Arthur D. Marks
- Cinematographer
- 5 on MovieCove · 19 credits in all
What are Arthur D. Marks' films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Power.
Themes
What they feel like to watch
A split, not a type: Ironic 1 · Wry 1 · Earnest 2
Light 3 · Serious 1 · Dark 0
A split, not a type: Grounded 3 · Stylized 0 · Heightened 1
Gentle 3 · Charged 1 · Intense 0
Steady 3 · Shifting 1 · Whiplash 0
Straight-faced 0 · Some laughs 3 · Funny 1
Slow burn 3 · Even-paced 1 · Relentless 0
Casual 4 · Engaged 0 · Full focus 0
Easy watch 4 · Affecting 0 · Heavy 0
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Arthur D. Marks' films?
As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Arthur D. Marks' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 5 with a MovieCove page.
The Occultist (not in the MovieCove catalog yet)(1988)
Riot on 42nd St.(1987)
Midcredits score: 14th percentile of all films
Mutant Hunt(1987)
Midcredits score: 3rd percentile of all films
Necropolis(1986)
Midcredits score: 4th percentile of all films
Breeders(1986)
Midcredits score: 4th percentile of all films
Robot Holocaust(1987)
Midcredits score: 1st percentile of all films
Bad Girls Dormitory (not in the MovieCove catalog yet)(1986)
Misbehavin' (not in the MovieCove catalog yet)(1978)
Take Off (not in the MovieCove catalog yet)(1978)
Video Vixens! (not in the MovieCove catalog yet)(1975)
The Female Response (not in the MovieCove catalog yet)(1973)
Running with the Devil (not in the MovieCove catalog yet)(1973)
A Weekend with Strangers (not in the MovieCove catalog yet)(1971)
Scorpio '70 (not in the MovieCove catalog yet)(1970)
Changes (not in the MovieCove catalog yet)(1970)
Room and Broad (not in the MovieCove catalog yet)(1968)
The Bizarre Ones (not in the MovieCove catalog yet)(1968)
The Procurer (not in the MovieCove catalog yet)(1968)
Scare Their Pants Off! (not in the MovieCove catalog yet)(1968)
Career shape
A full career of 19 titles from 1968 to 1988.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Arthur D. Marks' films land?
Their typical MovieCove film has a Midcredits score in the 4th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 9th percentile for acclaim.
- Below 25th5
Shape of the crowd
4 of their 5 titles are Universally Panned.
- Universally Panned4
- Mixed1
Reviewers score the cinematography 22/100 in their films, across 3 reviewed titles; fans 28, detractors 17. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Arthur D. Marks work with?
People who share at least 2 of Arthur D. Marks' MovieCove titles, grouped by what they did on them; Tim Kincaid shares the most, 4.
Directors
- Tim KincaidShared titles: Riot on 42nd St. (1987), Robot Holocaust (1987), Breeders (1986), Necropolis (1986)See all 4 shared titles with Tim Kincaid
Actors
- Amy BrentanoShared titles: Riot on 42nd St. (1987), Robot Holocaust (1987), Breeders (1986)See all 3 shared titles with Amy Brentano
- LeeAnne BakerShared titles: Riot on 42nd St. (1987), Breeders (1986), Necropolis (1986)See all 3 shared titles with LeeAnne Baker
- Lance LewmanShared titles: Riot on 42nd St. (1987), Breeders (1986)See all 2 shared titles with Lance Lewman
- Nadine HartsteinShared titles: Robot Holocaust (1987), Necropolis (1986)See all 2 shared titles with Nadine Hartstein
Composers and editors
- Barry ZetlinShared titles: Robot Holocaust (1987), Breeders (1986), Necropolis (1986)See all 3 shared titles with Barry Zetlin
- Don GreatShared titles: Breeders (1986), Necropolis (1986)See all 2 shared titles with Don Great
Producers
- Cynthia De PaulaShared titles: Riot on 42nd St. (1987), Robot Holocaust (1987), Breeders (1986), Necropolis (1986)See all 4 shared titles with Cynthia De Paula
- Charles BandShared titles: Robot Holocaust (1987), Breeders (1986), Necropolis (1986)See all 3 shared titles with Charles Band
