Héctor López

What are Héctor López's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Morality and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Héctor López's films?

As of October 24, 2026, 7 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (2).

• Tubi2 titles, browse their movies on this service
  • Poison for the Fairies (1986) · producer · free
  • The Blood Oranges (1997) · producer · free
• AMC+1 title, browse their movies on this service
  • The Fifth Patient (2007) · producer
• Fandor1 title, browse their movies on this service
  • Poison for the Fairies (1986) · producer
• HBO Max1 title, browse their movies on this service
  • Under the Volcano (1984) · producer
• Netflix1 title, browse their movies on this service
  • Resident Evil: Extinction (2007) · producer
• Paramount+1 title, browse their movies on this service
  • Resident Evil: Extinction (2007) · producer
• Pluto TV1 title, browse their movies on this service
  • Texas Rangers (2001) · producer · free
• The Criterion Channel1 title, browse their movies on this service
  • Under the Volcano (1984) · producer

Subscription and free streaming for Héctor López's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 13 with a MovieCove page.

• 

  Resident Evil: Extinction(2007)

  Producer

  Midcredits score: 46th percentile of all films46^th
• 

  The Fifth Patient(2007)

  Producer

  Midcredits score: 23rd percentile of all films23^rd
• 

  Texas Rangers(2001)

  Producer

  Midcredits score: 20th percentile of all films20^th
• 

  Warden of Red Rock(2001)

  Producer

  Midcredits score: 26th percentile of all films26^th
• 

  The Blood Oranges(1997)

  Producer

  Midcredits score: 11th percentile of all films11^th
• 

  Poison for the Fairies(1986)

  Producer

  Midcredits score: 89th percentile of all films89^th
• 

  The Realm of Fortune(1986)

  Producer

  Midcredits score: 79th percentile of all films79^th
• 

  La segua(1985)

  Producer

  Midcredits score: 30th percentile of all films (provisional, few ratings)~30^th
• 

  El corazón de la noche(1984)

  Producer

  Midcredits score: 53rd percentile of all films53^rd
• 

  La vengeance du serpent à plumes(1984)

  Producer

  Midcredits score: 12th percentile of all films12^th
• 

  Under the Volcano(1984)

  Producer

  Midcredits score: 74th percentile of all films74^th
• 

  El recurso del método(1978)

  Producer

  Midcredits score: 42nd percentile of all films42^nd
• 

  El viaje(1977)

  Producer

  Midcredits score: 75th percentile of all films (provisional, few ratings)~75^th

Career shape

Across their 13 MovieCove titles from 1977 to 2007.

Biggest box office

Resident Evil: Extinction (2007)

$148M worldwide

Highest rated

Poison for the Fairies (1986)

Midcredits 89^th

Most popular right now

Resident Evil: Extinction (2007)

How do Héctor López's films land?

Their typical MovieCove film has a Midcredits score in the 42^nd percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 43^rd percentile for acclaim.

Shape of the crowd

6 of their 13 titles are Mixed.

426

• Divisive1
• Crowd Pleaser4
• Broadly Agreed2
• Mixed6

Most divisive · producer

La segua (1985)

90^th percentile spread · 36% rated it 4 or lower

Most loved · producer

Poison for the Fairies (1986)

Midcredits 89^th · 75% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Héctor López's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Héctor López work with?

People who share at least 2 of Héctor López's MovieCove titles, grouped by what they did on them; Blanca Guerra shares the most, 2.