Jos Marissen

What are Jos Marissen's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jos Marissen's films?

As of October 24, 2026, none of Jos Marissen's 5 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Jos Marissen's titles on MovieCove; rent and buy are not counted.

Filmography

7 credits, 5 with a MovieCove page.

• 

  Clifton (not in the MovieCove catalog yet)(1984)

  Adaptation
• 

  Tintin and the Lake of Sharks(1972)

  Adaptation

  Midcredits score: 55th percentile of all films55^th
• 

  Daisy Town(1971)

  Other · Screenplay

  Midcredits score: 77th percentile of all films77^th
• 

  Seven Crystal Balls and the Prisoners of the Sun(1969)

  Adaptation

  Midcredits score: 71st percentile of all films71^st
• 

  Asterix and Cleopatra(1968)

  Adaptation

  Midcredits score: 87th percentile of all films87^th
• 

  Asterix the Gaul(1967)

  Screenplay

  Midcredits score: 66th percentile of all films66^th
• 

  Pinocchio in Outer Space (not in the MovieCove catalog yet)(1965)

  Special Effects

Career shape

A full career of 7 titles from 1965 to 1984.

Highest rated

Daisy Town (1971)

Midcredits 77^th

How do Jos Marissen's films land?

Their typical MovieCove film has a Midcredits score in the 71^st percentile, the median of all 5; across a limited sample of 3 films with reception data, the typical film sits in the 73^rd percentile for acclaim.

Shape of the crowd

None of their 5 titles divides audiences: 5 are Crowd Pleasers.

5

• Crowd Pleaser5

Most loved · writer

Asterix and Cleopatra (1968)

Midcredits 87^th · 76% liked

Reviewers score the dialogue 48/100 and the plot and story 55/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jos Marissen work with?

People who share at least 2 of Jos Marissen's MovieCove titles, grouped by what they did on them; Eddie Lateste shares the most, 3.