- November 27, 1952 (73)
- Roma, Lazio, Italy
- Writer and director
- 4 on MovieCove · 32 credits in all
Known for
What are Umberto Marino's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 3 · Serious 1 · Dark 0
Grounded 1 · Stylized 3 · Heightened 0
Gentle 3 · Charged 1 · Intense 0
Steady 3 · Shifting 1 · Whiplash 0
Straight-faced 1 · Some laughs 3 · Funny 0
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 3 · Engaged 1 · Full focus 0
Easy watch 2 · Affecting 2 · Heavy 0
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Umberto Marino's films?
As of October 24, 2026, none of Umberto Marino's 4 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Umberto Marino's titles on MovieCove; rent and buy are not counted.
Filmography
32 credits, 4 with a MovieCove page.
Tutto per mio figlio (not in the MovieCove catalog yet)(2022)
Il tempio della velocità (not in the MovieCove catalog yet)(2022)
Rinascere (not in the MovieCove catalog yet)(2022)
Saint Antoine de Padoue (not in the MovieCove catalog yet)(2021)
Enrico Piaggio: Vespa (not in the MovieCove catalog yet)(2019)
Al posto tuo (not in the MovieCove catalog yet)(2016)
Mi rifaccio vivo (not in the MovieCove catalog yet)(2013)
Pinocchio (not in the MovieCove catalog yet)(2012)
Sposami (not in the MovieCove catalog yet)(2012)
The Baroness of Carini (not in the MovieCove catalog yet)(2007)
L'amore e la guerra (not in the MovieCove catalog yet)(2007)
Pilot Operation (not in the MovieCove catalog yet)(2007)
Too Much Romance... It's Time for Stuffed Peppers (not in the MovieCove catalog yet)(2006)
La fiamma sul ghiaccio (not in the MovieCove catalog yet)(2006)
L'uomo che sognava con le aquile (not in the MovieCove catalog yet)(2006)
Totò Sapore and the Magical Story of Pizza (not in the MovieCove catalog yet)(2003)
Opopomoz (not in the MovieCove catalog yet)(2003)
Sant'Antonio di Padova(2002)
Midcredits score: 90th percentile of all films
Aida of the Trees (not in the MovieCove catalog yet)(2001)
Midcredits score: 82nd percentile of all films
Lucky and Zorba(1998)
Midcredits score: 91st percentile of all films
Il viaggio della sposa (not in the MovieCove catalog yet)(1997)
Finalmente soli (not in the MovieCove catalog yet)(1997)
Midcredits score: 72nd percentile of all films
Heartless (not in the MovieCove catalog yet)(1995)
Anche i commercialisti hanno un'anima (not in the MovieCove catalog yet)(1994)
A Soul Split in Two (not in the MovieCove catalog yet)(1993)
The Blonde (not in the MovieCove catalog yet)(1993)
Cominciò tutto per caso (not in the MovieCove catalog yet)(1993)
The Knot in the Necktie (not in the MovieCove catalog yet)(1991)
The Station (not in the MovieCove catalog yet)(1990)
Stray Days (not in the MovieCove catalog yet)(1988)
Career shape
A full career of 32 titles from 1988 to 2022.
How do Umberto Marino's films land?
Their typical MovieCove film has a Midcredits score in the 86th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 88th percentile for acclaim.
- 75th and up3
- 50th to 74th1
Shape of the crowd
None of their 4 titles divides audiences: 3 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser3
Reviewers score the plot and story 61/100 in their films, across 3 reviewed titles; fans 65, detractors 40. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Umberto Marino work with?
People who share at least 2 of Umberto Marino's MovieCove titles, grouped by what they did on them; Enzo D'Alò shares the most, 3.
Directors
- Enzo D'AlòShared titles: Momo alla conquista del tempo (2001), Lucky and Zorba (1998), How the Toys Saved Christmas (1996)See all 3 shared titles with Enzo D'Alò
Actors
- Gabriele PatriarcaShared titles: Momo alla conquista del tempo (2001), Lucky and Zorba (1998)See all 2 shared titles with Gabriele Patriarca
- Alida MilanaShared titles: Lucky and Zorba (1998), How the Toys Saved Christmas (1996)See all 2 shared titles with Alida Milana
- Roberto StocchiShared titles: Lucky and Zorba (1998), How the Toys Saved Christmas (1996)See all 2 shared titles with Roberto Stocchi
Editors
- Rita RossiShared titles: Lucky and Zorba (1998), How the Toys Saved Christmas (1996)See all 2 shared titles with Rita Rossi
Producers
- Vittorio Cecchi GoriShared titles: Momo alla conquista del tempo (2001), Lucky and Zorba (1998)See all 2 shared titles with Vittorio Cecchi Gori
- Maria FaresShared titles: Lucky and Zorba (1998), How the Toys Saved Christmas (1996)See all 2 shared titles with Maria Fares