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What are Jacque Mapes' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Ideas.

Themes

share of theme weight
Bonds
31%
Ideas
21%
Society
19%
Self
17%
Morality
8%
Power
5%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 1 · Stylized 2 · Heightened 1

A split, not a type: Gentle 1 · Charged 1 · Intense 2

A split, not a type: Steady 3 · Shifting 0 · Whiplash 1

Straight-faced 3 · Some laughs 1 · Funny 0

Slow burn 2 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 2 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Romantic
3
Melancholic
2
Contemplative
1
Warm
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jacque Mapes' films?

As of October 24, 2026, none of Jacque Mapes' 4 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Jacque Mapes' titles on MovieCove; rent and buy are not counted.

Filmography

4 credits, 4 with a MovieCove page.

  • The Best Place to Be(1979)

    Producer

    Midcredits score: 74th percentile of all films (provisional, few ratings)
  • Midcredits score: 55th percentile of all films (provisional, few ratings)
  • Lost Horizon(1973)

    Producer

    Midcredits score: 32nd percentile of all films
  • Airport(1970)

    Producer

    Midcredits score: 65th percentile of all films

Career shape

Across a limited sample of 4 MovieCove titles from 1970 to 1979.

By role

only this rolewith another role
Producing4 of 4: 4 only producing, 0 with another role

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Jacque Mapes' films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 64th percentile for acclaim.

Acclaim · how much people like their films

64thpercentile
Typical film, the median of 4

Approval · how many liked their films

55thpercentile
Typical film, the median of 4

Reach · how many have seen their films

48thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 50th to 74th3
  • 25th to 49th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jacque Mapes work with?

People who share at least 2 of Jacque Mapes' MovieCove titles; Ross Hunter shares the most, 4.