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Francesca Marciano

Francesca Marciano

Writer and actor · Born July 17, 1955 (71) · Rome, Lazio, Italy

Francesca Marciano (Rome, July 17, 1955) is an Italian writer, screenwriter and actress. With Maledetto il giorno che t'ho incontrato, a film directed by Carlo Verdone, she won a David di Donatello for best screenplay in 1992. In New York she met Stefania Casini with whom she wrote the screenplay for her first film, which would become the film Lontano da dove produced by Gaumont Italia, which she directed with Casini. The film went into competition in Venice in 1983, achieving a fair amount of success. Returning to Italy that year, she directs an episode of the collective film Provvisorio quasi d'amore born of a collaboration with filmmakers from the Indigena group, including Silvio Soldini, Paolo Rosa, Enrico Ghezzi, Giancarlo Soldi and Daniele Segre. After this second experience as a director, however, she realized that her path was writing, and from this time on she worked exclusively as a screenwriter. At the end of the 1980s, after writing Turné for the direction of Gabriele Salvatores, and after collaborating with Carlo Verdone on three films, she moved permanently to Kenya. In the years that followed he traveled to Ghana, Benin, Togo, Somalia, Sudan, and Tanzania, making numerous reportages for RAI. He wrote his first novel, in English, Rules of the Wild, set in Kenya, which was purchased by Pantheon publishing house, published in New York in 1998 and later translated into seventeen countries. Mondadori published it under the title Uncovered Sky. It was followed by two more novels Red House and The End of Manners, later also published in Italy by Longanesi and translated into more than ten languages. With the novel Red House she won the Rapallo Carige Prize for Women Writers in 2003. Her book The Other Language came out in the United States in 2014 with Pantheon, and in 2015 in Italy with Bompiani, Isola grande Isola piccola.

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Biography from TMDB.

Born
July 17, 1955 (71)
From
Rome, Lazio, Italy
Works as
Writer and actor
Titles
13 on MovieCove · 34 credits in all

What are Francesca Marciano's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 4 · Dark 6

A split, not a type: Grounded 9 · Stylized 2 · Heightened 2

Gentle 1 · Charged 8 · Intense 4

Steady 5 · Shifting 7 · Whiplash 1

A split, not a type: Straight-faced 7 · Some laughs 4 · Funny 2

A split, not a type: Slow burn 7 · Even-paced 6 · Relentless 0

Casual 3 · Engaged 8 · Full focus 2

A split, not a type: Easy watch 1 · Affecting 3 · Heavy 9

Resolved 9 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Melancholic
6
Warm
6
Dread
4
Bittersweet
5
Other
6

How their films end · 2 with a twist

  • Happy1
  • Bittersweet11
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Francesca Marciano's films?

As of October 24, 2026, 3 of their 13 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Francesca Marciano's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

34 credits, 13 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

  • Painted Screams (not in the MovieCove catalog yet)(2025)

    as Sé stessa

  • Midcredits score: 12th percentile of all films
  • The Art of Joy (not in the MovieCove catalog yet)(2024)

    Show 6 episodes · Creator · Writer

  • A Brighter Tomorrow(2023)

    Screenplay · Story

    Midcredits score: 70th percentile of all films
  • You Came Back(2020)

    Screenplay

    Midcredits score: 26th percentile of all films
  • Euphoria(2018)

    Screenplay · Story

    Midcredits score: 67th percentile of all films
  • a Jacket (not in the MovieCove catalog yet)(2018)

    Screenplay

  • Pericle (not in the MovieCove catalog yet)(2016)

    Screenplay

  • Me, Myself & Her(2015)

    Idea · Screenplay · Story · Writer

    Midcredits score: 50th percentile of all films
  • Midcredits score: 58th percentile of all films
  • Honey (not in the MovieCove catalog yet)(2013)

    Screenplay · Story

  • A Five Star Life (not in the MovieCove catalog yet)(2013)

    Story · Writer

  • Me and You(2012)

    Screenplay

    Midcredits score: 60th percentile of all films
  • La scuola è finita (not in the MovieCove catalog yet)(2010)

    Screenplay

  • Me, Them and Lara(2009)

    Story · Writer

    Midcredits score: 25th percentile of all films
  • Raise Your Head (not in the MovieCove catalog yet)(2009)

    Screenplay

  • Signorina Effe (not in the MovieCove catalog yet)(2008)

    Story

  • Don't Tell(2005)

    Writer

    Midcredits score: 55th percentile of all films
  • L'amore è eterno finché dura(2004)

    Screenplay · Story

    Midcredits score: 49th percentile of all films
  • I'm Not Scared(2003)

    Screenplay

    Midcredits score: 93rd percentile of all films
  • Un Paradiso di Bugie (not in the MovieCove catalog yet)(1997)

    Story · Writer

  • Iris Blond (not in the MovieCove catalog yet)(1996)

    Screenplay · Story

  • Ritorno a casa Gori (not in the MovieCove catalog yet)(1996)

    Screenplay

  • La mia generazione (not in the MovieCove catalog yet)(1996)

    Story · Writer

  • Perdiamoci di vista (not in the MovieCove catalog yet)(1994)

    Screenplay · Story

  • Love at First Sight (not in the MovieCove catalog yet)(1992)

    Show 1 episode · Writer

  • Maledetto il giorno che t'ho incontrato (not in the MovieCove catalog yet)(1992)

    Screenplay · Story

  • Turné (not in the MovieCove catalog yet)(1990)

    Screenplay · Story

  • Provvisorio, quasi d'amore (not in the MovieCove catalog yet)(1988)

    Director · Screenplay · Story

  • Lontano da dove (not in the MovieCove catalog yet)(1983)

    Director · Story · Writer

  • The Return of Casanova (not in the MovieCove catalog yet)(1980)

    as Marcolina

  • All The Souls... Except the Dead (not in the MovieCove catalog yet)(1977)

    as Ilaria

  • Midcredits score: 83rd percentile of all films
  • Seven Beauties(1975)

    as Carolina

    Midcredits score: 95th percentile of all films

Career shape

A full career of 33 titles from 1975 to 2025.

Film career

Top draw in 1 MovieCove title.

By role

only this rolewith another role
Acting5 of 33: 5 only acting, 0 with another roleDirecting2 of 33: 0 only directing, 2 with another roleWriting28 of 33: 25 only writing, 3 with another role · typical Midcredits score53rdOther crew1 of 33: 0 only other crew, 1 with another role

33 titles, 3 with more than one role.

By decade

1970s3 · acting1980s3 · 1 acting · 2 crew1990s8 · crew2000s5 · crew2010s9 · crew2020s5 · 1 acting · 4 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Francesca Marciano's films land?

Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 56th percentile for acclaim.

Acclaim · how much people like their films

56thpercentile
Typical film, the median of 13

Approval · how many liked their films

59thpercentile
Typical film, the median of 13

Reach · how many have seen their films

73rdpercentile
Typical film, the median of 13

Midcredits score across 13 titles, by percentile

  • 75th and up3
  • 50th to 74th6
  • 25th to 49th3
  • Below 25th1

Shape of the crowd

6 of their 13 titles are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser6
  • Broadly Agreed3
  • Mixed2

Reviewers score the dialogue 55/100 and the plot and story 52/100 in their films, across 12 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Francesca Marciano work with?

People who share at least 2 of Francesca Marciano's MovieCove titles, grouped by what they did on them; Franco Piersanti shares the most, 3.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles