Alberto López
- Producer
- 8 on MovieCove · 20 credits in all
What are Alberto López's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 6
A split, not a type: Light 4 · Serious 2 · Dark 2
A split, not a type: Grounded 3 · Stylized 2 · Heightened 3
Gentle 0 · Charged 8 · Intense 0
Steady 2 · Shifting 6 · Whiplash 0
Straight-faced 5 · Some laughs 3 · Funny 0
Slow burn 2 · Even-paced 6 · Relentless 0
Casual 6 · Engaged 2 · Full focus 0
Easy watch 4 · Affecting 4 · Heavy 0
Resolved 7 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet2
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alberto López's films?
As of October 24, 2026, all 8 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Alberto López's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
20 credits, 8 with a MovieCove page.
Zindy the Swamp Boy(1973)
Midcredits score: 1st percentile of all films
The Incredible Professor Zovek (not in the MovieCove catalog yet)(1972)
Caín, Abel... y el Otro (not in the MovieCove catalog yet)(1971)
Friar Juan (not in the MovieCove catalog yet)(1970)
Modisto de Señoras (not in the MovieCove catalog yet)(1969)
S.O.S. Operation Bikini(1967)
Midcredits score: 18th percentile of all films
Santo vs. the Ghost of the Strangler (not in the MovieCove catalog yet)(1966)
Los malvados(1966)
Midcredits score: 48th percentile of all films (provisional, few ratings)
Santo vs. the Strangler (not in the MovieCove catalog yet)(1965)
Midcredits score: 19th percentile of all films (provisional, few ratings)
Santo in the Wax Museum(1963)
Midcredits score: 29th percentile of all films
Santo vs. the Vampire Women (not in the MovieCove catalog yet)(1962)
Santo vs. the Zombies (not in the MovieCove catalog yet)(1962)
Siete pecados (not in the MovieCove catalog yet)(1959)
To the Beat of Rock and Roll (not in the MovieCove catalog yet)(1957)
La virtud desnuda (not in the MovieCove catalog yet)(1957)
Cry of the Bewitched(1957)
Midcredits score: 2nd percentile of all films
Mujeres de teatro(1951)
Midcredits score: 24th percentile of all films (provisional, few ratings)
Puerto de tentación(1951)
Midcredits score: 26th percentile of all films (provisional, few ratings)
White hair (not in the MovieCove catalog yet)(1950)
Career shape
A full career of 16 titles from 1950 to 1973.
How do Alberto López's films land?
Their typical MovieCove film has a Midcredits score in the 22nd percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 23rd percentile for acclaim.
- 25th to 49th3
- Below 25th5
Shape of the crowd
5 of their 8 titles are Mixed.
- Universally Panned2
- Cult Classic1
- Mixed5
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alberto López work with?
People who share at least 2 of Alberto López's MovieCove titles, grouped by what they did on them; Alfredo Rosas Priego shares the most, 5.
Directors
- René CardonaShared titles: Zindy the Swamp Boy (1973), Neutron Traps the Invisible Killers (1965), Mujeres de teatro (1951), Puerto de tentación (1951)See all 4 shared titles with René Cardona
- Alfonso Corona BlakeShared titles: Los malvados (1966), Santo in the Wax Museum (1963)See all 2 shared titles with Alfonso Corona Blake
Writers
- René Cardona Jr.Shared titles: Zindy the Swamp Boy (1973), S.O.S. Operation Bikini (1967), Neutron Traps the Invisible Killers (1965)See all 3 shared titles with René Cardona Jr.
Actors
- René BarreraShared titles: Zindy the Swamp Boy (1973), Los malvados (1966)See all 2 shared titles with René Barrera
- Víctor VelázquezShared titles: Neutron Traps the Invisible Killers (1965), Santo in the Wax Museum (1963)See all 2 shared titles with Víctor Velázquez
- Jorge MondragónShared titles: Santo in the Wax Museum (1963), Mujeres de teatro (1951)See all 2 shared titles with Jorge Mondragón
- Emilia GuiúShared titles: Mujeres de teatro (1951), Puerto de tentación (1951)See all 2 shared titles with Emilia Guiú
Composers, cinematographers and editors
- Alfredo Rosas PriegoShared titles: Zindy the Swamp Boy (1973), S.O.S. Operation Bikini (1967), Los malvados (1966), Mujeres de teatro (1951), Puerto de tentación (1951)See all 5 shared titles with Alfredo Rosas Priego
- Agustín JiménezShared titles: Los malvados (1966), Mujeres de teatro (1951)See all 2 shared titles with Agustín Jiménez
- Sergio GuerreroShared titles: Los malvados (1966), Neutron Traps the Invisible Killers (1965)See all 2 shared titles with Sergio Guerrero
- José W. BustosShared titles: Neutron Traps the Invisible Killers (1965), Santo in the Wax Museum (1963)See all 2 shared titles with José W. Bustos