Mateo Londono
Mateo Londono, AMC is a cinematographer based in Atlanta and Mexico City, who has shot award-winning feature films, commercials and documentaries around the world. His most recent work can be seen in Christopher Zalla's heart-warming drama "Radical," which recently won the Festival Favorite Award at this year's Sundance Film Festival. Londono's other film credits include Richard Wong's Hulu romantic comedy, "The Valet," Paul Schrader's action packed thriller "There Are No Saints," Manolo Caro's "Elvira, I Would Give You My Life, But I Am Using It" and the Colombian mafia epic "The Snitch Cartel," to name just a few. Throughout his career, Londono has shot several award winning commercials for clients such as Mercedes Benz, Apple, Samsung, Tecate, Lotto, Toyota and many more. In 2018, Londono won a Cannes Bronze Lion award for his work on the Lotto TVC campaign. Additionally, he has won several "Best Cinematography" awards for his work on short films including Theodore Melfi's "The Beneficiary," where he was awarded at the Oxford International Film Festival, and Alan Arrivée's "Silent Radio," where he and his team won the Triple Play Award for Best Technical Integration at the Long Island International Film Expo. Londono graduated with a Bachelor of Science from Emerson College. He is fluent in English and Spanish.
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Biography from IMDb.
- Cinematographer
- 14 on MovieCove · 21 credits in all
What are Mateo Londono's films like?
Across their 13 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 2 · Wry 0 · Earnest 10
A split, not a type: Light 5 · Serious 4 · Dark 3
A split, not a type: Grounded 7 · Stylized 4 · Heightened 1
Gentle 4 · Charged 5 · Intense 3
Steady 3 · Shifting 8 · Whiplash 1
A split, not a type: Straight-faced 8 · Some laughs 2 · Funny 2
A split, not a type: Slow burn 8 · Even-paced 3 · Relentless 1
Casual 6 · Engaged 6 · Full focus 0
Easy watch 6 · Affecting 5 · Heavy 1
Resolved 7 · Open-ended 3 · Ambiguous 2
Moods and endings
- Happy2
- Bittersweet5
- Tragic1
- Ambiguous5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Mateo Londono's films?
As of October 24, 2026, 9 of their 14 MovieCove titles stream on a subscription or free service, most on Prime Video (4).
Subscription and free streaming for Mateo Londono's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
21 credits, 14 with a MovieCove page.
The Trial(2026)
Midcredits score: 74th percentile of all shows
Pimpinero: Blood and Oil(2024)
Midcredits score: 36th percentile of all films
Sara, the force of the sea (not in the MovieCove catalog yet)(2023)
Radical(2023)
Midcredits score: 97th percentile of all films
Blackout(2022)
Midcredits score: 3rd percentile of all films
There Are No Saints(2022)
Midcredits score: 22nd percentile of all films
The Valet(2022)
Midcredits score: 72nd percentile of all films
A way for Tomás (not in the MovieCove catalog yet)(2019)
Silencio(2018)
Midcredits score: 55th percentile of all films
Kickboxer: Vengeance(2016)
Midcredits score: 13th percentile of all films
Midcredits score: 83rd percentile of all films
Elvira I Will Give You My Life But I'm Using It (not in the MovieCove catalog yet)(2014)
The Snitch Cartel(2011)
Midcredits score: 60th percentile of all films
Miss Nobody(2010)
Midcredits score: 26th percentile of all films
Pablo's Hippos (not in the MovieCove catalog yet)(2010)
Little Hercules (not in the MovieCove catalog yet)(2009)
Road of No Return(2009)
Midcredits score: 10th percentile of all films
They Are Among Us(2004)
Midcredits score: 4th percentile of all films
Ring of Darkness(2004)
Midcredits score: 4th percentile of all films
Killer Weekend (not in the MovieCove catalog yet)(2004)
Sexual Matrix (not in the MovieCove catalog yet)(2000)
Career shape
A full career of 18 titles from 2000 to 2024.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Mateo Londono's films land?
Their typical MovieCove film has a Midcredits score in the 26th percentile, the median of all 13; across their 12 films with reception data, the typical film sits in the 27th percentile for acclaim.
- 75th and up2
- 50th to 74th4
- 25th to 49th2
- Below 25th6
Shape of the crowd
8 of their 14 titles are Mixed.
- Universally Loved1
- Universally Panned1
- Cult Classic1
- Crowd Pleaser3
- Mixed8
Reviewers score the cinematography 52/100 in their films, across 10 reviewed titles; fans 68, detractors 32. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Mateo Londono's work okay for kids?
Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Mateo Londono work with?
People who share at least 2 of Mateo Londono's MovieCove titles, grouped by what they did on them; Eugenio Derbez shares the most, 3.
Actors
- Eugenio DerbezShared titles: The Trial (2026), Radical (2023), The Valet (2022)See all 3 shared titles with Eugenio Derbez
Composers and editors
- Eugenio RicherShared titles: The Trial (2026), Radical (2023)See all 2 shared titles with Eugenio Richer
- Heitor PereiraShared titles: The Valet (2022), There Are No Saints (2022)See all 2 shared titles with Heitor Pereira
- Chris A. PetersonShared titles: Kickboxer: Vengeance (2016), Miss Nobody (2010)See all 2 shared titles with Chris A. Peterson
Producers
- Ben OdellShared titles: The Trial (2026), Radical (2023), The Valet (2022)See all 3 shared titles with Ben Odell
- Charles Arthur BergShared titles: Blackout (2022), Road of No Return (2009), Ring of Darkness (2004)See all 3 shared titles with Charles Arthur Berg
- Javier WilliamsShared titles: The Trial (2026), Radical (2023)See all 2 shared titles with Javier Williams
- Angeles MoralesShared titles: Blackout (2022), There Are No Saints (2022)See all 2 shared titles with Angeles Morales