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Alan C. Marks

Editor

Works as
Editor
Titles
7 on MovieCove · 10 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Up 4% in 30 days

What are Alan C. Marks' films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Power and Survival.

Genres

Crime3 titlesTypical Midcredits score: 54th percentile
: browse their Crime movies
Drama2 titlesTypical Midcredits score: 55th percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Power
30%
Survival
28%
Bonds
24%
Self
9%
Society
8%
Family bonds4 titles, browse their movies with this themeOppression2 titles, browse their movies with this themeSurvival2 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themePrejudice2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 1 · Serious 2 · Dark 3

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 4 · Stylized 2 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 5 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 4 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 2 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 3 · Even-paced 2 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 3 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 6 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Warm
4
Dread
2
Thrilling
2
Melancholic
1
Other
2

How their films linger

Hopeful3 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertasteRousing2 titles, browse their movies with this aftertaste

How their films end

  • Happy3
  • Bittersweet3
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alan C. Marks' films?

As of October 24, 2026, none of Alan C. Marks' 7 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Alan C. Marks' titles on MovieCove; rent and buy are not counted.

Filmography

10 credits, 7 with a MovieCove page.

  • Alien Nation: The Udara Legacy(1997)

    Editor

    Midcredits score: 53rd percentile of all films

  • Alien Nation: Body and Soul(1995)

    Editor

    Midcredits score: 54th percentile of all films

  • Alien Nation: Dark Horizon(1994)

    Editor

    Midcredits score: 60th percentile of all films

  • Bonanza: The Next Generation(1988)

    Editor

    Midcredits score: 41st percentile of all films

  • Six Against the Rock(1987)

    Editor

    Midcredits score: 45th percentile of all films

  • V(1983)

    Show 2 episodes · Editor

    Midcredits score: 85th percentile of all shows

  • The Incredible Hulk(1977)

    Editor

    Midcredits score: 69th percentile of all films

  • Goodnight Jackie (not in the MovieCove catalog yet)(1974)

    Editor

  • They Saved Hitler's Brain (not in the MovieCove catalog yet)(1968)

    Editor

  • The Madmen of Mandoras (not in the MovieCove catalog yet)(1963)

    Editor

Career shape

A full career of 9 titles from 1963 to 1997.

Highest rated

V (1983)

Midcredits 85th

By role

only this rolewith another role
Editing9 of 9: 9 only editing, 0 with another role · typical Midcredits score57th

By decade

1960s2 · crew1970s2 · crew1980s2 · crew1990s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alan C. Marks' films land?

Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 6

Approval · how many liked their films

58thpercentile
Typical film, the median of 6

Reach · how many have seen their films

52ndpercentile
Typical film, the median of 6

Midcredits score across 7 titles, by percentile

  • 75th and up1
  • 50th to 74th4
  • 25th to 49th2

Shape of the crowd

6 of their 7 titles are Crowd Pleasers.

  • Cult Classic1
  • Crowd Pleaser6

Most divisive · editor

Bonanza: The Next Generation (1988)

87th percentile spread · 25% rated it 4 or lower

Most loved · editor

V (1983)

Midcredits 85th · 86% liked

Reviewers score the pacing 53/100 in their films, across 4 reviewed titles; fans 62, detractors 42. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Alan C. Marks work with?

People who share at least 2 of Alan C. Marks' MovieCove titles, grouped by what they did on them; Kenneth Johnson shares the most, 5.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers