
Helen Mack
Actor · Died August 13, 1986, aged 72 · Rock Island, Illinois, United States
From Wikipedia, the free encyclopedia. Helen Mack (November 12, 1913 – August 13, 1986) was an American actress. Mack started her career as a child actress in silent films, moving on to Broadway plays, and touring the vaudeville circuit. Her greater success as an actress was as a leading lady in the 1930s. Eventually Mack transitioned into performing on radio, and then into writing, directing, and producing some of the best known radio shows during the Golden Age of Radio. Later in life, Mack billed herself as a professional writer, writing for Broadway, stage, and television. Her career spanned the infancy of the motion picture industry, the beginnings of Broadway, the final days of Vaudeville, the transition to "talking pictures", the Golden Age of Radio, and the rise of television. Description above from the Wikipedia article Helen Mack, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- November 13, 1913
- August 13, 1986 (aged 72)
- Rock Island, Illinois, United States
- Actor
- 9 on MovieCove · 41 credits in all
What are Helen Mack's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
Light 3 · Serious 3 · Dark 2
A split, not a type: Grounded 5 · Stylized 2 · Heightened 1
Gentle 2 · Charged 6 · Intense 0
Steady 5 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 4 · Some laughs 3 · Funny 1
Slow burn 5 · Even-paced 3 · Relentless 0
Casual 6 · Engaged 2 · Full focus 0
Easy watch 3 · Affecting 4 · Heavy 1
Resolved 8 · Open-ended 0 · Ambiguous 0
Roles they play
Usually the Ally: 2 of 3 analyzed roles.
- Allyas Hilda in Son of Kong (1933)
- Allyas Tanya Dugmore in She (1935)
- Heroas Mae Sullivan in The Milky Way (1936)
Moods and endings
- Happy2
- Bittersweet5
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Helen Mack's films?
As of October 24, 2026, 3 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Helen Mack's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
41 credits, 9 with a MovieCove page.

Strange Holiday (not in the MovieCove catalog yet)(1945)

Divorce (not in the MovieCove catalog yet)(1945)

And Now Tomorrow (not in the MovieCove catalog yet)(1944)

Power Dive (not in the MovieCove catalog yet)(1941)

Girls of the Road (not in the MovieCove catalog yet)(1940)

His Girl Friday(1940)
Midcredits score: 96th percentile of all films
Calling All Marines (not in the MovieCove catalog yet)(1939)

Mystery of the White Room (not in the MovieCove catalog yet)(1939)
Gambling Ship (not in the MovieCove catalog yet)(1938)

Secrets of a Nurse (not in the MovieCove catalog yet)(1938)

I Stand Accused (not in the MovieCove catalog yet)(1938)

King of the Newsboys (not in the MovieCove catalog yet)(1938)

The Wrong Road (not in the MovieCove catalog yet)(1937)

Fit for a King(1937)
Midcredits score: 27th percentile of all films
Midcredits score: 41st percentile of all films
You Can't Buy Luck (not in the MovieCove catalog yet)(1937)

I Promise to Pay (not in the MovieCove catalog yet)(1937)

The Milky Way(1936)
Midcredits score: 61st percentile of all films
Midcredits score: 50th percentile of all films
She(1935)
Midcredits score: 54th percentile of all films
Four Hours to Kill! (not in the MovieCove catalog yet)(1935)

Captain Hurricane (not in the MovieCove catalog yet)(1935)

College Rhythm (not in the MovieCove catalog yet)(1934)

The Lemon Drop Kid (not in the MovieCove catalog yet)(1934)

You Belong to Me(1934)
Midcredits score: 60th percentile of all films (provisional, few ratings)
Kiss and Make-Up (not in the MovieCove catalog yet)(1934)

All of Me (not in the MovieCove catalog yet)(1934)

Son of Kong(1933)
Midcredits score: 22nd percentile of all films
Fargo Express (not in the MovieCove catalog yet)(1933)

Christopher Bean (not in the MovieCove catalog yet)(1933)

Blind Adventure (not in the MovieCove catalog yet)(1933)

Melody Cruise (not in the MovieCove catalog yet)(1933)

Sweepings(1933)
Midcredits score: 55th percentile of all films
The California Trail (not in the MovieCove catalog yet)(1933)

While Paris Sleeps (not in the MovieCove catalog yet)(1932)

The Silent Witness (not in the MovieCove catalog yet)(1932)

The Struggle (not in the MovieCove catalog yet)(1931)

Pied Piper Malone (not in the MovieCove catalog yet)(1924)

Under the Red Robe (not in the MovieCove catalog yet)(1923)

Zaza (not in the MovieCove catalog yet)(1923)

Success (not in the MovieCove catalog yet)(1923)
Career shape
Star power in the 78th percentile of 239,109 people with a billed film role, over a full career of 41 titles from 1923 to 1945.
Film career
- 1923Screen debut· Zaza
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Helen Mack's films land?
Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 9; across their 8 films with reception data, the typical film sits in the 50th percentile for acclaim.
- 75th and up1
- 50th to 74th5
- 25th to 49th2
- Below 25th1
Shape of the crowd
None of their 9 titles divides audiences: 3 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser3
- Broadly Agreed2
- Mixed3
Reviewers score the acting 69/100 in their films, across 7 reviewed titles; fans 76, detractors 53. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Helen Mack work with?
People who share at least 2 of Helen Mack's MovieCove titles, grouped by what they did on them; Max Steiner shares the most, 3.
Writers
- Grover JonesShared titles: The Milky Way (1936), You Belong to Me (1934)See all 2 shared titles with Grover Jones

- Ruth RoseShared titles: She (1935), Son of Kong (1933)See all 2 shared titles with Ruth Rose

Actors
- Frank ReicherShared titles: Fit for a King (1937), Son of Kong (1933)See all 2 shared titles with Frank Reicher

- William GarganShared titles: The Milky Way (1936), Sweepings (1933)See all 2 shared titles with William Gargan

- Lionel BarrymoreShared titles: The Return of Peter Grimm (1935), Sweepings (1933)See all 2 shared titles with Lionel Barrymore

- Lucien LittlefieldShared titles: The Return of Peter Grimm (1935), Sweepings (1933)See all 2 shared titles with Lucien Littlefield

Composers and editors
- Max SteinerShared titles: She (1935), Son of Kong (1933), Sweepings (1933)See all 3 shared titles with Max Steiner

- Ted CheesmanShared titles: She (1935), Son of Kong (1933)See all 2 shared titles with Ted Cheesman
Producers
- Merian C. CooperShared titles: She (1935), Son of Kong (1933)See all 2 shared titles with Merian C. Cooper

Mixed roles
- George Nicholls Jr.Shared titles: The Return of Peter Grimm (1935), Sweepings (1933)See all 2 shared titles with George Nicholls Jr.



