Robert Lockhart
- Composer
- 6 on MovieCove
What are Robert Lockhart's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Society and Self.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 4
A split, not a type: Light 2 · Serious 1 · Dark 2
A split, not a type: Grounded 1 · Stylized 1 · Heightened 3
Gentle 1 · Charged 4 · Intense 0
Steady 4 · Shifting 1 · Whiplash 0
Straight-faced 4 · Some laughs 0 · Funny 1
Slow burn 4 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 3 · Full focus 1
Easy watch 1 · Affecting 3 · Heavy 1
Resolved 3 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet2
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Robert Lockhart's films?
As of October 24, 2026, 3 of their 6 MovieCove titles stream on a subscription or free service.
- BritBox
Subscription and free streaming for Robert Lockhart's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
6 credits, 6 with a MovieCove page.

Lepel(2005)
Midcredits score: 59th percentile of all films
Supply & Demand(1998)
Midcredits score: 12th percentile of all shows (provisional, few ratings)
Cold Comfort Farm(1995)
Midcredits score: 86th percentile of all films
The Neon Bible(1995)
Midcredits score: 54th percentile of all films
The Long Day Closes(1992)
Midcredits score: 88th percentile of all films
On the Black Hill(1988)
Midcredits score: 55th percentile of all films
Career shape
Across their 6 MovieCove titles from 1988 to 2005.
How do Robert Lockhart's films land?
Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up2
- 50th to 74th3
- Below 25th1
Shape of the crowd
4 of their 6 titles are Crowd Pleasers.
- Crowd Pleaser4
- Mixed2
Reviewers score the sound and music 76/100 in their films, across 3 reviewed titles; fans 83, detractors 58. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Robert Lockhart work with?
People who share at least 2 of Robert Lockhart's MovieCove titles, grouped by what they did on them; Terence Davies shares the most, 2.
Directors
- Terence DaviesShared titles: The Neon Bible (1995), The Long Day Closes (1992)See all 2 shared titles with Terence Davies

Actors
- Miriam MargolyesShared titles: Supply & Demand (1998), Cold Comfort Farm (1995)See all 2 shared titles with Miriam Margolyes

Cinematographers
- Michael CoulterShared titles: The Neon Bible (1995), The Long Day Closes (1992)See all 2 shared titles with Michael Coulter
Producers
- Olivia StewartShared titles: The Neon Bible (1995), The Long Day Closes (1992)See all 2 shared titles with Olivia Stewart
- Colin MacCabeShared titles: The Long Day Closes (1992), On the Black Hill (1988)See all 2 shared titles with Colin MacCabe


