Daniel Mann
- Producer
- 6 on MovieCove
What are Daniel Mann's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 0 · Serious 1 · Dark 4
A split, not a type: Grounded 2 · Stylized 0 · Heightened 3
Gentle 0 · Charged 5 · Intense 0
Steady 1 · Shifting 3 · Whiplash 1
Straight-faced 4 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 2 · Relentless 0
Casual 1 · Engaged 3 · Full focus 1
Easy watch 0 · Affecting 2 · Heavy 3
Resolved 3 · Open-ended 1 · Ambiguous 1
Moods and endings
- Bittersweet3
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Daniel Mann's films?
As of October 24, 2026, 3 of their 6 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Daniel Mann's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
6 credits, 6 with a MovieCove page.

Hotel Europa(2021)
Midcredits score: 26th percentile of all shows
Midcredits score: 70th percentile of all films
Midcredits score: 76th percentile of all films
The Diary of Anne Frank(2016)
Midcredits score: 76th percentile of all films
Bibliothèque Pascal(2010)
Midcredits score: 80th percentile of all films
Chéri(2009)
Midcredits score: 47th percentile of all films
Career shape
Across their 6 MovieCove titles from 2009 to 2021.
How do Daniel Mann's films land?
Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 72nd percentile for acclaim.
- 75th and up3
- 50th to 74th1
- 25th to 49th2
Shape of the crowd
None of their 6 titles divides audiences: 4 are Crowd Pleasers.
- Crowd Pleaser4
- Broadly Agreed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Daniel Mann work with?
People who share at least 2 of Daniel Mann's MovieCove titles, grouped by what they did on them; Michael Souvignier shares the most, 4.
Producers
- Michael SouvignierShared titles: Hotel Europa (2021), Mack the Knife - Brecht's Threepenny Film (2018), Duell der Brüder - Die Geschichte von Adidas und Puma (2016), The Diary of Anne Frank (2016)See all 4 shared titles with Michael Souvignier

- Till DerenbachShared titles: Hotel Europa (2021), Mack the Knife - Brecht's Threepenny Film (2018), Duell der Brüder - Die Geschichte von Adidas und Puma (2016), The Diary of Anne Frank (2016)See all 4 shared titles with Till Derenbach

- Bastie GrieseShared titles: The Diary of Anne Frank (2016), Chéri (2009)See all 2 shared titles with Bastie Griese

- Andras HamoriShared titles: Bibliothèque Pascal (2010), Chéri (2009)See all 2 shared titles with Andras Hamori