Maleno Malenotti was a producer and writer, known for La grande strada azzurra (1957), Melodie immortali - Mascagni (1952) and Beautiful But Dangerous (1955). Maleno died in 1976 in Pisa, Tuscany, Italy.
Biography from TMDB.
- January 1, 1913
- January 1, 1976 (aged 63)
- Pisa, Tuscany, Italy
- Producer and writer
- 5 on MovieCove · 17 credits in all
What are Maleno Malenotti's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Society.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 4
Light 4 · Serious 0 · Dark 1
Grounded 2 · Stylized 3 · Heightened 0
Gentle 2 · Charged 3 · Intense 0
Steady 3 · Shifting 2 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 2
Slow burn 1 · Even-paced 4 · Relentless 0
Casual 3 · Engaged 2 · Full focus 0
Easy watch 4 · Affecting 1 · Heavy 0
Resolved 4 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Maleno Malenotti's films?
As of October 24, 2026, none of Maleno Malenotti's 5 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Maleno Malenotti's titles on MovieCove; rent and buy are not counted.
Filmography
17 credits, 5 with a MovieCove page.
Arabella(1967)
Midcredits score: 14th percentile of all films
Slave Trade in the World Today (not in the MovieCove catalog yet)(1964)
Summer Frenzy (not in the MovieCove catalog yet)(1964)
Latin Lovers (not in the MovieCove catalog yet)(1961)
Madame(1961)
Midcredits score: 40th percentile of all films
The Savage Innocents(1960)
Midcredits score: 75th percentile of all films
The Law (not in the MovieCove catalog yet)(1959)
The Love Specialist (not in the MovieCove catalog yet)(1957)
The Wide Blue Road (not in the MovieCove catalog yet)(1957)
Beautiful But Dangerous(1955)
Midcredits score: 40th percentile of all films
Guai ai vinti (not in the MovieCove catalog yet)(1954)
Giuseppe Verdi (not in the MovieCove catalog yet)(1953)
Immortal Melodies (not in the MovieCove catalog yet)(1952)
The Young Caruso(1951)
Midcredits score: 12th percentile of all films
Fame and the Devil (not in the MovieCove catalog yet)(1949)
Mad About Opera (not in the MovieCove catalog yet)(1948)
Fear No Evil (not in the MovieCove catalog yet)(1945)
Career shape
A full career of 16 titles from 1945 to 1964.
How do Maleno Malenotti's films land?
Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 46th percentile for acclaim.
- 75th and up1
- 25th to 49th2
- Below 25th2
Shape of the crowd
None of their 5 titles divides audiences: 3 are Broadly Agreed.
- Crowd Pleaser1
- Broadly Agreed3
- Mixed1
Reviewers score the dialogue 54/100 and the plot and story 43/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Maleno Malenotti work with?
People who share at least 2 of Maleno Malenotti's MovieCove titles, grouped by what they did on them; Eraldo Da Roma shares the most, 4.
Writers
- Franco SolinasShared titles: Madame (1961), The Savage Innocents (1960), Beautiful But Dangerous (1955)See all 3 shared titles with Franco Solinas
- Giovanna SoriaShared titles: Beautiful But Dangerous (1955), The Young Caruso (1951)See all 2 shared titles with Giovanna Soria
- Piero PierottiShared titles: Beautiful But Dangerous (1955), The Young Caruso (1951)See all 2 shared titles with Piero Pierotti
Actors
- Gina LollobrigidaShared titles: Beautiful But Dangerous (1955), The Young Caruso (1951)See all 2 shared titles with Gina Lollobrigida
Composers and editors
- Eraldo Da RomaShared titles: Arabella (1967), Madame (1961), The Savage Innocents (1960), Beautiful But Dangerous (1955)See all 4 shared titles with Eraldo Da Roma
- Angelo Francesco LavagninoShared titles: Madame (1961), The Savage Innocents (1960)See all 2 shared titles with Angelo Francesco Lavagnino
Producers
- Serge SilbermanShared titles: Madame (1961), The Savage Innocents (1960)See all 2 shared titles with Serge Silberman
