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MovieCove
Works as
Composer, producer, editor, cinematographer, director and writer
Titles
14 on MovieCove

What are Erik Lundmark's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

Light 9 · Serious 3 · Dark 2

Grounded 10 · Stylized 4 · Heightened 0

Gentle 5 · Charged 6 · Intense 3

A split, not a type: Steady 7 · Shifting 6 · Whiplash 1

Straight-faced 5 · Some laughs 7 · Funny 2

Slow burn 6 · Even-paced 6 · Relentless 2

Casual 9 · Engaged 4 · Full focus 1

Resolved 8 · Open-ended 4 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Dread
4
Warm
5
Absurd
4
Contemplative
4
Other
12

How their films end · 5 with a twist

  • Happy4
  • Bittersweet6
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Erik Lundmark's films?

As of October 24, 2026, 12 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (10).

Subscription and free streaming for Erik Lundmark's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 14 with a MovieCove page.

  • Swallowtail & Dragonfly(2026)

    Editor · Producer

    Midcredits score: 70th percentile of all films (provisional, few ratings)
  • Aberrance(2022)

    Producer

    Midcredits score: 24th percentile of all films
  • Lee'd the Way(2021)

    Editor

    Midcredits score: 33rd percentile of all films (provisional, few ratings)
  • The Missing Twin(2021)

    Editor · Producer

    Midcredits score: 30th percentile of all films
  • Devil's Cove(2018)

    Director · Cinematographer · Composer · Producer

    Midcredits score: 7th percentile of all films (provisional, few ratings)
  • Porthole(2018)

    Composer

    Midcredits score: 1st percentile of all films
  • Coffin 2(2017)

    Producer

    Midcredits score: 15th percentile of all films
  • Star Leaf(2015)

    Composer · Producer

    Midcredits score: 3rd percentile of all films
  • Midcredits score: 79th percentile of all films
  • Where Cars Don't Dare(2010)

    Director · Cinematographer · Composer · Editor · Producer · Writer

  • Quigley(2003)

    Composer

    Midcredits score: 2nd percentile of all films
  • Midcredits score: 1st percentile of all films
  • Midcredits score: 8th percentile of all films
  • No Strings Attached(1997)

    Composer

    Midcredits score: 9th percentile of all films

Career shape

Across their 14 MovieCove titles from 1997 to 2026.

By role

only this rolewith another role
Directing2 of 14: 0 only directing, 2 with another roleWriting1 of 14: 0 only writing, 1 with another roleProducing7 of 14: 2 only producing, 5 with another role · typical Midcredits score20thMusic9 of 14: 6 only music, 3 with another role · typical Midcredits score5thCinematography2 of 14: 0 only cinematography, 2 with another roleEditing4 of 14: 1 only editing, 3 with another role

14 titles, 5 with more than one role — music and producing overlap on 3 of them.

By decade

1990s2 · crew2000s2 · crew2010s6 · crew2020s4 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Erik Lundmark's films land?

Their typical MovieCove film has a Midcredits score in the 9th percentile, the median of the 13 of 14 with a score; across their 13 films with reception data, the typical film sits in the 8th percentile for acclaim.

Acclaim · how much people like their films

8thpercentile
Typical film, the median of 13

Approval · how many liked their films

15thpercentile
Typical film, the median of 13

Reach · how many have seen their films

39thpercentile
Typical film, the median of 13

Midcredits score across 13 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th2
  • Below 25th9

Reviewers score the sound and music 43/100 in their films, across 6 reviewed titles; fans 50, detractors 28. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Erik Lundmark work with?

People who share at least 2 of Erik Lundmark's MovieCove titles, grouped by what they did on them; Julia Jay Pierrepont III shares the most, 3.

Directors

Writers

Actors

Cinematographers

Producers