
Chi Muoi Lo
Actor · Born October 31, 1976 (49) · Vietnam
Chi Muoi Lo is Chinese, born in Phan Rang, Vietnam. A classically trained, and veteran actor. At the age of 10, Chi discovered his love for acting. By the ninth grade, Chi knew that acting was in his blood, and he entered the High School for the Creative and Performing Arts as a drama major. At Temple University, he was a theater major but grew restless after one year and decided to accept a full scholarship from San Francisco's esteemed American Conservatory Theater (A.C.T.). It was unprecedented for an eighteen-year-old to be accepted to the Master's program there. By the age of 20, Chi had studied with 64 acting teachers. Chi Muoi Lo is the owner of the production company and the CEO of the talent management company Allen Edelman Management. Chi's debut as an actor-writer-director with the feature film Catfish In Black Bean Sauce was met with great success and made Variety's "Top 50 of 2001 Limited-Release Winner At The Box Office." His next project is a television series called Life in Threes, inspired by a true story, written to span 7 seasons with 13 episodes each season. He has also written a half-hour comedy TV pilot, Catfish In Black Bean Sauce inspired by the feature film of the same name. As an actor, Chi had great success right out of the gate after he landed in Los Angeles. Chi left his mark with his outstanding performance by starring in the critically acclaimed and highly rated Vanishing Son mini-series and starred in MOW Faith of My Father. Chi has also appeared as Guest Lead on numerous shows such as on Nip Tuck, The Player, CSI, NYPD Blue, and many others. His film credits include The Relic, Indecent Proposal, Buffy the Vampire Slayer, and more. One of the great things he learned from his parents was to invest all his earnings so he never had to worry about money. He believes money is a person and it should work for him. He's investments have gotten him tens of millions. While Catfish In Black Bean Sauce was a career achievement, Chi realized that he may have jumped into directing too soon, as it caused him to neglect his acting career. To get things back on track, he was determined to accomplish two things: purchase Allen Edelman Management and create a non-profit acting group that gave him a place to seriously work on his craft. With his purchase of Allen Edelman Management, as a manager, he nurtured the careers of countless clients over the years. Through this nurturing, he has participated in well over three thousand phone calls- listening to actors die-brief him on their auditions, pitching, dealing with talent agents and casting agents, and negotiating series deals and film deals with studios' Business Affairs representatives. To achieve his second goal, Chi soon became the founder of the acting group entitled Actor's Consortium, a private, not-for-profit, professional, ethnically diverse actors group. It was created in July of 2002 to provide its members with a productive and nurturing environment to polish their craft and sharpen their skills. Chi served as Artistic Director from July 2002 to May 2005. Chi remained an active member until 2019. Chi taught a master class in acting, once a week, from 2004-to 2006. Later, Chi created a 14-week workshop entitled Audition & Camera Acting Master Class where he taught a limited number of actors a set of skills and techniques he developed over his own acting career. This 14-week workshop was first held once in 2007 and once in 2012. One final workshop session initially planned for the summer of 2019, has developed into a seven-episode streaming educational video project called Mastering The Business of Acting. Chi has always felt, it is simply unacceptable for actors to spend thousands of dollars on training and still not know anything about the acting business. With all the knowledge he gained as an actor, writer, director, and manager, something "clicked." The need to get this "knowledge" on tape to share with others was too overwhelming to ignore. Mastering The Business of Acting has compiled in its seven episodes, thirteen hours of invaluable industry information rarely discussed so candidly. Mastering The Business of Acting is in many ways a lasting legacy he is able to share with generations of actors to come. Most industry professionals have one perspective to draw from. However, his eclectic mix of professional achievements allowed Chi to see situations from not just one, but multiple angles. This in turn gave him a unique insight and understanding of the industry that few others could match.
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Biography from IMDb.
- October 31, 1976 (49)
- Vietnam
- Actor
- 18 on MovieCove · 27 credits in all
What are Chi Muoi Lo's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 0 · Dark 3
Grounded 2 · Stylized 1 · Heightened 0
Gentle 0 · Charged 1 · Intense 2
Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 0 · Even-paced 3 · Relentless 0
Casual 0 · Engaged 3 · Full focus 0
Easy watch 1 · Affecting 1 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Chi Muoi Lo's films?
As of October 24, 2026, 13 of their 18 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Chi Muoi Lo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
27 credits, 18 with a MovieCove page.

The Player(2015)
Midcredits score: 44th percentile of all shows
This Is the End(2013)
Midcredits score: 66th percentile of all films

Shark(2006)
Midcredits score: 53rd percentile of all shows
Faith of My Fathers(2005)
Midcredits score: 51st percentile of all films
Sucker Free City (not in the MovieCove catalog yet)(2004)

Nip/Tuck(2003)
Midcredits score: 76th percentile of all shows
Catfish in Black Bean Sauce (not in the MovieCove catalog yet)(1999)

The Relic(1997)
Midcredits score: 36th percentile of all films
Spin City (not in the MovieCove catalog yet)(1996)

Vanishing Son IV (not in the MovieCove catalog yet)(1994)

Vanishing Son III (not in the MovieCove catalog yet)(1994)

Vanishing Son II (not in the MovieCove catalog yet)(1994)

Vanishing Son (not in the MovieCove catalog yet)(1994)

Vanishing Son (not in the MovieCove catalog yet)(1994)

Hot Shots! Part Deux(1993)
Midcredits score: 66th percentile of all films
Indecent Proposal(1993)
Midcredits score: 41st percentile of all films
Buffy the Vampire Slayer(1992)
Midcredits score: 32nd percentile of all films
Melrose Place(1992)
Midcredits score: 14th percentile of all shows
Kindergarten Cop(1990)
Midcredits score: 54th percentile of all films
Law & Order(1990)
Midcredits score: 79th percentile of all shows
Northern Exposure(1990)
Midcredits score: 95th percentile of all shows
Vietnam, Texas(1990)
Midcredits score: 5th percentile of all films
Quantum Leap(1989)
Midcredits score: 94th percentile of all shows
Gleaming the Cube(1989)
Midcredits score: 53rd percentile of all films
Tour of Duty (not in the MovieCove catalog yet)(1987)

Night Court(1984)
Midcredits score: 81st percentile of all shows
Career shape
Star power in the 81st percentile of 239,109 people with a billed film role, over a full career of 27 titles from 1984 to 2015; peak year 1989.
Film career
Peak 1989 · back in prominent film roles after a quiet stretch. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1989Screen debut· Gleaming the Cube
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Chi Muoi Lo's films land?
Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of the 9 of 10 with a score; across a limited sample of 3 films with reception data, the typical film sits in the 41st percentile for acclaim.
- 75th and up5
- 50th to 74th6
- 25th to 49th4
- Below 25th2
Shape of the crowd
9 of their 17 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser9
- Broadly Agreed2
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

