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Andrew London

Editor

Works as
Editor
Titles
21 on MovieCove · 30 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 6% in 30 days

What are Andrew London's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Action4 titlesTypical Midcredits score: 35th percentile
: browse their Action movies
Drama4 titlesTypical Midcredits score: 44th percentile, at or above their average across these genres
: browse their Drama movies
Crime2 titlesTypical Midcredits score: 46th percentile, at or above their average across these genres
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
33%
Morality
27%
Survival
23%
Society
10%
Self
7%
Family bonds4 titles, browse their movies with this themeRedemption3 titles, browse their movies with this themeSurvival4 titles, browse their movies with this themeJustice3 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeLoyalty2 titles, browse their movies with this themeTrauma2 titles, browse their movies with this themeCommunity2 titles, browse their movies with this theme

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 6 · Serious 4 · Dark 3

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 9 · Stylized 4 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 7 · Intense 4

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 6 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 7 · Some laughs 4 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 6 · Even-paced 7 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 8 · Engaged 5 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 10 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Warm
6
Hopeful
4
Dread
3
Thrilling
3
Other
11

How their films linger

Feel-good7 titles, browse their movies with this aftertasteHopeful6 titles, browse their movies with this aftertasteCathartic3 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy7
  • Bittersweet5
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andrew London's films?

As of October 24, 2026, 12 of their 21 MovieCove titles stream on a subscription or free service, most on Tubi (9).

Also on these channels

Subscription and free streaming for Andrew London's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

30 credits, 21 with a MovieCove page.

  • Big Eden(2000)

    Editor

    Midcredits score: 84th percentile of all films

  • The Soul Collector(1999)

    Editor

    Midcredits score: 56th percentile of all films

  • A Memory in My Heart(1999)

    Editor

    Midcredits score: 43rd percentile of all films

  • Murder at 75 Birch (not in the MovieCove catalog yet)(1999)

    Editor

  • Before He Wakes (not in the MovieCove catalog yet)(1998)

    Editor

  • Like Father, Like Santa(1998)

    Editor

    Midcredits score: 15th percentile of all films

  • Perfect Crime (not in the MovieCove catalog yet)(1997)

    Editor

  • The Crying Child (not in the MovieCove catalog yet)(1996)

    Editor

  • Evil Has a Face(1996)

    Editor

    Midcredits score: 16th percentile of all films

  • Outbreak(1995)

    ADR Editor

    Midcredits score: 67th percentile of all films

  • Don't Talk to Strangers(1994)

    Editor

    Midcredits score: 26th percentile of all films

  • Running Delilah (not in the MovieCove catalog yet)(1994)

    Editor

  • Day of Reckoning (not in the MovieCove catalog yet)(1994)

    Editor

  • The Meteor Man(1993)

    Editor

    Midcredits score: 26th percentile of all films

  • Mortal Sins (not in the MovieCove catalog yet)(1992)

    Editor

  • F/X2(1991)

    Editor · Second Unit Director

    Midcredits score: 33rd percentile of all films

  • Tales from the Crypt(1989)

    Show 5 episodes · Editor

    Midcredits score: 90th percentile of all shows

  • Rambo III(1988)

    Editor

    Midcredits score: 36th percentile of all films

  • Beauty and the Beast(1987)

    Show 1 episode · Editor

    Midcredits score: 53rd percentile of all shows

  • The Christmas Star(1986)

    Editor

    Midcredits score: 45th percentile of all films

  • Link(1986)

    Editor

    Midcredits score: 40th percentile of all films

  • Cloak & Dagger(1984)

    Editor

    Midcredits score: 66th percentile of all films

  • Psycho II(1983)

    Editor · Sound Designer

    Midcredits score: 66th percentile of all films

  • Hammett(1982)

    Supervising Sound Editor

    Midcredits score: 58th percentile of all films

  • Wolfen(1981)

    Sound Effects Designer

    Midcredits score: 54th percentile of all films

  • Road Games(1981)

    Supervising Sound Editor

    Midcredits score: 67th percentile of all films

  • Coal Miner's Daughter(1980)

    Sound Editor

    Midcredits score: 93rd percentile of all films

  • The Ninth Configuration(1980)

    Sound Editor

    Midcredits score: 71st percentile of all films

  • Fantasm Comes Again (not in the MovieCove catalog yet)(1977)

    Post Production Supervisor

  • The True Story of Eskimo Nell (not in the MovieCove catalog yet)(1975)

    Editor

Career shape

A full career of 30 titles from 1975 to 2000.

Biggest box office

Rambo III (1988)

$189M worldwide

Highest rated

Big Eden (2000)

Midcredits 84th

Most popular right now

Rambo III (1988)

By role

only this rolewith another role
Editing23 of 30: 21 only editing, 2 with another role · typical Midcredits score43rdOther crew9 of 30: 7 only other crew, 2 with another role · typical Midcredits score67th

By decade

1970s2 · crew1980s12 · crew1990s15 · crew2000s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Andrew London's films land?

Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 19; across their 13 films with reception data, the typical film sits in the 42nd percentile for acclaim.

Acclaim · how much people like their films

42ndpercentile
Typical film, the median of 13

Approval · how many liked their films

33rdpercentile
Typical film, the median of 13

Reach · how many have seen their films

70thpercentile
Typical film, the median of 13

Midcredits score across 21 titles, by percentile

  • 75th and up3
  • 50th to 74th9
  • 25th to 49th7
  • Below 25th2

Shape of the crowd

10 of their 21 titles are Crowd Pleasers.

  • Universally Loved1
  • Cult Classic1
  • Crowd Pleaser10
  • Broadly Agreed4
  • Mixed5

Most divisive · editor

The Soul Collector (1999)

84th percentile spread · 20% rated it 4 or lower

Most loved · editor

Tales from the Crypt (1989)

Midcredits 90th · 88% liked

Reviewers score the pacing 51/100 in their films, across 10 reviewed titles; fans 60, detractors 32. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Andrew London's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity5 titles11–53 · median 47 · moderateheavier than most filmsMedian of all films: 32
Profanity3 titlesmedian 48 · moderateMedian of all films: 36

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Andrew London work with?

People who share at least 2 of Andrew London's MovieCove titles, grouped by what they did on them; Richard Franklin shares the most, 4.

Directors

Writers

Composers and cinematographers

Producers