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Bernard Marescot

Bernard Marescot

Producer

Works as
Producer
Titles
9 on MovieCove · 17 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 48% in 30 days

What are Bernard Marescot's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Power.

Themes

share of theme weight
Self
27%
Power
19%
Survival
15%
Morality
12%
Bonds
11%
Ideas
11%
Society
4%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 1 · Stylized 2 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 4 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 2 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 2 · Some laughs 2 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 1 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 1 · Engaged 1 · Full focus 3

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 2 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
4
Tense
2
Warm
2
Melancholic
1
Bittersweet
2
Other
4

How their films linger

Bittersweet3 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy1
  • Bittersweet2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Bernard Marescot's films?

As of October 24, 2026, 2 of their 9 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Bernard Marescot's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

17 credits, 9 with a MovieCove page.

  • The Overeater (not in the MovieCove catalog yet)(2003)

    Executive Producer

  • Read My Lips(2001)

    Producer

    Midcredits score: 90th percentile of all films

  • Passionnément (not in the MovieCove catalog yet)(2000)

    Executive Producer

  • Monsieur Naphtali (not in the MovieCove catalog yet)(1999)

    Executive Producer

  • Stolen Life (not in the MovieCove catalog yet)(1998)

    Executive Producer

  • The Best Job in the World(1996)

    Executive Producer

    Midcredits score: 32nd percentile of all films

  • L'Amour conjugal (not in the MovieCove catalog yet)(1995)

    Executive Producer

  • The New World (not in the MovieCove catalog yet)(1995)

    Executive Producer

  • Colonel Chabert (not in the MovieCove catalog yet)(1994)

    Executive Producer

  • All the Mornings of the World(1991)

    Executive Producer

    Midcredits score: 92nd percentile of all films

  • Merci La Vie(1991)

    Executive Producer

    Midcredits score: 63rd percentile of all films

  • Too Beautiful for You(1989)

    Executive Producer

    Midcredits score: 66th percentile of all films

  • Ne réveillez pas un flic qui dort(1988)

    Production Director

    Midcredits score: 31st percentile of all films

  • Marche à l'ombre(1984)

    Production Manager

    Midcredits score: 66th percentile of all films

  • My Other Husband(1983)

    Production Manager

    Midcredits score: 40th percentile of all films

  • Viens chez moi, j'habite chez une copine(1981)

    Production Manager

    Midcredits score: 55th percentile of all films

  • One Can Say It Without Getting Angry (not in the MovieCove catalog yet)(1978)

    Production Manager

Career shape

A full career of 16 titles from 1978 to 2003.

Biggest box office

Read My Lips (2001)

$5.4M worldwide

Highest rated

All the Mornings of the World (1991)

Midcredits 92nd

Most popular right now

Read My Lips (2001)

By role

only this rolewith another role
Producing11 of 16: 11 only producing, 0 with another roleOther crew5 of 16: 5 only other crew, 0 with another role

By decade

1970s1 · crew1980s5 · crew1990s8 · crew2000s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Bernard Marescot's films land?

Their typical MovieCove film has a Midcredits score in the 63rd percentile, the median of all 9; across their 5 films with reception data, the typical film sits in the 67th percentile for acclaim.

Acclaim · how much people like their films

67thpercentile
Typical film, the median of 5

Approval · how many liked their films

63rdpercentile
Typical film, the median of 5

Reach · how many have seen their films

66thpercentile
Typical film, the median of 5

Midcredits score across 9 titles, by percentile

  • 75th and up2
  • 50th to 74th4
  • 25th to 49th3

Shape of the crowd

None of their 9 titles divides audiences: 4 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser4
  • Broadly Agreed2
  • Mixed2

Most loved · producer

All the Mornings of the World (1991)

Midcredits 92nd · 80% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Bernard Marescot work with?

People who share at least 2 of Bernard Marescot's MovieCove titles, grouped by what they did on them; Gérard Depardieu shares the most, 4.

Directors

Actors

Cinematographers and editors

Producers