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Motif

Tony Lombardo

Editor

Works as
Editor
Titles
38 on Motif · 42 credits in all

What are Tony Lombardo's films like?

Across their 34 Motif titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 34 films
ToneFeelDemandtheir average · filled zone: the category

Light 32 · Serious 1 · Dark 1

A split, not a type: Grounded 22 · Stylized 10 · Heightened 2

Gentle 25 · Charged 8 · Intense 1

Steady 21 · Shifting 10 · Whiplash 3

Straight-faced 1 · Some laughs 13 · Funny 20

Slow burn 15 · Even-paced 17 · Relentless 2

Casual 29 · Engaged 3 · Full focus 2

Resolved 34 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
25
Absurd
14
Warm
11
Hopeful
10
Romantic
7
Other
21

How their films end · 5 with a twist

  • Happy27
  • Bittersweet2
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Tony Lombardo's films?

As of October 24, 2026, 16 of their 38 Motif titles stream on a subscription or free service, most on Prime Video (5).

Subscription and free streaming for Tony Lombardo's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

42 credits, 38 with a Motif page.

  • Midcredits score: 31st percentile of all films
  • Midcredits score: 34th percentile of all films
  • Midcredits score: 16th percentile of all films
  • Thunderstruck(2012)

    Editor

    Midcredits score: 25th percentile of all films
  • Midcredits score: 49th percentile of all films
  • Best Player(2011)

    Editor

    Midcredits score: 41st percentile of all films
  • Midcredits score: 9th percentile of all films
  • Midcredits score: 57th percentile of all films
  • Wieners(2008)

    Editor

    Midcredits score: 8th percentile of all films
  • Midcredits score: 34th percentile of all films
  • Dr. Dolittle 3(2006)

    Editor

    Midcredits score: 7th percentile of all films
  • Down and Derby(2005)

    Editor

    Midcredits score: 33rd percentile of all films
  • Fat Albert(2004)

    Editor

    Midcredits score: 14th percentile of all films
  • Bring It on: Again(2004)

    Editor

    Midcredits score: 14th percentile of all films
  • Buying the Cow(2002)

    Editor

    Midcredits score: 32nd percentile of all films
  • Midcredits score: 29th percentile of all films
  • Civility (not in the Motif catalog yet)(2000)

    Editor

  • All the Rage(1999)

    Editor

    Midcredits score: 27th percentile of all films
  • Can't Stop Dancing(1999)

    Editor

    Midcredits score: 13th percentile of all films
  • Trial and Error(1997)

    Editor

    Midcredits score: 30th percentile of all films
  • Sgt. Bilko(1996)

    Editor

    Midcredits score: 37th percentile of all films
  • Midcredits score: 7th percentile of all films
  • Greedy(1994)

    Editor

    Midcredits score: 55th percentile of all films
  • Midcredits score: 36th percentile of all films
  • My Cousin Vinny(1992)

    Editor

    Midcredits score: 96th percentile of all films
  • The Hard Way(1991)

    Editor

    Midcredits score: 54th percentile of all films
  • Midcredits score: 75th percentile of all films
  • Uncle Buck(1989)

    Editor

    Midcredits score: 83rd percentile of all films
  • Major League(1989)

    Editor

    Midcredits score: 87th percentile of all films
  • Born to Race(1988)

    Editor

    Midcredits score: 9th percentile of all films
  • P.K. and the Kid(1987)

    Editor

    Midcredits score: 26th percentile of all films
  • Midcredits score: 61st percentile of all films
  • Blame It on the Night (not in the Motif catalog yet)(1984)

    Editor

  • Nice Dreams(1981)

    Editor

    Midcredits score: 47th percentile of all films
  • Popeye(1980)

    Supervising Editor

    Midcredits score: 30th percentile of all films
  • HealtH (not in the Motif catalog yet)(1980)

    Editor

  • A Perfect Couple (not in the Motif catalog yet)(1979)

    Editor

  • A Wedding(1978)

    Editor

    Midcredits score: 80th percentile of all films
  • 3 Women(1977)

    Assistant Editor

    Midcredits score: 94th percentile of all films
  • California Split(1974)

    Assistant Editor

    Midcredits score: 87th percentile of all films
  • Thieves Like Us(1974)

    Assistant Editor

    Midcredits score: 80th percentile of all films
  • The Long Goodbye(1973)

    Assistant Editor

    Midcredits score: 94th percentile of all films

Career shape

A full career of 40 titles from 1973 to 2014.

By role

only this rolewith another role
Editing36 of 40: 36 only editing, 0 with another role · typical Midcredits score34thOther crew4 of 40: 4 only other crew, 0 with another role

By decade

1970s6 · crew1980s9 · crew1990s8 · crew2000s12 · crew2010s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.

How do Tony Lombardo's films land?

Their typical Motif film has a Midcredits score in the 34th percentile, the median of all 38; across their 34 films with reception data, the typical film sits in the 34th percentile for acclaim.

Acclaim · how much people like their films

34thpercentile
Typical film, the median of 34

Approval · how many liked their films

34thpercentile
Typical film, the median of 34

Reach · how many have seen their films

81stpercentile
Typical film, the median of 34

Midcredits score across 38 titles, by percentile

  • 75th and up9
  • 50th to 74th4
  • 25th to 49th16
  • Below 25th9

Shape of the crowd

18 of their 38 titles are Mixed.

  • Universally Loved3
  • Universally Panned1
  • Divisive2
  • Cult Classic1
  • Crowd Pleaser11
  • Broadly Agreed2
  • Mixed18

Reviewers score the pacing 46/100 in their films, across 32 reviewed titles; fans 58, detractors 31. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Tony Lombardo's work okay for kids?

Across up to 18 Motif titles with content scores, violence & gore and frightening / intense run lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore8 titles21–57 · median 33 · mildlighter than most filmsMedian of all films: 44
Sex & Nudity18 titles16–55 · median 32 · mildnear the median of all filmsMedian of all films: 32
Profanity12 titles31–76 · median 45 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs7 titles22–43 · median 39 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense7 titles7–35 · median 18 · mildlighter than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Tony Lombardo work with?

People who share at least 2 of Tony Lombardo's Motif titles, grouped by what they did on them; Jonathan Lynn shares the most, 5.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers