Jan Lustig

What are Jan Lustig's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jan Lustig's films?

As of October 24, 2026, 1 of their 12 MovieCove titles stream on a subscription or free service, on HBO Max (1).

• HBO Max1 title, browse their movies on this service
  • Young Bess (1953) · writer

Subscription and free streaming for Jan Lustig's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 12 with a MovieCove page.

• 

  Situation Hopeless -- But Not Serious(1965)

  Writer

  Midcredits score: 41st percentile of all films41^st
• 

  Moonfleet(1955)

  Writer

  Midcredits score: 70th percentile of all films70^th
• 

  Knights of the Round Table(1953)

  Writer

  Midcredits score: 49th percentile of all films49^th
• 

  The Story of Three Loves(1953)

  Writer

  Midcredits score: 64th percentile of all films64^th
• 

  Torch Song(1953)

  Writer

  Midcredits score: 32nd percentile of all films32^nd
• 

  Young Bess(1953)

  Writer

  Midcredits score: 63rd percentile of all films63^rd
• 

  That Forsyte Woman(1949)

  Writer

  Midcredits score: 66th percentile of all films66^th
• 

  Homecoming(1948)

  Writer

  Midcredits score: 73rd percentile of all films73^rd
• 

  Adventure(1945)

  Writer

  Midcredits score: 49th percentile of all films49^th
• 

  The White Cliffs of Dover(1944)

  Writer

  Midcredits score: 80th percentile of all films80^th
• 

  The Lady in Question(1940)

  Writer

  Midcredits score: 57th percentile of all films57^th
• 

  Bad Seed(1934)

  Writer

  Midcredits score: 40th percentile of all films40^th

Career shape

Across their 12 MovieCove titles from 1934 to 1965.

Biggest box office

Knights of the Round Table (1953)

$14K worldwide

Highest rated

The White Cliffs of Dover (1944)

Midcredits 80^th

Most popular right now

The Story of Three Loves (1953)

How do Jan Lustig's films land?

Their typical MovieCove film has a Midcredits score in the 60^th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 59^th percentile for acclaim.

Shape of the crowd

7 of their 12 titles are Crowd Pleasers.

723

• Crowd Pleaser7
• Broadly Agreed2
• Mixed3

Most divisive · writer

Torch Song (1953)

64^th percentile spread · 27% rated it 4 or lower

Most loved · writer

The White Cliffs of Dover (1944)

Midcredits 80^th · 71% liked

Reviewers score the dialogue 50/100 and the plot and story 44/100 in their films, across 12 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jan Lustig work with?

People who share at least 2 of Jan Lustig's MovieCove titles, grouped by what they did on them; Sidney Franklin shares the most, 5.