · median 32 · mildnear the median of all filmsMedian of all films: 32
Profanity9 titles20–76 · median 55 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs9 titles27–45 · median 34 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense10 titles19–72 · median 56 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does John F. Link work with?

People who share at least 2 of John F. Link's MovieCove titles, grouped by what they did on them; Jerrold Freedman shares the most, 4.

Directors

Writers

Actors

Composers and cinematographers

Producers