
Christian Marquand (15 March 1927 – 22 November 2000) was a French actor, screenwriter and film director. Born in Marseille, he was born to a Spanish father and an Arab mother, and his sister was film director Nadine Trintignant. He was often cast as a heartthrob in French films of the 1950s. Marquand's first film appearance was in 1946, as a footman in Jean Cocteau's Beauty and the Beast (La Belle et la Bête). After a few more small parts, he was prominently featured in Christian-Jaque's Lucrèce Borgia (1953) as one of Lucrezia's lovers, and as an Austrian soldier in Luchino Visconti's Senso (1954). In 1956, he was directed by Roger Vadim in And God Created Woman (Et Dieu... créa la femme) opposite Brigitte Bardot. That film's success led to starring roles in the movies No Sun in Venice (1957), Temptation (1959), and The Big Show (1960) and leads opposite actresses Maria Schell, Jean Seberg, and Annie Girardot. In 1962, Marquand appeared as French Naval Commando leader Philippe Kieffer in Darryl F. Zanuck's World War II movie The Longest Day, which led to further roles in international productions such as Behold a Pale Horse (1964), Lord Jim (1965) and The Flight of the Phoenix (1965). He appeared in feature films and television throughout the 1970s, and played a French plantation owner in Francis Ford Coppola's re-edited Vietnam war epic Apocalypse Now Redux (1979/2001). His last performance was in a 1987 French TV mini-series. He directed two films, Les Grands Chemins (1963) and the all-star sex farce Candy (1968). Marquand was married to French actress Tina Aumont from 1963 to 1966, marrying her when she was 17 and he was 36. In the 1970s, he lived with French actress Dominique Sanda, 21 years his junior, with whom he had a son, Yann. He was a close friend of Marlon Brando, who named his son Christian after him, as did French director Roger Vadim. Marquand died near Paris of Alzheimer's disease, aged 73. Source: Article "Christian Marquand" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Read moreShow less
Biography from TMDB.
- March 15, 1927
- November 22, 2000 (aged 73)
- Marseille, Bouches-du-Rhône, France
- Actor, also director
- 19 on MovieCove · 57 credits in all
What are Christian Marquand's films like?
Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 2 · Wry 0 · Earnest 10
A split, not a type: Light 3 · Serious 4 · Dark 6
A split, not a type: Grounded 5 · Stylized 3 · Heightened 5
Gentle 1 · Charged 7 · Intense 5
Steady 2 · Shifting 9 · Whiplash 2
Straight-faced 10 · Some laughs 2 · Funny 1
Slow burn 8 · Even-paced 5 · Relentless 0
A split, not a type: Casual 7 · Engaged 6 · Full focus 0
Easy watch 4 · Affecting 6 · Heavy 3
Resolved 12 · Open-ended 0 · Ambiguous 1
Roles they play
- Allyas Paolo in Lucrèce Borgia (1953)
- Heroas Patrick in Temptation (1959)
- Shadowas Brandon in The Corrupt Ones (1967)
- Heraldas Robert Ford in The Road to Corinth (1967)
Moods and endings
- Happy4
- Bittersweet3
- Tragic3
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Christian Marquand's films?
As of October 24, 2026, 8 of their 19 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Christian Marquand's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
57 credits, 19 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

Le Tiroir secret (not in the MovieCove catalog yet)(1986)

Farewell Fred (not in the MovieCove catalog yet)(1985)

Next Summer (not in the MovieCove catalog yet)(1985)

Emmanuelle 4 (not in the MovieCove catalog yet)(1984)

Chassé-croisé (not in the MovieCove catalog yet)(1982)

Choice of Arms(1981)
Midcredits score: 76th percentile of all films
Le Beau Monde (not in the MovieCove catalog yet)(1981)

I Love You All (not in the MovieCove catalog yet)(1980)

Beggarman, Thief (not in the MovieCove catalog yet)(1979)

Marrakesh Cult (not in the MovieCove catalog yet)(1979)

Apocalypse Now(1979)
Midcredits score: 99th percentile of all films
Cause toujours... tu m'intéresses (not in the MovieCove catalog yet)(1979)

Swimming Instructor (not in the MovieCove catalog yet)(1979)

Evening in Byzantium (not in the MovieCove catalog yet)(1978)
The Sorceror's Apprentice (not in the MovieCove catalog yet)(1977)
Midcredits score: 52nd percentile of all films
Victory at Entebbe(1976)
Midcredits score: 42nd percentile of all films
Ciao! Manhattan (not in the MovieCove catalog yet)(1973)

Heiß und kalt (not in the MovieCove catalog yet)(1972)

Candy(1968)
Midcredits score: 20th percentile of all films
The Road to Corinth(1967)
Midcredits score: 14th percentile of all films
The Corrupt Ones(1967)
Midcredits score: 22nd percentile of all films
Midcredits score: 94th percentile of all films
Lord Jim(1965)
Midcredits score: 68th percentile of all films
Behold a Pale Horse(1964)
Midcredits score: 71st percentile of all films
How to Make a French Dish (not in the MovieCove catalog yet)(1964)

Young Girls of Good Families (not in the MovieCove catalog yet)(1963)
Of Flesh and Blood (not in the MovieCove catalog yet)(1963)

The Longest Day(1962)
Midcredits score: 96th percentile of all films
Un chien dans un jeu de quilles (not in the MovieCove catalog yet)(1962)

Tales of Paris (not in the MovieCove catalog yet)(1962)

Shadows of Adultery (not in the MovieCove catalog yet)(1961)

Playtime (not in the MovieCove catalog yet)(1961)

Schlussakkord (not in the MovieCove catalog yet)(1960)

Sweet Deceptions (not in the MovieCove catalog yet)(1960)

Altas variedades (not in the MovieCove catalog yet)(1960)

Tender and Violent Elisabeth (not in the MovieCove catalog yet)(1960)

Sergeant X of the Foreign Legion (not in the MovieCove catalog yet)(1960)

I Spit on Your Grave (not in the MovieCove catalog yet)(1959)

Two Men in Town (not in the MovieCove catalog yet)(1959)

Temptation(1959)
Midcredits score: 50th percentile of all films (provisional, few ratings)
End of Desire (not in the MovieCove catalog yet)(1958)

Sexpot (not in the MovieCove catalog yet)(1957)

No Sun in Venice (not in the MovieCove catalog yet)(1957)

...And God Created Woman(1956)
Midcredits score: 53rd percentile of all films
Lady Chatterley's Lover(1955)
Midcredits score: 34th percentile of all films
More Whiskey for Callaghan (not in the MovieCove catalog yet)(1955)

Love at Night (not in the MovieCove catalog yet)(1955)

Les Hommes en blanc (not in the MovieCove catalog yet)(1955)

Attila(1954)
Midcredits score: 25th percentile of all films
Human Torpedoes (not in the MovieCove catalog yet)(1954)

Senso(1954)
Midcredits score: 92nd percentile of all films
Lucrèce Borgia(1953)
Midcredits score: 21st percentile of all films
La demoiselle et son revenant (not in the MovieCove catalog yet)(1952)

Dirty Hands (not in the MovieCove catalog yet)(1951)

Jenny Lamour(1947)
Midcredits score: 95th percentile of all films
Beauty and the Beast(1946)
Midcredits score: 96th percentile of all films
Career shape
Star power in the 93rd percentile of 239,109 people with a billed film role, over a full career of 57 titles from 1946 to 1986; peak year 1960.

Biggest box office
The Other Side of Midnight (1977)

Highest rated
Beauty and the Beast (1946)

Most popular right now
The Flight of the Phoenix (1965)
Film career
Peak 1960 · back in prominent film roles after a quiet stretch. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1946Screen debut· Beauty and the Beast
- 1960First top-billed film· Sweet Deceptions
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Christian Marquand's films land?
Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 19; across their 13 films with reception data, the typical film sits in the 54th percentile for acclaim.
- 75th and up7
- 50th to 74th5
- 25th to 49th3
- Below 25th4
Shape of the crowd
7 of their 19 titles are Mixed.
- Universally Loved6
- Cult Classic1
- Crowd Pleaser4
- Broadly Agreed1
- Mixed7
Reviewers score the acting 63/100 in their films, across 13 reviewed titles; fans 74, detractors 39. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Christian Marquand's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Christian Marquand work with?
People who share at least 2 of Christian Marquand's MovieCove titles, grouped by what they did on them; Maurice Ronet shares the most, 2.
Actors
- Maurice RonetShared titles: The Road to Corinth (1967), Lucrèce Borgia (1953)See all 2 shared titles with Maurice Ronet

- Anthony QuinnShared titles: Behold a Pale Horse (1964), Attila (1954)See all 2 shared titles with Anthony Quinn

Mixed roles
- Charles AznavourShared titles: Candy (1968), Temptation (1959)See all 2 shared titles with Charles Aznavour



