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Antonio Macasoli

Cinematographer

Works as
Cinematographer
Titles
5 on MovieCove · 45 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Up 17% in 30 days

What are Antonio Macasoli's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Genres

Action2 titlesTypical Midcredits score: 29th percentile
: browse their Action movies
Drama2 titlesTypical Midcredits score: 40th percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
44%
Survival
22%
Bonds
21%
Power
6%
Society
6%
Justice2 titles, browse their movies with this theme

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 2 · Stylized 2 · Heightened 0

Intense: How hard the emotional peaks hit while you watch. Browse their intense movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 1 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 3 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 2 · Some laughs 2 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 2 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 2 · Full focus 0

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 3 · Affecting 0 · Heavy 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
4
Thrilling
3
Melancholic
1
Bittersweet
1
Manic
1
Other
1

How their films linger

Bittersweet2 titles, browse their movies with this aftertasteRousing2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Antonio Macasoli's films?

As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Antonio Macasoli's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

45 credits, 5 with a MovieCove page.

  • Del amor y de la muerte (not in the MovieCove catalog yet)(1977)

    Camera Operator

  • Cannon for Cordoba(1970)

    Cinematographer

    Midcredits score: 30th percentile of all films

  • Guns of the Magnificent Seven(1969)

    Cinematographer

    Midcredits score: 28th percentile of all films

  • No somos ni Romeo ni Julieta (not in the MovieCove catalog yet)(1969)

    Cinematographer

  • It's Your Move (not in the MovieCove catalog yet)(1968)

    Cinematographer

  • Ragan (not in the MovieCove catalog yet)(1968)

    Cinematographer

  • Residence for Spies (not in the MovieCove catalog yet)(1968)

    Photoscience Manager

  • Bang Bang Kid (not in the MovieCove catalog yet)(1967)

    Cinematographer

  • Grand Slam (not in the MovieCove catalog yet)(1967)

    Cinematographer

  • The Fickle Finger of Fate (not in the MovieCove catalog yet)(1967)

    Cinematographer

  • Attack of the Robots (not in the MovieCove catalog yet)(1966)

    Cinematographer

  • Operation Double Cross (not in the MovieCove catalog yet)(1965)

    Cinematographer

  • Finger on the Trigger(1965)

    Cinematographer

    Midcredits score: 11th percentile of all films

  • The Salary of Crime (not in the MovieCove catalog yet)(1964)

    Cinematographer

  • Juicio contra un ángel (not in the MovieCove catalog yet)(1964)

    Cinematographer

  • La boda(1964)

    Cinematographer

    Midcredits score: 68th percentile of all films (provisional, few ratings)

  • El señor de La Salle (not in the MovieCove catalog yet)(1964)

    Cinematographer

  • Autopsia de un criminal (not in the MovieCove catalog yet)(1963)

    Cinematographer

  • Sign of Zorro (not in the MovieCove catalog yet)(1963)

    Cinematographer

  • The Black Duke (not in the MovieCove catalog yet)(1963)

    Cinematographer

  • I motorizzati (not in the MovieCove catalog yet)(1962)

    Cinematographer

  • Scorched Skin (not in the MovieCove catalog yet)(1962)

    Cinematographer

  • Miracle to Cowards (not in the MovieCove catalog yet)(1962)

    Cinematographer

  • Diferente (not in the MovieCove catalog yet)(1962)

    Cinematographer

  • Abuelita Charlestón (not in the MovieCove catalog yet)(1962)

    Cinematographer

  • Scano Boa (not in the MovieCove catalog yet)(1961)

    Cinematographer

  • Queen of the Tabarin Club (not in the MovieCove catalog yet)(1960)

    Cinematographer

  • Compadece al delincuente (not in the MovieCove catalog yet)(1960)

    Camera Operator

  • Death at Dawn (not in the MovieCove catalog yet)(1960)

    Cinematographer

  • Días de feria (not in the MovieCove catalog yet)(1960)

    Cinematographer

  • Un bruto para Patricia (not in the MovieCove catalog yet)(1960)

    Cinematographer

  • The Last Days of Pompeii(1959)

    Special Effects

    Midcredits score: 29th percentile of all films

  • Parque de Madrid (not in the MovieCove catalog yet)(1959)

    Cinematographer

  • Ya tenemos coche (not in the MovieCove catalog yet)(1958)

    Director

  • The Italians They Are Crazy (not in the MovieCove catalog yet)(1958)

    Cinematographer

  • The Teacher and the Miracle (not in the MovieCove catalog yet)(1957)

    Cinematographer

  • Buongiorno primo amore! (not in the MovieCove catalog yet)(1957)

    Cinematographer

  • Juanillo, papá y mamá (not in the MovieCove catalog yet)(1957)

    Cinematographer

  • Saeta rubia (not in the MovieCove catalog yet)(1956)

    Cinematographer

  • Afternoon at the Bulls (not in the MovieCove catalog yet)(1956)

    Second Assistant Camera

  • Fail in Communism (not in the MovieCove catalog yet)(1956)

    Camera Operator

  • The Island Princess (not in the MovieCove catalog yet)(1954)

    Camera Operator

  • Boyfriend in Sight (not in the MovieCove catalog yet)(1954)

    Assistant Camera

  • El seductor de Granada (not in the MovieCove catalog yet)(1953)

    Camera Operator

  • Spanish Round (not in the MovieCove catalog yet)(1951)

    Assistant Camera

Career shape

A full career of 44 titles from 1951 to 1977.

Highest rated

Cannon for Cordoba (1970)

Midcredits 30th

Most popular right now

Guns of the Magnificent Seven (1969)

By role

only this rolewith another role
Directing1 of 44: 1 only directing, 0 with another roleCinematography33 of 44: 33 only cinematography, 0 with another roleOther crew10 of 44: 10 only other crew, 0 with another role

By decade

1950s14 · crew1960s28 · crew1970s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Antonio Macasoli's films land?

Their typical MovieCove film has a Midcredits score in the 29th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 38th percentile for acclaim.

Acclaim · how much people like their films

38thpercentile
Typical film, the median of 4

Approval · how many liked their films

22ndpercentile
Typical film, the median of 4

Reach · how many have seen their films

31stpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 50th to 74th1
  • 25th to 49th3
  • Below 25th1

Shape of the crowd

3 of their 5 titles are Broadly Agreed.

  • Crowd Pleaser1
  • Broadly Agreed3
  • Mixed1

Most divisive · cinematographer

Finger on the Trigger (1965)

61st percentile spread · 36% rated it 4 or lower

Most loved · cinematographer

Cannon for Cordoba (1970)

Midcredits 30th · 28% liked

Reviewers score the cinematography 63/100 in their films, across 3 reviewed titles; fans 70, detractors 52. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Antonio Macasoli work with?

People who share at least 2 of Antonio Macasoli's MovieCove titles, grouped by what they did on them; Paul Wendkos shares the most, 2.

Directors

Composers and editors

Producers