Mindret Lord
- Writer
- 4 on MovieCove · 7 credits in all
What are Mindret Lord's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 1 · Serious 2 · Dark 1
Grounded 1 · Stylized 3 · Heightened 0
Gentle 1 · Charged 2 · Intense 1
Steady 1 · Shifting 3 · Whiplash 0
Straight-faced 2 · Some laughs 2 · Funny 0
A split, not a type: Slow burn 3 · Even-paced 0 · Relentless 1
Casual 2 · Engaged 2 · Full focus 0
Easy watch 1 · Affecting 3 · Heavy 0
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Mindret Lord's films?
As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service, on STARZ (1).
Subscription and free streaming for Mindret Lord's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
7 credits, 4 with a MovieCove page.

The Virgin Queen(1955)
Midcredits score: 70th percentile of all films
The Big Bluff (not in the MovieCove catalog yet)(1955)

Alias Nick Beal(1949)
Midcredits score: 83rd percentile of all films
The Sainted Sisters (not in the MovieCove catalog yet)(1948)

Yankee Fakir(1947)
Midcredits score: 30th percentile of all films
The Glass Alibi (not in the MovieCove catalog yet)(1946)

Strange Impersonation(1946)
Midcredits score: 49th percentile of all films
Career shape
A full career of 7 titles from 1946 to 1955.
How do Mindret Lord's films land?
Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 58th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th2
Shape of the crowd
None of their 4 titles divides audiences: 2 are Crowd Pleasers.
- Crowd Pleaser2
- Broadly Agreed2
Reviewers score the dialogue 54/100 and the plot and story 49/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Mindret Lord work with?
People who share at least 2 of Mindret Lord's MovieCove titles, grouped by what they did on them; Franz Waxman shares the most, 2.
Composers, cinematographers and editors
- Franz WaxmanShared titles: The Virgin Queen (1955), Alias Nick Beal (1949)See all 2 shared titles with Franz Waxman

- Alexander LaszloShared titles: Yankee Fakir (1947), Strange Impersonation (1946)See all 2 shared titles with Alexander Laszlo
- John F. Link Sr.Shared titles: Yankee Fakir (1947), Strange Impersonation (1946)See all 2 shared titles with John F. Link Sr.
- Robert PittackShared titles: Yankee Fakir (1947), Strange Impersonation (1946)See all 2 shared titles with Robert Pittack
Producers
- W. Lee WilderShared titles: Yankee Fakir (1947), Strange Impersonation (1946)See all 2 shared titles with W. Lee Wilder
