William Marrinson
- Editor
- 12 on MovieCove · 16 credits in all
What are William Marrinson's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Survival and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 5
A split, not a type: Light 3 · Serious 1 · Dark 2
A split, not a type: Grounded 3 · Stylized 2 · Heightened 1
Gentle 3 · Charged 3 · Intense 0
Steady 4 · Shifting 2 · Whiplash 0
Straight-faced 2 · Some laughs 3 · Funny 1
A split, not a type: Slow burn 4 · Even-paced 1 · Relentless 1
Casual 5 · Engaged 1 · Full focus 0
Easy watch 5 · Affecting 1 · Heavy 0
Resolved 5 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch William Marrinson's films?
As of October 24, 2026, 7 of their 12 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for William Marrinson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 12 with a MovieCove page.
Midcredits score: 18th percentile of all shows
Sprung(2022)
Midcredits score: 95th percentile of all shows
Desperate Housewives(2004)
Midcredits score: 81st percentile of all shows
Scenes of the Crime(2001)
Midcredits score: 32nd percentile of all films
Midcredits score: 41st percentile of all films
The Killer Eye(1999)
Midcredits score: 1st percentile of all films
Dark Nova (not in the MovieCove catalog yet)(1999)

Lurid Tales: The Castle Queen (not in the MovieCove catalog yet)(1997)

The Journey: Absolution(1997)
Midcredits score: 1st percentile of all films
Petticoat Planet(1996)
Midcredits score: 1st percentile of all films
Santa with Muscles(1996)
Midcredits score: 1st percentile of all films
Prey of the Jaguar(1996)
Midcredits score: 8th percentile of all films
The Sunchaser(1996)
Midcredits score: 53rd percentile of all films
Dreammaster: The Erotic Invader (not in the MovieCove catalog yet)(1996)

Beach Babes 2: Cave Girl Island (not in the MovieCove catalog yet)(1995)

Past Midnight(1991)
Midcredits score: 26th percentile of all films
Career shape
A full career of 14 titles from 1992 to 2022.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do William Marrinson's films land?
Their typical MovieCove film has a Midcredits score in the 8th percentile, the median of all 9; across their 6 films with reception data, the typical film sits in the 2nd percentile for acclaim.
- 75th and up2
- 50th to 74th1
- 25th to 49th3
- Below 25th6
Shape of the crowd
7 of their 12 titles are Mixed.
- Universally Loved1
- Universally Panned1
- Cult Classic1
- Crowd Pleaser1
- Broadly Agreed1
- Mixed7
Reviewers score the pacing 27/100 in their films, across 6 reviewed titles; fans 54, detractors 18. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is William Marrinson's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does William Marrinson work with?
People who share at least 2 of William Marrinson's MovieCove titles, grouped by what they did on them; David DeCoteau shares the most, 4.
Directors
- David DeCoteauShared titles: The Killer Eye (1999), The Journey: Absolution (1997), Petticoat Planet (1996), Prey of the Jaguar (1996)See all 4 shared titles with David DeCoteau

Writers
- Matthew Jason WalshShared titles: The Killer Eye (1999), Petticoat Planet (1996)See all 2 shared titles with Matthew Jason Walsh
Cinematographers
- Howard WexlerShared titles: The Killer Eye (1999), The Journey: Absolution (1997), Prey of the Jaguar (1996)See all 3 shared titles with Howard Wexler
Producers
- Charles BandShared titles: The Killer Eye (1999), Petticoat Planet (1996)See all 2 shared titles with Charles Band

- Brian ShusterShared titles: Prey of the Jaguar (1996), Santa with Muscles (1996)See all 2 shared titles with Brian Shuster
- David SilbergShared titles: Prey of the Jaguar (1996), Santa with Muscles (1996)See all 2 shared titles with David Silberg
- Harry ShusterShared titles: Prey of the Jaguar (1996), Santa with Muscles (1996)See all 2 shared titles with Harry Shuster