Philip Mandelker
- Producer
- 9 on MovieCove · 16 credits in all
What are Philip Mandelker's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
Light 3 · Serious 4 · Dark 1
Grounded 7 · Stylized 1 · Heightened 0
Gentle 3 · Charged 4 · Intense 1
Steady 5 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 5 · Some laughs 1 · Funny 2
Slow burn 4 · Even-paced 4 · Relentless 0
Casual 7 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 4 · Heavy 1
Resolved 7 · Open-ended 0 · Ambiguous 1
Moods and endings
- Happy2
- Bittersweet4
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Philip Mandelker's films?
As of October 24, 2026, 5 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Philip Mandelker's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 9 with a MovieCove page.
The Parade (not in the MovieCove catalog yet)(1984)
Midcredits score: 15th percentile of all films
High School U.S.A.(1983)
Midcredits score: 27th percentile of all films
Having It All(1982)
Midcredits score: 20th percentile of all films
Mae West(1982)
Midcredits score: 56th percentile of all films
Dreams Don't Die(1982)
Midcredits score: 64th percentile of all films
Dream House (not in the MovieCove catalog yet)(1981)
Freedom (not in the MovieCove catalog yet)(1981)
Blinded by the Light (not in the MovieCove catalog yet)(1980)
The Women's Room (not in the MovieCove catalog yet)(1980)
Amber Waves (not in the MovieCove catalog yet)(1980)
Sex and the Single Parent (not in the MovieCove catalog yet)(1979)
The Dukes of Hazzard(1979)
Midcredits score: 58th percentile of all shows
Champions: A Love Story(1979)
Midcredits score: 86th percentile of all films
The Possessed(1977)
Midcredits score: 21st percentile of all films
Midcredits score: 68th percentile of all films (provisional, few ratings)
Career shape
A full career of 14 titles from 1976 to 1984.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Philip Mandelker's films land?
Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 41st percentile for acclaim.
- 75th and up1
- 50th to 74th4
- 25th to 49th1
- Below 25th3
Shape of the crowd
4 of their 9 titles are Mixed.
- Universally Loved1
- Cult Classic1
- Crowd Pleaser3
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Philip Mandelker work with?
People who share at least 2 of Philip Mandelker's MovieCove titles, grouped by what they did on them; Leonard Hill shares the most, 5.
Directors
- Jerry ThorpeShared titles: The Possessed (1977), The Dark Side of Innocence (1976)See all 2 shared titles with Jerry Thorpe
Writers
- John Sacret YoungShared titles: Champions: A Love Story (1979), The Possessed (1977)See all 2 shared titles with John Sacret Young
Actors
- Ann JillianShared titles: Girls of the White Orchid (1983), Mae West (1982)See all 2 shared titles with Ann Jillian
- Claudette NevinsShared titles: The Possessed (1977), The Dark Side of Innocence (1976)See all 2 shared titles with Claudette Nevins
Composers and cinematographers
- Brad FiedelShared titles: Girls of the White Orchid (1983), Dreams Don't Die (1982), Mae West (1982)See all 3 shared titles with Brad Fiedel
- Miles GoodmanShared titles: High School U.S.A. (1983), Having It All (1982)See all 2 shared titles with Miles Goodman
- Chuck ArnoldShared titles: The Possessed (1977), The Dark Side of Innocence (1976)See all 2 shared titles with Chuck Arnold
Producers
- Leonard HillShared titles: Girls of the White Orchid (1983), High School U.S.A. (1983), Dreams Don't Die (1982), Having It All (1982), Mae West (1982)See all 5 shared titles with Leonard Hill
