Kenji Maki

What are Kenji Maki's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kenji Maki's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

• Netflix1 title, browse their movies on this service
  • River's Edge (2018) · cinematographer
• Tubi1 title, browse their movies on this service
  • The Day of Destruction (2020) · cinematographer · free

Subscription and free streaming for Kenji Maki's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Transcending Dimensions(2025)

  Cinematographer

  Midcredits score: 57th percentile of all films57^th
• 

  The Day of Destruction(2020)

  Cinematographer

  Midcredits score: 28th percentile of all films28^th
• 

  River's Edge(2018)

  Cinematographer

  Midcredits score: 50th percentile of all films50^th
• 

  Midnight Diner 2(2016)

  Cinematographer

  Midcredits score: 93rd percentile of all films93^rd

Career shape

Across a limited sample of 4 MovieCove titles from 2016 to 2025.

Biggest box office

Midnight Diner 2 (2016)

$2.4M worldwide

Highest rated

Midnight Diner 2 (2016)

Midcredits 93^rd

Most popular right now

River's Edge (2018)

How do Kenji Maki's films land?

Their typical MovieCove film has a Midcredits score in the 54^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 61^st percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 2 are Mixed.

112

• Universally Loved1
• Crowd Pleaser1
• Mixed2

Most loved · cinematographer

Midnight Diner 2 (2016)

Midcredits 93^rd · 80% liked

Reviewers score the cinematography 58/100 in their films, across 3 reviewed titles; fans 70, detractors 30. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Kenji Maki work with?

People who share at least 2 of Kenji Maki's MovieCove titles, grouped by what they did on them; Toshiaki Toyoda shares the most, 2.