Sam Manners

What are Sam Manners' films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Sam Manners' films?

As of October 24, 2026, 2 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (2).

• Tubi2 titles, browse their movies on this service
  • Valdez Is Coming (1971) · producer · free
  • The Pride of Jesse Hallam (1981) · producer · free
• Pluto TV1 title, browse their movies on this service
  • Valdez Is Coming (1971) · producer · free
• Prime Video1 title, browse their movies on this service
  • Valdez Is Coming (1971) · producer

Subscription and free streaming for Sam Manners' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 12 with a MovieCove page.

• 

  Lies of the Heart: The Story of Laurie Kellogg(1994)

  Producer

  Midcredits score: 63rd percentile of all films63^rd
• 

  A Walton Thanksgiving Reunion(1993)

  Producer

  Midcredits score: 80th percentile of all films80^th
• 

  Bloodlines: Murder in the Family(1993)

  Producer

  Midcredits score: 24th percentile of all films24^th
• 

  Casanova(1987)

  Producer

  Midcredits score: 26th percentile of all films26^th
• 

  Bad Medicine(1985)

  Producer

  Midcredits score: 13th percentile of all films13^th
• 

  Mischief(1985)

  Producer

  Midcredits score: 63rd percentile of all films63^rd
• 

  Divorce Wars: A Love Story(1982)

  Producer

  Midcredits score: 72nd percentile of all films72^nd
• 

  The Pride of Jesse Hallam(1981)

  Producer

  Midcredits score: 52nd percentile of all films52^nd
• 

  Dummy(1979)

  Producer

  Midcredits score: 89th percentile of all films89^th
• 

  Hot Rod(1979)

  Producer

  Midcredits score: 76th percentile of all films76^th
• 

  The Treasure Seekers(1979)

  Producer

  Midcredits score: 16th percentile of all films16^th
• 

  Valdez Is Coming(1971)

  Producer

  Midcredits score: 70th percentile of all films70^th

Career shape

Across their 12 MovieCove titles from 1971 to 1994.

Biggest box office

Mischief (1985)

$8.7M worldwide

Highest rated

Valdez Is Coming (1971)

Midcredits 70^th

Most popular right now

Mischief (1985)

How do Sam Manners' films land?

Their typical MovieCove film has a Midcredits score in the 63^rd percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 63^rd percentile for acclaim.

Shape of the crowd

5 of their 12 titles are Crowd Pleasers.

255

• Cult Classic2
• Crowd Pleaser5
• Mixed5

Most divisive · producer

Bloodlines: Murder in the Family (1993)

70^th percentile spread · 26% rated it 4 or lower

Most loved · producer

Dummy (1979)

Midcredits 89^th · 74% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Sam Manners work with?

People who share at least 2 of Sam Manners' MovieCove titles, grouped by what they did on them; Frank Konigsberg shares the most, 4.