Leo Marks

What are Leo Marks' films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Leo Marks' films?

As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service.

• Tubi1 title, browse their movies on this service
  • Peeping Tom (1960) · writer · free

Subscription and free streaming for Leo Marks' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 5 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

• 

  The Sticky Fingers of Time (not in the MovieCove catalog yet)(1997)

  as Dex
• 

  Undercovers Hero(1974)

  Screenplay · Story

  Midcredits score: 19th percentile of all films19^th
• 

  Twisted Nerve(1968)

  Screenplay

  Midcredits score: 80th percentile of all films80^th
• 

  Sebastian (not in the MovieCove catalog yet)(1968)

  Story
• 

  Guns at Batasi (not in the MovieCove catalog yet)(1964)

  Writer
• 

  Espionage (not in the MovieCove catalog yet)(1963)

  Show 1 episode · Writer
• 

  The Webster Boy (not in the MovieCove catalog yet)(1962)

  Screenstory
• 

  Peeping Tom(1960)

  Original Story · Screenplay

  Midcredits score: 94th percentile of all films94^th
• 

  Carve Her Name with Pride(1958)

  Writer

  Midcredits score: 81st percentile of all films81^st
• 

  Cloudburst(1951)

  Theatre Play

  Midcredits score: 64th percentile of all films64^th
• 

  The Girl Who Couldn't Quite (not in the MovieCove catalog yet)(1950)

  Theatre Play

Career shape

A full career of 10 titles from 1950 to 1997.

Biggest box office

Peeping Tom (1960)

$99K worldwide

Highest rated

Peeping Tom (1960)

Midcredits 94^th

How do Leo Marks' films land?

Their typical MovieCove film has a Midcredits score in the 80^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 74^th percentile for acclaim.

Shape of the crowd

3 of their 5 titles are Crowd Pleasers.

131

• Universally Loved1
• Crowd Pleaser3
• Mixed1

Most divisive · writer

Undercovers Hero (1974)

53^rd percentile spread · 29% rated it 4 or lower

Most loved · writer

Peeping Tom (1960)

Midcredits 94^th · 81% liked

Reviewers score the dialogue 50/100 and the plot and story 49/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Leo Marks work with?

People who share at least 2 of Leo Marks' MovieCove titles, grouped by what they did on them; Roy Boulting shares the most, 2.