
George Marion Jr.
- Writer
- 15 on Motif · 63 credits in all
What are George Marion Jr.'s films like?
Across their 15 Motif titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their Motif films by primary genre. The badge is the typical Motif score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 14
Light 13 · Serious 1 · Dark 1
Grounded 4 · Stylized 7 · Heightened 4
Gentle 9 · Charged 5 · Intense 1
Steady 11 · Shifting 4 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 5 · Funny 8
A split, not a type: Slow burn 8 · Even-paced 7 · Relentless 0
Casual 13 · Engaged 2 · Full focus 0
Easy watch 12 · Affecting 2 · Heavy 1
Resolved 15 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy15
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch George Marion Jr.'s films?
As of October 24, 2026, 5 of their 15 Motif titles stream on a subscription or free service, most on MGM+ (4).
Subscription and free streaming for George Marion Jr.'s titles on Motif; rent and buy are not counted. Titles are listed by Motif score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
63 credits, 15 with a Motif page.

Beat the Band(1947)
Motif score: 37th percentile of all films (provisional, few ratings)
Too Many Girls(1940)
Motif score: 41st percentile of all films
Motif score: 77th percentile of all films
The Gladiator (not in the Motif catalog yet)(1938)
Motif score: 61st percentile of all films
Fifty Roads to Town (not in the Motif catalog yet)(1937)

To Beat the Band (not in the Motif catalog yet)(1935)

Metropolitan(1935)
Motif score: 57th percentile of all films
Two for Tonight (not in the Motif catalog yet)(1935)

College Rhythm (not in the Motif catalog yet)(1934)

The Gay Divorcee(1934)
Motif score: 87th percentile of all films
Kiss and Make-Up (not in the Motif catalog yet)(1934)

We're Not Dressing (not in the Motif catalog yet)(1934)

Adorable (not in the Motif catalog yet)(1933)

The Big Broadcast(1932)
Motif score: 69th percentile of all films
Love Me Tonight(1932)
Motif score: 88th percentile of all films
This Is the Night (not in the Motif catalog yet)(1932)

No Limit (not in the Motif catalog yet)(1931)

Along Came Youth (not in the Motif catalog yet)(1930)

Sea Legs (not in the Motif catalog yet)(1930)

Follow Thru (not in the Motif catalog yet)(1930)

Let's Go Native (not in the Motif catalog yet)(1930)

Safety in Numbers (not in the Motif catalog yet)(1930)

Sweetie (not in the Motif catalog yet)(1929)

Dangerous Curves (not in the Motif catalog yet)(1929)

This Is Heaven (not in the Motif catalog yet)(1929)
Motif score: 44th percentile of all films
Someone to Love (not in the Motif catalog yet)(1928)

Varsity (not in the Motif catalog yet)(1928)

Moran of the Marines (not in the Motif catalog yet)(1928)

Oh Kay! (not in the Motif catalog yet)(1928)

Just Married (not in the Motif catalog yet)(1928)

Hot News (not in the Motif catalog yet)(1928)

Ladies of the Mob (not in the Motif catalog yet)(1928)

Partners in Crime (not in the Motif catalog yet)(1928)

Red Hair (not in the Motif catalog yet)(1928)

The Legion of the Condemned (not in the Motif catalog yet)(1928)

Wife Savers (not in the Motif catalog yet)(1928)

The Garden of Eden(1928)
Motif score: 68th percentile of all films
Get Your Man (not in the Motif catalog yet)(1927)

Honeymoon Hate (not in the Motif catalog yet)(1927)
Service for Ladies (not in the Motif catalog yet)(1927)

Rough House Rosie (not in the Motif catalog yet)(1927)

The World At Her Feet (not in the Motif catalog yet)(1927)

Fashions for Women (not in the Motif catalog yet)(1927)

Evening Clothes (not in the Motif catalog yet)(1927)

A Kiss in a Taxi (not in the Motif catalog yet)(1927)

It (not in the Motif catalog yet)(1927)

Blonde or Brunette (not in the Motif catalog yet)(1927)

Just Another Blonde (not in the Motif catalog yet)(1926)

Everybody's Acting (not in the Motif catalog yet)(1926)

Kid Boots(1926)
Motif score: 77th percentile of all films
Mantrap (not in the Motif catalog yet)(1926)

Lovey Mary (not in the Motif catalog yet)(1926)

Kiki (not in the Motif catalog yet)(1926)

The Sap (not in the Motif catalog yet)(1926)

The Bat (not in the Motif catalog yet)(1926)

Made for Love (not in the Motif catalog yet)(1926)

Ella Cinders(1926)
Motif score: 83rd percentile of all films
Sparrows(1926)
Motif score: 85th percentile of all films
The Son of the Sheik(1926)
Motif score: 65th percentile of all films
The Eagle(1925)
Motif score: 64th percentile of all filmsMoney to Burns (not in the Motif catalog yet)(1924)
Career shape
A full career of 55 titles from 1924 to 1940.

Biggest box office
The Son of the Sheik (1926)

Highest rated
Love Me Tonight (1932)

Most popular right now
The Baroness and the Butler (1938)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Motif score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.
How do George Marion Jr.'s films land?
Their typical Motif film has a Motif score in the 68th percentile, the median of all 15; across their 15 films with reception data, the typical film sits in the 63rd percentile for acclaim.
- 75th and up6
- 50th to 74th6
- 25th to 49th3
Shape of the crowd
11 of their 15 titles are Crowd Pleasers.
- Crowd Pleaser11
- Broadly Agreed2
- Mixed2
Reviewers score the dialogue 53/100 and the plot and story 43/100 in their films, across 15 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does George Marion Jr. work with?
People who share at least 2 of George Marion Jr.'s Motif titles, grouped by what they did on them; Frank Tuttle shares the most, 2.
Directors
- Frank TuttleShared titles: The Big Broadcast (1932), Kid Boots (1926)See all 2 shared titles with Frank Tuttle

Writers
- Samuel HoffensteinShared titles: The Gay Divorcee (1934), Love Me Tonight (1932)See all 2 shared titles with Samuel Hoffenstein

- Hanns KrälyShared titles: The Garden of Eden (1928), The Eagle (1925)See all 2 shared titles with Hanns Kräly
Actors
- Frances LangfordShared titles: Beat the Band (1947), Too Many Girls (1940)See all 2 shared titles with Frances Langford

- Thurston HallShared titles: You Can't Cheat an Honest Man (1939), Metropolitan (1935)See all 2 shared titles with Thurston Hall

- Alice BradyShared titles: Metropolitan (1935), The Gay Divorcee (1934)See all 2 shared titles with Alice Brady

- William AustinShared titles: The Gay Divorcee (1934), The Mysterious Dr. Fu Manchu (1929)See all 2 shared titles with William Austin

Composers, cinematographers and editors
- Frank RedmanShared titles: Beat the Band (1947), Too Many Girls (1940)See all 2 shared titles with Frank Redman
- William HamiltonShared titles: Too Many Girls (1940), The Gay Divorcee (1934)See all 2 shared titles with William Hamilton
- Barbara McLeanShared titles: The Baroness and the Butler (1938), Metropolitan (1935)See all 2 shared titles with Barbara McLean

- John LeipoldShared titles: Love Me Tonight (1932), The Big Broadcast (1932)See all 2 shared titles with John Leipold

Producers
- John W. Considine Jr.Shared titles: The Son of the Sheik (1926), The Eagle (1925)See all 2 shared titles with John W. Considine Jr.
Mixed roles
- George AbbottShared titles: Beat the Band (1947), Too Many Girls (1940)See all 2 shared titles with George Abbott




