- Producer and writer
- 3 on MovieCove
Known for
What are Luis Manrique's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Ideas.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 2 · Serious 0 · Dark 1
Grounded 2 · Stylized 1 · Heightened 0
Gentle 1 · Charged 2 · Intense 0
A split, not a type: Steady 2 · Shifting 0 · Whiplash 1
Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Luis Manrique's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Luis Manrique's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
La chamaca(1961)
Midcredits score: 36th percentile of all films (provisional, few ratings)
The Iron Mask(1960)
Midcredits score: 2nd percentile of all films (provisional, few ratings)
Póker de ases(1952)
Midcredits score: 55th percentile of all films (provisional, few ratings)
Career shape
Across a limited sample of 3 MovieCove titles from 1952 to 1961.
How do Luis Manrique's films land?
Their typical MovieCove film has a Midcredits score in the 36th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 20th percentile for acclaim.
- 50th to 74th1
- 25th to 49th1
- Below 25th1
Shape of the crowd
2 of their 3 titles are Mixed.
- Cult Classic1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Luis Manrique work with?
People who share at least 2 of Luis Manrique's MovieCove titles, grouped by what they did on them; Sergio Guerrero shares the most, 3.
Writers
- Ramón ObónShared titles: The Iron Mask (1960), Póker de ases (1952)See all 2 shared titles with Ramón Obón
Actors
- Luis AguilarShared titles: The Iron Mask (1960), Póker de ases (1952)See all 2 shared titles with Luis Aguilar
- Pascual García PeñaShared titles: The Iron Mask (1960), Póker de ases (1952)See all 2 shared titles with Pascual García Peña
Composers
- Sergio GuerreroShared titles: La chamaca (1961), The Iron Mask (1960), Póker de ases (1952)See all 3 shared titles with Sergio Guerrero